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Leigh Montville - Tall Men, Short Shorts: The 1969 NBA Finals: Wilt, Russ, Lakers, Celtics, and a Very Young Sports Reporter

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Leigh Montville Tall Men, Short Shorts: The 1969 NBA Finals: Wilt, Russ, Lakers, Celtics, and a Very Young Sports Reporter
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Tall Men, Short Shorts: The 1969 NBA Finals: Wilt, Russ, Lakers, Celtics, and a Very Young Sports Reporter: summary, description and annotation

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This part memoir, part sports story (Wall Street Journal) from the New York Times bestselling author of The Big Bam chronicles the clash of NBA titans over seven riveting gamesCeltics versus Lakers, Russell versus Chamberlaincovered by one young reporter. Welcome to the 1969 NBA Finals! They dont set up any better than this. The greatest basketball player of all time - Bill Russell - and his juggernaut Boston Celtics, winners of ten (ten!) of the previous twelve NBA championships, squeak through one more playoff run and land in the Finals again. Russells opponent? The fearsome 71 next-generation superstar, Wilt Chamberlain, recently traded to the LA Lakers to form the leagues first dream team. Bill Russell and John Havlicek versus Chamberlain, Jerry West and Elgin Baylor. The 1969 Celtics are at the end of their dominance. The 1969 Lakers are unstoppable. Add to the mix one newly minted reporter. Covering the epic series is a wide-eyed young sports writer named Leigh Montville. Years before becoming an award-winning legend himself at The Boston Globe and Sports Illustrated, twenty-four-year-old Montville is ordered by his editor at the Globe to get on a plane to L.A. (first time!) to write about his luminous heroes, the biggest of big men. What follows is a raucous, colorful, joyous account of one of the greatest seven-game series in NBA history. Set against a backdrop of the late sixties, Montvilles reporting and recollections transport readers to a singular time with rampant racial tension on the streets and on the court, with the emergence of a still relatively small league on its way to becoming a billion-dollar industry, and to an era when newspaper journalism and the written word served as the crucial lifeline between sports and sports fans. And there was basketball seven breathtaking, see-saw games, highlight-reel moments from an unprecedented cast of future Hall of Famers (including player-coach Russell as the first-ever black head coach in the NBA), coast-to-coast travels and the clack-clack-clack of typewriter keys racing against tight deadlines. Tall Men, Short Shorts is a masterpiece of sports journalism with a charming touch of personal memoir. Leigh Montville has crafted his most entertaining book yet, richly enshrining luminous players and moments in a unique American time.

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Also by Leigh Montville Sting Like a Bee Evel The Mysterious Montague - photo 1
Also by Leigh Montville

Sting Like a Bee

Evel

The Mysterious Montague

The Big Bam

Ted Williams

At the Altar of Speed

Manute

Why Not Us?

Copyright 2021 by Leigh Montville All rights reserved Published in the United - photo 2

Copyright 2021 by Leigh Montville

All rights reserved. Published in the United States by Doubleday, a division of Penguin Random House LLC, New York, and distributed in Canada by Penguin Random House Canada Limited, Toronto.

www.doubleday.com

doubleday and the portrayal of an anchor with a dolphin are registered trademarks of Penguin Random House LLC.

Cover photograph: 1969 NBA Finals, Boston Celtics Bill Russell (6) in action vs. Los Angeles Lakers Wilt Chamberlain (13), Inglewood, CA, by George Long / Sports Illustrated Classic / Getty Images

Cover design by John Fontana

Library of Congress Cataloging-in-Publication Data

Names: Montville, Leigh, author.

Title: Tall men, short shorts : the 1969 NBA finals: Wilt, Russ, Lakers, Celtics, and a very young sports reporter / Leigh Montville.

Description: First edition. | New York, N.Y. : Doubleday, 2021. | Includes bibliographical references and index.

Identifiers: LCCN 2021000519 (print) | LCCN 2021000520 (ebook) | ISBN 9780385545198 (hardcover) | ISBN 9780385545204 (ebook)

Subjects: LCSH: NBA Finals (Basketball) (1969) | Boston Celtics (Basketball team)History. | Los Angeles Lakers (Basketball team)History. | Chamberlain, Wilt, 19361999. | Russell, Bill, 1934 | Montville, Leigh. | SportswritersUnited StatesBiography.

Classification: LCC GV885.515.N37 M665 2021 (print) | LCC GV885.515.N37 (ebook) | DDC 796.323/640973dc23

LC record available at https://lccn.loc.gov/2021000519

LC ebook record available at https://lccn.loc.gov/2021000520

Ebook ISBN9780385545204

ep_prh_5.7.0_c0_r0

To all the other cool kids who worked at

135 Morrissey Boulevard, Boston, Massachusetts 02125.

It was great fun.

