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George Plimpton - The Bogey Man: A Month on the PGA Tour

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George Plimpton chronicles his month spent on the PGA tour in The Bogey Man, repackaged and including a foreword by Rick Reilly and never-before-seen content from the Plimpton Archives.
What happens when a weekend athlete of average skill at best joins the professional golf circuit? George Plimpton, one of the finest participatory sports journalists, spent a month of self-imposed torture on the tour to find out. Along the way, he meets amateurs, pros, caddies, officials, fans, and hangers-on. In The Bogey Man, we find golf legends, adventurers, stroke-saving theories, superstitions, and other golfing lore, and best of all, Plimptons thoughts and experiences frustrating, humbling and, sometimes, thrilling from the first tee to the last green.
This intriguing classic, which remains one of the wittiest books ever written on golf, features Arnold Palmer, Dow Finsterwald, Walter Hagan, and many other golf greats and eccentrics, all doing what they do best.

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Copyright 1968, 1993, 2003, 2010, 2016 by the Estate of George Plimpton

Foreword 2016 by Rick Reilly

Cover design by Allison J. Warner

Author photograph by Naoki Matsumoto

Cover 2016 Hachette Book Group, Inc.

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the authors intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the authors rights.

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First ebook edition: April 2016

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ISBN 978-0-316-32633-9

E3-20160325-JV-PC

The Rabbits Umbrella

Out of My League

Paper Lion

The Bogey Man

Mad Ducks and Bears

American Journey: The Times of Robert Kennedy (with Jean Stein)

One for the Record

One More July

Shadow Box

Pierres Book (with Pierre Etchebaster)

A Sports Bestiary (with Arnold Roth)

Edie: An American Biography (with Jean Stein)

Sports! (with Neil Leifer)

Fireworks: A History and Celebration

Open Net

D.V. (with Diana Vreeland and Christopher Hemphill)

The Curious Case of Sidd Finch

The X Factor

The Best of Plimpton

Truman Capote

Ernest Shackleton

Chronicles of Courage (with Jean Kennedy Smith)

The Man in the Flying Lawn Chair

EDITED BY GEORGE PLIMPTON

Writers at Work: The Paris Review Interviews, volumes 19

The American Literary Anthology, volumes 13

Poets at Work: The Paris Review Interviews

Beat Writers at Work: The Paris Review Interviews

Women Writers at Work: The Paris Review Interviews

Playwrights at Work: The Paris Review Interviews

Latin American Writers at Work: The Paris Review Interviews

The Writers Chapbook

The Paris Review Anthology

The Paris Review Book of Heartbreak, Madness, etc.

The Norton Book of Sports

As Told at the Explorers Club: More Than Fifty Gripping Tales of Adventure

Home Run

G eorge Plimpton has nearly gotten me killed eleven times. Hes pulled three hammies for me, almost got me gored, gave me quarter-sized heat blisters, made me throw up more times than an Ipecac tester, left me to drop animals into my pants, and inspired me to sign up for more dangerous jobs than the cast of Jackass.

Because Plimpton was one of my heroes, I attempted things no sane person should. I crushed six cars in a monster truck, ran with the bulls, tried out for the WNBA, played womens pro football, became a ball boy at the U.S. Open, flew upside down in an F-14, jumped with the U.S. Army parachute team, became a tour caddy, became a rodeo clown, faced Nolan Ryans fastball, competed in the World Sauna Championships, delved into ferret legging (dont), and, in homage to the book you hold in your hand, played in the Pebble Beach Pro-Am. Twice.

Plimpton had the genius to stop talking to the pros who play the sports he loved and start playing the sports he loved. The NFL, the NHL, Major League Baseball, boxing, pro tennis. Hed do it, mostly fail at it, and then write about it, hilariously. That was sports writings Bob Beamon moment. What Walter Mitty dreamed about, Plimpton did. He broke through the wall, which meant I wanted to break through the wall.

Of course, my attempts were junior varsity compared to Plimptons. He lived in the era of America that historians classify as Before Insurance Lawyers Ruined Everything. So when he wanted to play quarterback for four downs as a Detroit Lion? Do it! they said. (He lost 30 yards.) When he wanted to pitch to a lineup of baseball all-stars? Why not? (He nearly dropped dead of exhaustion.) Step into the ring against Archie Moore? Have at it! (Bloody nose.)

He had titanium guts, but thats not my favorite Plimpton body part. My favorite Plimpton body part is his over-caffeinated mind. For a guy who looked about as clenched-teeth, Thurston-Howell-III, summer-in-Maine button-down as a man can be, underneath he was an incurably curious five-year-old who couldnt stop asking questions. In Bogey Man, he never stopped being fascinated by the curious carnival life these golfers lived in bad pants on lush lawns, and its what makes this my favorite Plimpton book.

The things the man found out! For instance, Im a lifelong golf fan, player, and writer and yet I never knew:

Arnold Palmer woke up every night at 2 a.m. to have a Coke.

Jack Nicklaus, as a rookie, would wear the same pair of pants for all four rounds.

Porky Olivers caddy would put his money in his shoe, so that if you saw him limping down the fairway, you knew he was in the chips, as Plimpton wrote.

Oh, and my absolute favorite:

The caddy for Deane Beman recalling Beman being so cheap that when he paid him, he look at you like you done stab him in the knee!

When Beman went on to become PGA Tour commissioner, we wore that phrase out.

Writer 1: Hey, what did Beman say when you asked him about John Daly?

Writer 2: Man, its like I done stab him in the knee!

There was nothing Plimpton did that I didnt want to do. One time, Plimpton was writing a freelance piece for Sports Illustrated, where I worked for twenty-two years. This was in the dark days before email, so freelancers would get the final edit of their piece faxed or mailed to them. But Plimpton was in Europe at the time, and by the time he got the final edit, the piece had gone to bed without his input. When it came out, Plimpton was not happy with the edit. He sent the hard copy back to the office, with these words scrawled angrily up the side in red ink: Wholesale tin-eared butchery!

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