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Gregory Maguire - Son of a Witch : A Novel

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Gregory Maguire Son of a Witch : A Novel

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The long-anticipated sequel to the million-copy bestselling novel Wicked Ten years after the publication of Wicked, beloved novelist Gregory Maguire returns at last to the land of Oz. There he introduces us to Liir, an adolescent boy last seen hiding in the shadows of the castle after Dorothy did in the Witch. Bruised, comatose, and left for dead in a gully, Liir is shattered in spirit as well as in form. But he is tended at the Cloister of Saint Glinda by the silent novice called Candle, who wills him back to life with her musical gifts. What dark force left Liir in this condition? Is he really Elphabas son? He has her broom and her cape -- but what of her powers? Can he find his supposed half-sister, Nor, last seen in the forbidding prison, Southstairs? Can he fulfill the last wishes of a dying princess? In an Oz that, since the Wizards departure, is under new and dangerous management, can Liir keep his head down long enough to grow up? For the countless fans who have been dazzled and entranced by Maguires Oz, Son of a Witch is the rich reward they have awaited so long.

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SON OF A WITCH: A NOVEL
by
Gregory Maguire
BOOK TWO IN THE WICKED SERIES

ACKNOWLEDGMENTS

THANKS ARE DUE to the team at ReganBooks, starting with Judith Regan and including Cassie Jones, Paul Olsewski, and Jennifer Suitor.

Thank you to David Groff, Betty Levin, Andy Newman, and William Reiss for commenting on early drafts ofSon of a Witch.

Thank you to Haven Kimmel and to Eve Ensler, for encouraging words sent at precisely the right moment.

Thank you to Harriet Barlow, Ben Strader, and the company of Blue Mountain Center, New York.

Thank you, again, to Andy Newman, for defending the ramparts as usual, and to Lori Shelly, for able assistance at every wicked little thing.


ABOUT THE AUTHOR

GREGORY MAGUIRE is the bestselling author ofSon of a Witch,Confessions of an Ugly Stepsister,Lost, Mirror Mirror, and Wicked: The Life and Times of the Wicked Witch of the West, the basis for the Tony Award-winning Broadway musical of the same name. Maguire has lectured on art and culture at the Isabella Stewart Gardner Museum and the DeCordova Museum as well as at conferences at home and abroad. An occasional reviewer for theNew York Times Book Review, he lives with his family near Boston, Massachusetts.


ALSO BY GREGORY MAGUIRE

Wicked

Confessions of an Ugly Stepsister

Lost

Mirror Mirror

Copyright

SON OF A WITCH. Copyright 2005 by Gregory Maguire. All rights reserved under International and Pan- American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins Publishers, Inc.

Library of Congress Cataloging-in-Publication Data

Maguire, Gregory.

Son of a witch: a novel / Gregory Maguire. p. cm.

ISBN 0-06-054893-2 (cloth)

10 9 8 7 6 5 4 3 2 1


L. FRANK BAUMS second Oz novel,The Marvelous Land of Oz(1904), was dedicated to the actors David C. Montgomery and Fred A. Stone, who performed the roles of the Tin Woodman and the Scarecrow in the first theatrical version ofThe Wizard of Oz.In that spirit,Son of a Witch is dedicated to the cast and creative team of the musical Wicked, which opened on Broadway in October 2003-the night before Halloween.

To Winnie Holzman and Stephen Schwartz, foremost and first, for their vision; to Wayne Cilento, Susan Hilferty, Eugene Lee, Joe Mantello, Stephen Oremus, Kenneth Posner, and Marc Platt and his associates, for bringing visions to life; and, among all the capable cast, most especially to Kristin Chenoweth (Galinda/Glinda), Joel Grey (The Wizard), and Idina Menzel (Elphaba), for bringing life to visions.


I HAVE NO FEAR that the poetry of democratic peoples will be found timid or that it will stick too close to the earth.

I am much more afraid that itmay finish up by describing an entirely fictitious country.

- Alexis de Tocqueville,

Democracy in America, 1835, 1840

ALL COWS were like all other cows, all tigers like all other tigers-what on earth has happened to human beings?

- Harry Mulisch,

Siegfried, 2001


MAP

Under the Jackal Moon The House of Saint Glinda SO THE TALK OF RANDOM - photo 1


Under the Jackal Moon
The House of Saint Glinda

SO THE TALK OF RANDOM BRUTALITY wasnt just talk. At noontime they discovered the bodies of three young women, out on some mission of conversion that appeared to have gone awry. The novice maunts had been strangled by their ropes of holy beads, and their faces removed.

Her nerve being shaken at last, Oatsie Manglehand now caved in to the demands of her paying customers. She told the team drivers theyd pause only long enough to dig some shallow graves while the horses slaked their thirst. Then the caravan would press on across the scrubby flats known, for the failed farmsteads abandoned here and there, as the Disappointments.

Moving by night, at least they wouldnt make a sitting target, though they might as easily wander into trouble as sidestep it. Still, Oatsies party was antsy. Hunker down all night and wait for horse hoofs, spears? Too hard on everyone. Oatsie consoled herself: If the caravan kept moving, she could sit forward with her eyes peeled, out of range of the carping, the second-guessing, the worrying.

With the benefit of height, therefore, Oatsie spotted the gully before anyone else did. The cloudburst at sunset had fed a small trackside rivulet that flowed around a flank of skin, water-lacquered in the new moonlight. An island, she feared, of human flesh.

I ought to turn aside before the others notice, she thought; how much more can they take? There is nothing I can do for that human soul. The digging of another trench would require an hour, minimum. An additional few moments for prayers. The project would only further agitate these clients as they obsess about their own precious mortality.

Upon the knee of the horizon balanced the head of a jackal moon, so-called because, once every generation or so, a smear of celestial flotsam converged behind the crescent moon of early autumn. The impact was creepy, a look of a brow and a snout. As the moon rounded out over a period of weeks, the starveling would turn into a successful hunter, its cheeks bulging.

Always a fearsome sight, the jackal moon tonight spooked Oatsie Manglehand further.Dont stop for this next casualty. Get through the Disappointments, deliver these paying customers to the gates of the Emerald City. But she resisted giving in to superstition. Be scared of the real jackals, she reminded herself, not frets and nocturnal portents.

In any case, the light of the constellation alleviated some of the color blindness that sets in at night. The body was pale, almost luminous. Oatsie might divert the Grasstrail Train and give the corpse a wide berth before anyone else noticed it, but the slope of the persons shoulders, the unnatural twist of legs-the jackal moon made her read the figure too well, as too clearly human, for her to be able to turn aside.

Nubb, she barked to her second, rein in. Well pull into flank formation up that rise. Theres another fatality, there in the runoff.

Cries of alarm as the news passed back, and another mutter of mutiny: Why should they stop?-were they to bear witness to every fresh atrocity? Oatsie didnt listen. She yanked the reins of her team of horses, to halt them, and she lowered herself gingerly. She stumped, her hand on her sore hip, until she stood a few feet over the body.

Face down and genitals hidden, he appeared to have been a young man. A few scraps of fabric were still knotted about his waist, and a boot some yards distant, but he was otherwise naked, and no sign of his clothes.

Curious: no evidence of the assassins. Neither had there been about the bodies of the maunts, but that was on rockier ground, in a drier hour. Oatsie couldnt see any sign of scuffle here, and in the mud of the gulch one might have expectedsomething. The body wasnt bloody, nor decayed yet; the murder was recent. Perhaps this evening, perhaps only an hour ago.

Nubb, lets heave him up and see if theyve taken his face, she said.

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