Looking out at the road rushing under my wheels. Looking back at the years gone by like so many summer fields.

Jackson Browne, Running on Empty

Contents
Introduction

I wrote much of this book during the 2020 NBA playoffs. It was an odd process. At night I watched the Los Angeles Lakers step-by-step journey to yet another title on television in what was called a bubble. The month was October, the time for baseball and football, not basketball. All games were played in an antiseptic gymnasium next to an amusement park in Orlando, Florida. By day, I spent my time in another bubble, 1969, where it was spring and the Lakers were trying to win their very first title in Los Angeles.

All games were not played in an antiseptic gymnasium next to an amusement park in Orlando, Florida.


There were fans in my bubble.

There was actual noise.

Loud noise much of the time.

An organistJohn Kiley in Boston, Gaylord Carter in Los Angelesplayed music during the timeouts.

Hot dogs were sold.

Beer.

Yes, there were tall men.

Bill Russell.

Wilt Chamberlain.

Jerry West.

John Havlicek.

Elgin Baylor.

Yes, there were short shorts.

Canvas sneakers.

No instant replays.

No commercial breaks.

Big stories.

Little stories.

Injuries.

Details.

Interviews.

Phone calls from phone booths.

Cigarettes.

Basketball.

Basketball.

Basketball.


I spent time in buildings that no longer exist.

I worked with people who no longer are alive.

I traveled across the country, back and forth, on airplanes.

I ate in restaurants.

I drank in bars.

I talked to friends, sometimes late into the night.

I rode in cabs.

I talked to strangers, some of them famous, face-to-face.

I bought three newspapers every day, first thing in the morning, read them with a tactical and discerning eye, looked for news I had not heard. Worried. Analyzed.

I went to the games.

Yes, I did.

I pushed through crowds.

I shoved.

I stayed up late.

I woke up early. (West Coast time.)

I stood in lines, everybody close together.

I hustled.

The rush of it all, the colors, the emotions, the deadlines, the locker rooms, the quotes, the typing, the worry, worry, worry.

My heart sometimes seemed as if it was going to explode.

I was young.

I was younger than I thought I was.

I was 100 percent alive.


The games at night on television from the 2020 bubble were very good, interesting, congratulations to everyone involved, but they seemed to be played in a laboratory or on a space ship circling the moon. I looked at the big NBA logo on the Disney World hardwood floor, the most familiar figure in the production, appreciated the talents on display, acknowledged the resultscongratulations to L.A.and the next day, very early, returned to the other bubble in my notes, in my memory, in my mind.

Hello, Wilt.

Hello, Bill.

Hello, Jerry.

Nobody had to wear a mask.

Chapter 1
FLYING

The bright young man is dressed pretty much the way I am dressed today, right now, as I type these words on my MacBook Pro. Jeans. Polo shirt. Sneakers. Maybe a sports coat for the trip. Maybe not. More likely that yellow zipper jacket, one of those Baracuta jackets with the Scotch plaid lining, in case the day is cool when he gets off the plane. They were popular back then, the Baracuta jackets. Kids in Charlestown and South Boston wore them inside out to show the lining and the label. Irish kids. Tribal. Local. The bright young man wears his the regular way since he is much older than those kids, twenty-five, not from South Boston or Charlestown, married and all, but the collar is up. That is the way everybody wore it. I still wear the collar up on my zipper jackets today.

Because. Just because.

The bright young mans red hair is longer and fuller and brighter than mine. That is for sure. He has a pair of modified muttonchops for sideburns. Hasnt added the mustache yet. That will come on his thirtieth birthday. (You should have grown that years ago, someone will say. Yes, I should, he will reply. Never will shave it off.) He is smoking. There is no doubt about that. He always was smoking back then. Lucky Strikes. Unfiltered. No bullshit. Same brand as Mom and Dad. The Luckies put Dad in the ground two years earlier, emphysema, but Dad was old when he died. Sixty-seven. No need to worry. Twenty-five is a long way from sixty-seven.

The day is a wonder.

California awaits.

April 21, 1969.


The bright young man smokes all the way across the United States. Boston to L.A. The little ashtray in the armrest is filled by the time the plane passes over Cleveland. He grinds the butts into the pile, one after another, compressed proof of his addiction. He hopes he doesnt start a fire. Something seems to be sort of smoldering right now, so he clicks the little silver cover back in place. Could he, should he ask the stewardess to empty the nascent conflagration somewhere over Iowa or Kansas or wherever they are? Doesnt know. Doesnt ask. Keeps grinding. The smoldering seems to stop.

The stewardessesand that is their 1969 job description, their titleare young. Pretty. The same age as him. They have a movie star quality with their long hair and high heels and tight skirts and their beauty. He has an aisle seat and watches the young women take cans and miniature bottles of liquor from the beverage cart. Yes.

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