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Rory Clements - Prince

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Rory Clements Prince

Prince: summary, description and annotation

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Spring 1593. England is a powder keg of rumour and fear. Plague rages, famine is rife, the ageing Queens couriers scheme: Elizabeths Golden Age is truly tarnished. Meanwhile Spain watches and waits - and plots. Into this turmoil a small cart clatters through the streets of London, carrying a deadly load. It is the first in a wave of horrific bombing attacks on the Dutch immigrant community that will change John Shakespeares life for ever. Driven on by cold rage, Shakespeares investigations will take him from magnificent royal horseraces to the opulent chambers of Black Luces brothel, from the theatrical underworld of Marlowe and Kyd to the pain-wracked torture cells of priest-hunter Richard Topcliffe, and from the elegant offices of master tactician Robert Cecil to the splintering timbers of an explosive encounter at sea. As Shakespeare delves ever deeper, he uncovers intricate layers of mystery and deception that threaten the heart not only of the realm, but of all that he holds dear.

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CONTENTS

Also by Rory Clements

Martyr
Revenger

Prince

RORY CLEMENTS

Prince - image 1

Prince - image 2

www.johnmurray.co.uk

First published in Great Britain in 2011 by John Murray (Publishers)
An Hachette UK Company

Rory Clements 2011

The right of Rory Clements to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

Map by Rosie Collins

All rights reserved. Apart from any use permitted under UK copyright law no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher.

All characters in this publication other than obvious historical figures are fictitious and any resemblance to real persons, living or dead, is purely coincidental.

A CIP catalogue record for this title is available from the British Library

Epub ISBN 978-1-84854-427-7
Book ISBN 978-1-84854-425-3

John Murray (Publishers)
338 Euston Road
London NW1 3BH

www.johnmurray.co.uk

For Naomi,
my sweetheart and loving wife

Chapter 1 F OUR MEN STARED down at the body of Christopher Marlowe A last - photo 3

Chapter 1 F OUR MEN STARED down at the body of Christopher Marlowe A last - photo 4

Chapter 1

F OUR MEN STARED down at the body of Christopher Marlowe. A last trickle of bright gore oozed from the deep wound over his right eye. His face and hair and upper torso were all thick with blood. One of the four men, Ingram Frizer, held the dripping dagger in his hand.

Frizer looked across at Robert Poley and grinned foolishly. He came at me.

Boars balls, Mr Frizer, give me the dagger, Poley said angrily.

Frizer held out the dagger. All the living eyes in the room followed the tentative movement of the blood-red blade. A sliver of brain hung like a grey-pink rats tail from its tip. Poley took the weapon and wiped it on the dead poets white hose. Suddenly, he struck out with the hilt and caught Frizer a hard blow on the side of his head. Frizer lurched backwards. Poley pushed him to the floor and jumped on him, knees on chest, hitting his head again, harder, pounding him until Nick Skeres tried to pull him away.

Poley stood back, shook off Skeress hands and brushed down his doublet with sharp irritation. He was not a tall man, but he was strongly built and the veins in his muscled forearms and temples bulged out and pulsed. He kicked Frizer in the ribs. You were only supposed to gag him and apply the fingerscrew, you dung-witted dawcock. Not kill him.

The afternoon sunlight of late May slanted in through the single, west-facing window. The presence of the men and the body made the room feel smaller than it really was. It was cleanly furnished; a well-turned settle made of fine-grained elm, a day bed where the body now lay, a table of polished walnut with benches either side and half-drunk jugs of ale atop it. The dusty floorboards were scuffed by the mens shoes; there was, too, a lot of blood and a few splashes of ale on the wood between the table and the day bed.

And you Poley turned to Skeres. You were supposed to hold him. He was out of his mind with drink and you couldnt keep a grip.

Ingram Frizer pulled himself painfully to his feet. He was doubled over, clutching his side where Poleys boot had connected.

Poley handed him the dagger. Here, take it. And listen well: it was his dagger Marlowes dagger. He came at you, pummelled your head with it. You fought back. In the struggle, the blade pierced his eye. You were defending yourself it was an accident.

Frizer took the dagger. He was slender with a lopsided face, the left eye half an inch higher than the right. The skin had been cut from the side of his head by Poleys beating. There was a livid gash, almost to the bone. His head and ribs throbbed, but he understood Poleys plan well enough. I liked this dagger, he said, turning the weapon over in his hands and examining the ornate hilt and narrow, sharp-pointed blade. Cost me half a mark. He tried to laugh.

Well, itll be Crown property now. Marlowe was always fighting. He was going to kill you. Its a simple story; remember it. Poley turned to the third man, Skeres. And you, Mr Skeres.

Skeres nodded. His bulbous face was sweating heavily. He mopped a kerchief across his brow. His gaze kept flicking towards the body, and then across to the fourth man, who stood close by the door. So far he had said nothing.

No, lets change that, Poley said, shaking his head slowly. Someone might recall that dagger. Say it was yours, Mr Frizer, but Marlowe snatched it off you, then you wrenched it away from him as he battered you. You struck backwards wildly, didnt know what you had done. Got that? And the knife didnt cost you half a mark, it cost you a shilling. The rest of the story holds. Poley suddenly slammed his fist down on the table. Wheres the screw?

Ingram Frizer pointed to the floor beneath the window, to where a five-inch by four-inch vice of iron lay. It was designed to crush the fingers of a hand, slowly and painfully.

Do I have to think for both of you? Pick it up!

Frizer scurried across the room and brought the device back to Poley, who thrust it inside his doublet.

At last the fourth man spoke. He was heavy-set with a wispy beard. Im going now. Wait two hours, drink some ale, then call the constable and the coroner. None of this comes back to me or my master. I was never here.

No, Poley agreed. He understood well enough. There must only ever have been four men in this room, not five.

The man took one last look around the room and met the eyes of Poley, Skeres and Frizer. Not one word. He lifted the latch and silently left the room.

The other three watched him go. A seagull landed on the sill of the open window, defecated, then flew off. Theres a problem, Skeres said, shaking the sweat out of his eyes.

The only problem, Poley said, is you . Youre a flaccid prick of a man, Skeres.

Weve got to say what they were fighting about, havent we?

It was the bill, of course. The reckoning. Frizer said Marlowe had drunk more so should pay more. Mr Marlowe wanted to quarter the bill evenly.

The coroner will never believe it.

Poley laughed. Pour the ale, Mr Skeres, then light me a pipe. How has a coney like you ever lived this long? Hear that, Mr Frizer? Mr Skeres says the coroner will never believe it. Poley laughed again, louder this time, and Frizer and Skeres laughed nervously with him.

Chapter 2

J OHN S HAKESPEARE SPOKE briefly to the constable standing guard, before entering the room. He was a tall man, about six foot, and had to stoop to get through the door. He glanced around, taking in the furnishings, the window, the body. It was a fair-kept room. He stepped closer to the bloody remains of Christopher Marlowe and stared intently into his eyes. One was open and opaque, the other a black-brown scab of dried gore and brain. He remembered those clever eyes as they had been in the old days when he had performed certain secret tasks for Mr Secretary Walsingham. Marlowe had been clever and dangerous. Well, hed met someone more dangerous.

The other three men in the room stood quietly by the table. Shakespeare caught Poleys gaze. They knew each other well. There had been times when they worked together, back in the mid eighties. It had never been a comfortable experience for Shakespeare. Now he lifted his chin in acknowledgement, if not exactly in greeting.

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