• Complain

Thomas Frost - Circus Life and Circus Celebrities

Here you can read online Thomas Frost - Circus Life and Circus Celebrities full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2017, publisher: CreateSpace Independent Publishing Platform, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Circus Life and Circus Celebrities
  • Author:
  • Publisher:
    CreateSpace Independent Publishing Platform
  • Genre:
  • Year:
    2017
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Circus Life and Circus Celebrities: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Circus Life and Circus Celebrities" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Thomas Frost: author's other books


Who wrote Circus Life and Circus Celebrities? Find out the surname, the name of the author of the book and a list of all author's works by series.

Circus Life and Circus Celebrities — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Circus Life and Circus Celebrities" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Transcribers Note The few minor errors attributable to the printer have been - photo 1

Transcribers Note:
The few minor errors, attributable to the printer, have been corrected. Please see the transcribers at the end of this text for details regarding the handling of any textual issues encountered during its preparation.
Any corrections are indicated using an underline highlight. Placing the cursor over the correction will produce the original text in a tooltip popup.
Any corrections are indicated as hyperlinks, which will navigate the reader to the corresponding entry in the corrections tale in the note at the end of the text.
Circus Life and
Circus Celebrities
BY
THOMAS FROST
AUTHOR OF THE OLD SHOWMEN AND THE OLD LONDON FAIRS, LIVES
OF THE CONJURERS, ETC.
A NEW EDITION
London
CHATTO AND WINDUS, PICCADILLY
1881
PREFACE.

There are probably few persons who do not number among the most pleasant recollections of their youth their first visit to a circus, whether their earliest sniff of the saw-dust was inhaled in the building made classical by Ducrow, or under the canvas canopy of Samwell or Clarke. In my boyish days, the cry of This way for the riders! bawled from the stentorian vocal organs of the proprietor or ring-master of a travelling circus, never failed to attract all the boys, and no small proportion of the men and women, to the part of the fair from which it proceeded. Fairs have become things of the past within twelve or fifteen miles of the metropolis; but ever and anon a tenting circus pitches, for a day or two, in a meadow, and the performances prove as attractive as ever. The boys, who protest that they are better than a play,the young women, who are delighted with the loves of horses,the old gentlemen, who are never so pleased as when they are amusing their grandchildren,the admirers of graceful horsemanship of all ages,crowd the benches, and find the old tricks and the old wheezes, as the poet found the view from Grongar Hill, ever charmingever new.
What boy is there who, though he may have seen it before, does not follow with sparkling eyes the Pawnee Chief in his rapid career upon a bare-backed steed,the lady in the scarlet habit and high hat, who leaps over hurdles,the stout farmer who, while his horse bears him round the ring, divests himself of any number of coats and vests, until he finally appears in tights and trunks,the juggler who plays at cup and ball, and tosses knives in an endless shower, as he is whirled round the arena? And which of us has not, in the days of our boyhood, fallen in love with the fascinating young lady in short skirts who leaps through balloons and over banners? Even when we have attained mans estate, and learned a wrinkle or two, we take our children to Astleys or Henglers, and enjoy the time-honoured feats of equitation, the tumbling, the gymnastics, and the rope-dancing, as much as the boys and girls.
But of the circus artistes the riders, the clowns, the acrobats, the gymnasts,what do we know? How many are there, unconnected with the saw-dust, who can say that they have known a member of that strange race? Charles Dickens, who was perhaps as well acquainted with the physiology of the less known sections of society as any man of his day, whetted public curiosity by introducing his readers to the humours of Slearys circus; and the world wants to know more about the subject. When, it is asked, will another saw-dust artiste give us such an amusing book as Wallett presented the world with, in his autobiography? When are the reminiscences of the late Nelson Lee to be published? With the exception of the autobiography of Wallett, and a few passages in Ellistons memoirs, the circus has hitherto been without any exponent whatever. Under the heading of Amphitheatres, Wattss Bibliotheca Britannica, that boon to literary readers at the British Museum in quest of information upon occult subjects, mentions only a collection of the bills of Astleys from 1819 to 1845.
Circus proprietors are not, as a rule, so garrulous as poor old Sleary; they are specially reticent concerning their own antecedents, and the varied fortunes of their respective shows. To this cause must be ascribed whatever shortcomings may be found in the following pages in the matter of circus records. Circus men, too, are very apt to meet a hint that a few reminiscences of their lives and adventures would be acceptable with the reply of Cannings needy knife-grinder,Story! God bless you! I have none to tell, sir. There are exceptions, however, and as a rule the better educated members of the profession are the least unwilling to impart information concerning its history and mysteries to those outside of their circle. To the kindness and courtesy of several of these I am considerably indebted, and beg them to accept this public expression of my thanks.
T. FROST.
Long Ditton , Oct. 1st, 1873.
CONTENTS.

