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Charlotte Breese - Hutch: The true story of our biggest cabaret star, and the inspiration for Downton Abbeys Jack Ross

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Hutch: The true story of our biggest cabaret star, and the inspiration for Downton Abbeys Jack Ross: summary, description and annotation

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The vivid true story of one of the biggest stars in Britain during the 1920s and 30s, and the inspiration for Downton Abbeys Jack Ross
Born in Grenada in 1900, Leslie Hutch Hutchinson went to America in 1916 to study medicine, but soon escaped to Harlem where he witnessed the birth of stride jazz piano and began playing and singing in bars himself. Moving to France in 1923, he became the protege and lover of Cole Porter before coming to London where he was soon topping the bills in variety and on radio.
Immaculate in white tie and tails, Hutch had enormous sex appeal, his velvet voice and superb piano improvisation attracting legions of fans, including the then Prince of Wales and, most famously, Edwina Mountbatten.
Despite his success, Hutch was a profoundly insecure man with insatiable appetites for sex, drink, gambling and social status which precipitated his fall from fame to a squalid existence by the late 1960s.

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HUTCH

CHARLOTTE BREESE

Hutch The true story of our biggest cabaret star and the inspiration for Downton Abbeys Jack Ross - image 1

Hutch The true story of our biggest cabaret star and the inspiration for Downton Abbeys Jack Ross - image 2

Hutchs early passport Hutch left Florida 1923 Hutchinsons Royal Six - photo 3

Hutchs early passport.

Hutch left Florida 1923 Hutchinsons Royal Six visiting the Lido Venice - photo 4

Hutch (left) Florida, 1923.

Hutchinsons Royal Six visiting the Lido Venice 1926 Edwina Mountbatten on - photo 5

Hutchinsons Royal Six visiting the Lido, Venice, 1926.

Edwina Mountbatten on the beach at Deauville 1925 Joan 1927 Nol - photo 6

Edwina Mountbatten on the beach at Deauville, 1925.

Joan 1927 Nol Coward 1920s Hutch in London 1928 - photo 7

Joan, 1927.

Nol Coward 1920s Hutch in London 1928 Gabrielle born 1930 - photo 8

Nol Coward, 1920s.

Hutch in London 1928 Gabrielle born 1930 Elisabeth mother of - photo 9

Hutch in London, 1928.

Gabrielle born 1930 Elisabeth mother of Gabrielle Princess Marina - photo 10

Gabrielle, born 1930.

Elisabeth mother of Gabrielle Princess Marina 1934 - photo 11

Elisabeth, mother of Gabrielle.

Princess Marina 1934 Hutch in the Cotswolds 1940 - photo 12

Princess Marina, 1934.

Hutch in the Cotswolds 1940 - photo 13

Hutch in the Cotswolds 1940 Mary mother of Chris and Graham - photo 14

Hutch in the Cotswolds 1940 Mary mother of Chris and Graham - photo 15

Hutch in the Cotswolds, 1940.

Mary mother of Chris and Graham Chris and Graham Hutc - photo 16

Mary mother of Chris and Graham Chris and Graham Hutch in the 1950s - photo 17

Mary, mother of Chris and Graham.

Chris and Graham Hutch in the 1950s by Baron Princess Margaret at - photo 18

Chris and Graham.

Hutch in the 1950s by Baron Princess Margaret at twenty-five August 1955 - photo 19

Hutch in the 1950s, by Baron.

Princess Margaret at twenty-five August 1955 Hutch in India Hutch with - photo 20

Princess Margaret at twenty-five, August 1955.

Hutch in India Hutch with Joan at the Blue Angel Emma born 1965 - photo 21

Hutch in India.

Hutch with Joan at the Blue Angel Emma born 1965 Jill mother of Emma - photo 22

Hutch with Joan at the Blue Angel.

Emma born 1965 Jill mother of Emma 1960s Grateful acknowledgement is - photo 23

Emma, born 1965.

Jill mother of Emma 1960s Grateful acknowledgement is made to the following - photo 24

Jill, mother of Emma, 1960s.

Grateful acknowledgement is made to the following for use of their photographs: 4, 10, 14, 15, The Hulton Getty Picture Collection; 6, The Mander and Mitchenson Theatre Collection; 17, Nick Brown; 18, The Fairfax Photo Library; remaining photographs courtesy of the Hutch Collection.

Grateful acknowledgement is made to Warner/Chappell and IMP for permission to reproduce lines from the songs Dance dance dance little lady and I travel alone by Nol Coward; High Hat by George Gershwin and Love for Sale by Cole Porter; to the BBC Written Archives Centre for permission to reproduce BBC in-house correspondence; to Peters Fraser & Dunlop for permission to quote from Evelyn Waughs Diaries; to Redwood Music Ltd for permission to quote from They Didnt Believe Me, words by Michael Elder Rourke, and from You Try Somebody Else, words by Buddy DeSylva, Lou Brown and Ray Henderson; to Laura McKenna for permission to quote from Too Many Martinis by Anne de Nys; to Boosey & Hawkes Music Publishers Ltd for permission to quote from These Foolish Things by Strachey/Maschwitz, copyright 1936 by Lafleur Music Ltd.

First published 1999

This electronic edition published in 2011 by Bloomsbury Publishing Plc

This paperback edition published 2001

Copyright 1999 by Charlotte Breese

The moral right of the author has been asserted

All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

Bloomsbury Publishing Plc,
50 Bedford Square, London WC1B 3DP

A CIP catalogue record for this book
is available from the British Library

ISBN: 978 1 4088 3113 7

www.bloomsbury.com

Visit www.bloomsbury.com to find out more about our authors and their books.
You will find extracts, author interviews, author events and you can sign up for newsletters to be the first to hear about our latest releases and special offers.

For my marvellous parents Dick and Miriam Odgers

Contents

I would like to thank my children Olivia, Cecily, Josephine and Tabitha for their indulgence; my sister Clare for her support and my brother James for his practical help; Irfan Husain and his family for their love, hospitality and encouragement; Peter Breese for his generosity. I am also most grateful to Hugh Bredin for his enthusiasm, patience and expertise, and to Liz Calder, Alexandra Pringle, Ingrid von Essen and Caroline Wood for excellent picture research.

My friends and extended family helped a lot: Diny Shepherd-Cross, Hasan Askari, Sarah Tillie, Bubli Brar, Jane Broadley, Diana Alderson, Edward Synge, Jane Angus, Willa Walker, Ivor and Katerina Porter, Charles Swift, Tom Stacey, Jean Letts, Vicky Wilson, Jane Willoughby, Renu Chopra, Alice Lewes, Phoebe Anne Magee, Fiona Hassard, Celia Campbell, Peter Johnson, Kay Hargreaves, Barry and Anne Nation, Robin Melville, David Sheppard, David West-Russell, Davina Campbell-Golding, Syra Vahidy.

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