Ramsey Campbell - Solomon Kane: The Official Movie Novelisation

THE OFFICIAL MOVIE NOVELISATION

A NOVEL BY

RAMSEY CAMPBELL

BASED ON THE SCREENPLAY WRITTEN BY

MICHAEL J. BASSETT

BASED ON THE CHARACTER CREATED BY

ROBERT E. HOWARD

Solomon Kane:

The Official Movie Novelisation
Print edition ISBN: 9781848567269
E-book edition ISBN: 9780857685322

Published by
Titan Books
A division of
Titan Publishing Group Ltd
144 Southwark St
London
SE1 0UP

First edition June 2011

The movie Solomon Kane Wandering Star Pictures/Davis Films.
The novel Solomon Kane Wandering Star Pictures/Davis Films.

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This is a work of fiction. Names, characters, places, and incidents are products of the authors imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser.

A CIP catalogue record for this title is available from the British Library.

For Kate and John
invite no sorcerer within your castle!

Sections of this novel were written at the Aloni Apartments in Pefkehori (thank you for the provisions, Jim and Naomi Gurr!), at the British Fantasy Convention in Nottingham, at the Festival of Fantastic Films in Manchester and at Tammy and Sams Brockley mansion.

S tay close to Captain Kane!

As the men of the Relentless fought their way across the drawbridge of the castle, Martin was never more than yards behind his captain. More than once he came so close that he was sprayed with the blood of guards that Kane cut down. The blood was as hot as the African night as hot as the rage for victory with which Kane filled his men. Fighting in his wake felt like following a storm of blood, and now their nearness to the treasure seemed to have rendered him indomitable. Martin saw him gut two adversaries at once, pausing only long enough to snatch his blades out of their vitals. Another guard took that chance to rush him, but Kane thrust his rapier so deep between the mans ribs that he had to kick the dying man free of the weapon. A defender seemed to think this left Kane vulnerable, but as he ran at the captain the point of the rapier skewered his throat. Yes? Kane enquired of his screams, and Martin saw him gaze into the mans eyes as though he was seeking some truth. When he found none he held the man up with the sword like a specimen he was examining before he pulled the blade out, letting the body crumple to the bridge. At that moment the doors at the end of the drawbridge shut with a thunderous slam.

It seemed to shiver the obsidian minarets that towered against the suffused black sky. Martin heard a massive bar rumbling ponderously into its sockets, and then a stampede of footsteps made it clear that many defenders had added their weight to the barrier. Martin saw Kanes eyes glitter, not only with the flames with which the bombardment of the castle had scattered the drawbridge. Aside, said Kane, and beckoned behind him.

At once four men pushed a cart onto the bridge. It was loaded with barrels of gunpowder. Martin felt the bridge vibrate beneath his feet as the cart trundled towards him. He and his fellows cleared the way, kicking scraps of fire aside or stamping on them. At last the cart reached the end of the bridge, and the men piled the barrels against the doors before setting a trail of powder. One of them lit it and ran back to safety while Kane stood his ground, challenging the explosion to harm him.

The bridge quaked, and the doors caved in as if the wood were rotten. The doorway was blocked by a dense flood of smoke, through which could be heard the clatter of falling rubble and the screams of men. Kane was already stalking towards it, swords held high. His mirthless grin made his lean face wolfish. As he strode through the insubstantial barrier, Martin was close behind him.

Beyond the doorway a wide corridor of amber stone was strewn with men and parts of men and blazing chunks of wood. Not a guard had been left standing, and those who could still move were almost indistinguishable from their dead comrades. Kane strode among them with his swords crossed behind his shoulders, his long black cloak flapping like a vultures wings, and peered at each face or remnant of a face. He might have been examining pieces of meat on a slab. All at once he stooped closer to a guard whose body was a mass of torn flesh and tattered armour but whose eyes turned fearfully to meet his. Where is the throne room? Kane said through his bared teeth.

The mans face worked as though he would have dragged himself away from Kane if his shattered limbs had let him, but he gave no answer. His eyes rolled in the sockets, more wildly as Kane traced the guards cheek with the point of his dagger. The point came to rest a fingertips breadth short of the mans left eye. Ajna tudgadur ghurfatul arsh? said Kane, and Martin understood that he was repeating the question in Arabic.

Either this or his fear of the blade gave the guard back his voice. Hunaak, hunaak, he gasped and raised a shaky finger to point along the corridor. Tafadzal, tafadzal.

Good lad. For a moment Kanes Devonshire accent made him sound as gentle as a lover. Good lad, he repeated and stroked the mans cheek. He straightened up, shaking his long black greasy locks out of his face, and sheathed the dagger. The guard must have had time to conclude he would be spared before Kane took his musket from his belt and levelled it at the mans head. Let not one of these putrid heathen live, he shouted.

The shot added the mans brains to the rubble on the floor, and seemed to infect Kanes companions with a lust to kill. They thrust their swords into the hearts of every fallen guard, even those who betrayed no sign of life. Martin drove his blade between the ribs of a man whose last breath seemed to shape a word that might have been a protest or a warning. As Martin dragged the sword out of the corpse Kane shouted Follow me.

Had they slain every one of the defenders? None challenged them as Kane led the way through corridor after broad corridor supported by circular arches, past enormous halls where towering columns effloresced against ceilings encrusted with elaborate mosaics. The deserted amber corridors put Martin in mind of tramping through gigantic veins of gold, and the prospect of treasure helped him quieten his indefinable doubts about the absence of any guards. Then Kane held up one hand, saying It is here.

Martin raised his sword as he saw movement beyond a rounded arch, but the silhouettes lined up to face each other across an antechamber were not guards, or even human. Only the flickering of torches set in brackets on the walls granted them the illusion of life. They were oval mirrors taller than he was, and he and his companions would have to pass between them. They must be the paraphernalia of some kind of African magic, but no God-fearing man need be afraid of such things. As soon as Kane stepped across the threshold Martin strode after him.

He disliked the antechamber more with every step he took. Was it only the restless light that had made it seem to harbour some form of life? Each mirror was supported by two pairs of thin splayed limbs that might have been the legs of monstrous insects. Or perhaps they resembled bones, because they and the scrawny oval frames were covered in tatters of material unpleasantly reminiscent of human skin. When Martin glanced into a mirror he was unsure what he saw. The figure silhouetted by flickering dimness could only be his reflection, but he retreated to the middle of the way between the mirrors as a chill seemed to reach for him out of the glass. What is this place? one of his fellows muttered behind him.