CHAPTER I.
Page
Beginnings of the Circus in EnglandTumblers and Performing Horses of the Middle AgesJacob Hall, the Rope-dancerFrancis Forcer and Sadlers WellsVauxhall GardensPrices Equestrian Performances at Johnsons GardensSampsons Feats of HorsemanshipPhilip AstleyHis Open-air Performances near Halfpenny HatchThe First CircusErection of the Amphitheatre in Westminster RoadFirst Performances thereRival Establishment in Blackfriars RoadHughes and Clementina
CHAPTER II.
Fortunes of the Royal CircusDestruction of Astleys Amphitheatre by FireIts ReconstructionSecond ConflagrationAstley in ParisBurning of the Royal CircusErection of the Olympic PavilionHengler, the Rope-dancerAstleys HorsesDancing HorsesThe Trick Horse, BillyAbraham SaundersJohn Astley and William DavisDeath of Philip AstleyVauxhall GardensAndrew DucrowJohn ClarkeBarrymores Season at AstleysHippo-dramatic SpectaclesThe first Circus Camel
CHAPTER III.
Ducrow at Covent GardenEngagement at AstleysDouble Acts in the circleDucrow at ManchesterRapid Act on Six HorsesRaphaels DreamMiss WoolfordCrosss performing ElephantODonnels Antipodean FeatsFirst year of Ducrow and WestHenry AdamsDucrow at HullThe Wild Horse of the UkraineDucrow at SheffieldTravelling CircusesAn Entre at HollowaysWilds ShowConstantine, the PosturerCircus HorsesTenting at FairsThe Mountebanks
CHAPTER IV.
A few words about MenageriesGeorge WombwellThe Lion Baitings at WarwickAtkinss Lion and Tigress at AstleysA Bull-fight and a Zebra HuntDucrow at the PavilionThe Stud at Drury LaneLetter from Wooler to EllistonDucrow and the Drury SupersZebras on the StageThe first Arab TroupeContention between Ducrow and Clarkson StanfieldDeaths of John Ducrow and Madame DucrowMiss Woolford
CHAPTER V.
Lions and Lion-tamersManchester JackVan AmburghCarters FeatsWhat is a Tiger?Lion-driving and Tiger-fightingVan Amburgh and the Duke of WellingtonVaulting Competition between Price and NorthBurning of the AmphitheatreDeath of DucrowEquestrian Performances at the Surrey TheatreTravelling CircusesWells and MillerThomas Cooke-Van AmburghEdwin HughesWilliam BattyPablo Fanque
CHAPTER VI.
Conversion of the Lambeth Baths into a CircusGarlick and the Wild BeastsGar-lick Company at the SurreyWhite Conduit GardensRe-opening of AstleysBattys Circus on its TravelsBatty and the Sussex JusticesEquestrianism at the LyceumLions and Lion-tamers at AstleysFranconis Circus at Cremorne GardensAn Elephant on the Tight-ropeThe Art of BalancingFranconis Company at Drury LaneVan Amburgh at AstleysThe Black TigerPablo FanqueRivalry of Wallett and BarryWalletts CircusJunction with Franconis
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Circus Life and Circus Celebrities»

Look at similar books to Circus Life and Circus Celebrities. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Circus Life and Circus Celebrities»

Discussion, reviews of the book Circus Life and Circus Celebrities and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.