Names: Glionna, John M., author.
Title: Outback Nevada : real stories from the Silver State / John M. Glionna.
Identifiers: LCCN 2021041565| ISBN 9781647790448 (paperback) | ISBN 9781647790455 (ebook)
Subjects: LCSH: NevadaDescription and travel. | NevadaSocial life and customs21st century. | NevadaSocial life and customs20th century.
ACKNOWLEDGMENTS
The collected stories in this book were a decade in the making and written for various publications, so there are a lot of people to thankall of them top-of-the-line professionals whose guidance and generosity helped make this all happen.
First, at the Los Angeles Times, where I worked as a staff reporter for 26 years, Id like to thank longtime editor Steve Padilla, who quickly got to know my writers voice (literally) because for years he listened patiently as I read my stories aloud to him over the phone. When I was done, before making his cogent and pithy suggestions, he would often pause and say, Read it again. A gift from the editing gods, that one.
At the Las Vegas Review-Journal, where I have been a freelance contributor since 2016, my guardian angel has been editor Marian Green, always a quiet, supportive presence with a wild imagination, who knows a good story when she sees one. We began as colleagues but quickly became friends.
At Southern Nevadas Desert Companion magazine, it has always been the dynamic duo of editors Andrew Kiraly and Scott Dickensheets. Both have been decidedly open to even the most off-based stories I have pitched their way. Andrew is hipster-smart, and Scott is the name you want to hear when youre told whos going to edit your story. Scott has since moved on to another publication, but I hope my relationship with both of these mentors continues for years to come.
But good stories take more than good editing; the work requires good visual storytelling, and nobody does it better than Randi Lynn Beach. For years, over numerous publications, Randi and I have teamed up to kick ass first and get the names later. Shes funny and generous and kooky, but a woman-to-be-reckoned-with when she raises that camera to her eye. Were a team, Randi and I. And this book would not have been possible without her.
I have also worked with freelance photographer David Becker, probably the most fearless photojournalist Ive had the pleasure to know. On any story, David is indefatigable, works dawn until dusk, and then late into the night. Hes quiet, driven and never fails to get the job done. And more. He keeps me on my toes.
And a big shout-out to my buddy Ed Komenda, an old soul inhabiting a young writers body. For years, Ed has kept me honest, breaking down the writing, helping me choose which words and phrases work, and which I must part with.
And hearty thanks to Kyle Roerink, a journalist-turned-environmental-activist who knows rural Nevada as well as anyone and has led me to good stories, like a horse to water, and drink I did.
I would also like to recognize two supportive voices from the book-publishing world: Clark Whitehorn formerly of the University of Nevada Press first encouraged this book; and Margaret Dalrymple, who has spent months helping me hone my ideas into publishable form.
Id also like to thank my parents, John and Jean Glionna, who fostered my love of words and adventure. And to my wife, Lily, who each and every day provides the biggest adventure of them all.
PREFACE
THE THERE OUT THERE
Many peoplemostly tourists, but also urban Nevadansseem bewildered by the concept of taking that unheralded drive between Las Vegas and Reno, or exploring any of the states hinterlands, like it was some crazy rocket launch into the void of outer space.
Whats out there? they ask. Just a bunch of nothingness?
The question has always baffled me. Its not nothingness, I say. But something-ness. Because out there is where the real Nevada lies.
Whenever I grow weary of the noise of my Las Vegas life, when my suburban neighbors begin to grate and I itch for infinite vistas and endless two-lane straightaways, I point my car north, toward Nevadas untamed outback. Toward Beatty and Goldfield, Tonopah, Pioche and the Big Smoky Valley, Austin, Middlegate Station and Gerlach, Carvers, Jackpot and countless points in between.
I drive when I want to see wild mustangs and burros graze on the leather-colored landscape just off the highway tarmac. I drive when I want to gaze up at night skies so profoundly black I can see the glowing Milky Way and imagine just how far away heaven might be. I drive when I want to follow the swirling dust clouds kicked up by a country boy in a pickup truck, gleefully barreling down some anonymous dirt road, carving out his own freewheeling rite of passage, a young man leaving a trail of smoke and grit to rival any jet engine, one that might be seen from the moon, for all I know.
When doing journalism or just for thrills, I drive when I want to see, hear and feel rural Nevada, the real Nevada, that country-hearted salve for my curious big-city soul.
I first launched my explorations into Nevada in 1994 as a reporter for the Los Angeles Times. I worked as a so-called rover, a parachutist who dropped into places far outside city limits, on the lookout for hidden subcultures and offbeat tales.
On one of my first assignments, a profile of the controversial Yucca Mountain nuclear waste repository, one federal official sized up thebitter community resistance to the proposal. With most projects, he said, you have your NIMBYSNot in My Backyard. But when it came to nuclear waste, you had the NOPESNot on Planet Earth.
Nevada, I soon discovered, could be a land of scorching debate, with battles over such issues as horse-versus-cattle grazing rights and the preservation of such endangered species as the Mojave desert tortoise, Peregrine falcon and Lahontan cutthroat trout.
In 2012, I returned to Nevada full-time as a national correspondent. Early on, I asked my editor about the right mix of stories between big metropolises such as Vegas, Phoenix, Salt Lake City and Denver and the less-peopled high-desert wilderness. He said Id figure that out, and I did: I preferred being somewhere out there. I put the city lights squarely in my rearview mirror whenever I could.
In 2015, I left the Los Angeles Times after 26 years, but remained in the Las Vegas suburb of Henderson to launch a freelance career. I wasnt done with Nevada, not by a long shot. Id tell friends that while I could take or leave Las Vegas, the desert still beckoned. It kept me here. It rooted me.
I met with an editor at the Las Vegas Review-Journal and told him that while I believed his paper aggressively covered Las Vegas, its reporters rarely ventured out into states wide-open spaces. I offered to wander Nevadas outback as a freelancer. And to my delight, he agreed.
I set out to tell real-life stories of hard-edged stubborn characters, both loners and fools, and chronicle small-town goings-on. For leads, I sought out judges, ranchers, shop owners and weekly newspaper editors, those shrewd tour guides to rural life.