Published in 2019 by The New York Times Educational Publishing in association with The Rosen Publishing Group, Inc.
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Cataloging-in-Publication Data
Names: New York Times Company.
Title: Influential hip-hop artists: Kendrick Lamar, Nicki Minaj and others / edited by the New York Times editorial staff. Description: New York : New York Times Educational Publishing, 2019. | Series: Public profiles | Includes glossary and index. Identifiers: ISBN 9781642821666 (library bound) | ISBN 9781642821659 (pbk.) | ISBN 9781642821673 (ebook)
Subjects: LCSH: Rap musiciansUnited StatesJuvenile literature. | Hip-hopJuvenile literature. | Rap (Music)
Juvenile literature.
Classification: LCC ML3531.I565 2019 | DDC 782dc23
Manufactured in the United States of America
On the cover: The Tools of War Park Jam at St. Nicholas Park was themed "digger's delight, in which D.J.s, most of them using 45's, spun older and more obscure music; Todd Heisler/The New York Times.
Contents
CHAPTER 1
Jay-Z
CHAPTER 2
Nicki Minaj
CHAPTER 3
Kendrick Lamar
CHAPTER 4
Drake
CHAPTER 5
Cardi B
CHAPTER 6
Kanye West
Introduction
WHEN THE WINNERS of the 2018 Pulitzer Prize were announced, one category in particular caused a stir: Kendrick Lamar had become the first hip-hop artist to receive the Pulitzer Prize for Music, which he won for his album DAMN.
Jurors later told reporters that the decision had been unanimous. For observers and critics, the decision seemed to mark a major change in the perception of hip-hop. DAMN. had already received widespread critical acclaim for its musical sophistication as well as Lamars innovative lyricism. Lamars reputation had been elevated by his earlier album To Pimp a Butterfly, whose political messaging made it a symbol of black activism and which earned him a number of Grammy nominations and wins. But the Pulitzer Prize demonstrated something different: hip-hop was finally receiving the recognition it deserved.
Hip-hop has its origins in the 1970s in the Bronx, where early progenitors included Afrika Bambaataa, Grandmaster Flash and DJ Kool Herc. It has since grown in popularity, evolving over the years into a diverse and dynamic musical genre that includes aspects of beatboxing, rapping and sampling of tracks. Even more, hip-hop has become an identifiable culture, with associated styles, language and heroes.
Like other forms of black music, hip-hop has operated as both a form of resistance and an artistic refuge for the black community. While the audience of hip-hop music is diverse, the vast majority of its stars are people of color. As such, many of the genres themes are connected to black life and culture. While hip-hop lyrics often detail an artists status, biography and material wealth, they also reflect a political awareness, resulting in a legacy of pointed activism and vital protest.
JOHN FRANCIS PETERS FOR THE NEW YORK TIMES
Kendrick Lamar in Los Angeles in March 2015.
The articles in this book highlight the careers and works of six of hip-hops major stars: Jay-Z, Kendrick Lamar, Nicki Minaj, Drake, Cardi B and Kanye West. These artists embody different aspects of a diverse and ever-evolving industry: Jay-Z, who has been releasing records since the mid-90s, has shaped the sound of hip-hop through his work with his Roc Nation label, while Cardi B is one of the newest voices on the scene.
The popularity of these stars has resulted in conflict as well as acclaim. Kanye West has long been one of hip-hops most prominent and controversial voices, landing in trouble for his off-the-cuff and unpredictable statements. Nicki Minaj famously feuded with the pop star Taylor Swift. As the articles in this book demonstrate, all of these musicians have had to negotiate the very real consequences that accompany extreme fame and wealth.
As these artists have reached superstardom, their influence has affected areas of culture well beyond just the music industry. Kanye West has shaken up the fashion world with his Yeezy fashion line, and Jay-Z has become a well-known investor and entrepreneur. From business ventures to Pulitzer Prizes, these artists have had an indisputable impact on American society.
Even as hip-hop has received widespread cultural attention, it is also in a state of transition. Long dominated primarily by male artists, more and more female rappers are rising to prominence, contributing to new musical styles and lyrical subjects. And as the expansion of free platforms such as Soundcloud and YouTube allows undiscovered artists to build an audience, the genre continues to expand and evolve. One thing is for certain: hip-hop is an art form on the rise.
CHAPTER 1
Jay-Z
Jay-Z (born Shawn Carter) released his first album Reasonable Doubt" in 1996, topping the Billboard charts and going platinum. Since then, Jay-Z has authored more than a dozen records and produced many others, cementing his status as a hip-hop icon. His influence extends beyond his music: he has founded a record label, bought a stake in the Brooklyn Nets and made a name for himself in artistic and philanthropic circles. The articles in this chapter highlight his career trajectory and reputation.
10 Years Wiser, Jay-Z Offers His Reflections of a Hustler
BY KELEFA SANNEH | JUNE 27, 2006
IF YOU REMEMBER the 90s right now, put one hand in the air right now.
Thats a cleaned-up version of what Funkmaster Flex said as he warmed up the crowd in Radio City Music Hall on Sunday night. He asked, How many people 25 and older? And thousands of old-timers made some noise. This was a night devoted to ancient history, which explains why Jay-Z rolled onstage in a vintage automobile: a decade-old Lexus.
The occasion was the 10th anniversary of Jay-Zs debut album, Reasonable Doubt, which is now widely and properly celebrated as a hip-hop classic. If his life had imitated one of his own dopeman narratives, his quick rise would have been followed by success, excess and a slow decline. (Or maybe, if he made one enemy too many, a quick one.) Instead, he got on top and stayed there; he was the rapper to beat even when he wasnt topping the charts. He retired in 2003 and became president of Def Jam Recordings, but no one believes hes gone for good. Back then he bragged about having matching VCRs, a huge Magnavox. A decade later that boast sounds impressive in a way he couldnt have predicted: the flashy Brooklyn rapper has outgrown Magnavox and outlasted VCRs.