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Chris Harrald - The Cigarette Book: The History and Culture of Smoking

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Chris Harrald The Cigarette Book: The History and Culture of Smoking

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A truthful and learned treasury of musings on the miracle drug.Beryl Bainbridge

From A is for AardvarkWere not allowed to tell you anything about Winston cigarettes, so heres a stuffed aardvarkto Z is for Zippo, the iconic American lighter, The Cigarette Book is the ultimate souvenir and celebration of the dying art of smoking. Encyclopedic in both layout and range, this is an ideal consolation gift for those who have stopped, an ideal aide de memoire for those who might, and a defiant puff of libertarian brilliance for those who wont. Celebrate the Hollywood age of smoking when film stars lit up with glamorous abandon. Witty, illustrated, collectible, and up-to-date.
All smokers know that cigarettes are dangerous. Each one is a dance with deathand the defiant smoker will say that therein lies its charm. So each puff is an existential gesture, an assertion of choice and life in the face of death.
One day the last cigarette on earth will be smoked. One final puff will be sent heaven-bound, leaving a lingering, evanescent smoke ring. And the wise of this world will rejoice. Because logic demands that mankind is rid of this pernicious poison. And wasnt that well-known logician Adolf Hitler the most virulent opponent of cigarette smoking in the last century? Until then, read this book. 50 black-and-white illustrations

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Table of Contents Acknowledgements For permission to use copyright - photo 1
Table of Contents

Acknowledgements

For permission to use copyright material, grateful acknowledgement is made to the following:

For material from Lucky Jim ( 1954) by Kingsley Amis, to Orion Publishing; for extracts from her writing, to Beryl Bainbridge and to Johnson & Alcock; for extracts from her writing, to Lynn Barber; for the extract from My Last Breath (1982) by Luis Buuel, published by Jonathan Cape, to the Random House Group Ltd; for the extract from Of Cigarettes, High Heels and Other Interesting Things (2008) by Marcel Danesi, to Palgrave Macmillan; for the extract from The Woman Who Walked into Doors (1996) by Roddy Doyle, published by Jonathan Cape, to the Random House Group Ltd; for the extract from The Philanthropist (1970) by Christopher Hampton, to Faber and Faber; for Be prepared, to Tom Lehrer; for the extract from Memoirs of an Infantry Officer (1930), to the Estate of Siegfried Sassoon; for the extract from his article on journalism and smoking, to Ian Jack; for the extract from The Singing Detective (1986) by Dennis Potter, to Faber and Faber; for extracts from The Butt (2008) and other cigarette-related writing, to Will Self; for material from Kenneth Tynan: A Life (2003) by Dominic Shellard, to Yale University Press; for Smoke! Smoke! Smoke! (That Cigarette) and So round, so firm, so fully packed by Merle Travis, to Warner Chappell; for extracts from The Road Home (2007) by Rose Tremain, to the William Morris Agency.

Every effort has been made to trace or contact copyright holders. The publisher will be pleased to make good in future editions or reprints any omissions or corrections brought to their attention.

Thanks also for their help to David Hewson and Suzanne Fisher, and to David Fabricant and Chris Mullen for assistance with images.

A
Aardvark

The UK cigarette advertising restrictions that came in during the 1970s drove advertising agencies to new heights of ingenuity. In a 1983 poster, Winstons agency, J. Walter Thompson, showed a surprised public an unusual piece of taxidermy. The headline read:

Were not allowed to tell you anything about Winston cigarettes, so heres a stuffed aardvark.

The same campaign showed a Chinese cooking implement forcefully embedded in a chocolate cake. This time the line was:

Were not allowed to tell you anything about Winston cigarettes, so heres a wok in the Black Forest.

This was advertising surrealism fighting back against government censorship. For the two triumphant examples of this See Benson & Hedges and Silk Cut .

Adieux

On 1 January 1971, at 11.59 p.m., on the Johnny Carson Show and the Merv Griffin Show, the Marlboro cowboys rode across TV screens and into the sunset, the last cigarette commercial to be shown in the US. The date had been extended a day to allow the television networks one last cash windfall from cigarette advertising in New Years Day football games.

CBS and ABC networks said the ban resulted in a 50 per cent drop in advertising revenue. Lost revenue is independently estimated at $220m. Under the Fairness Doctrine, anti-smoking advertising was also removed from the air.

Johnny Carson (1925 75) often had a cigarette in his hand during early years of the show. He stopped smoking on air as the deleterious effects of smoking became known. He died of emphysema, following a massive heart attack brought on by his chain-smoking.

The last televised cigarette ad in the UK ran on 31 July 1965. It was a 60-second commercial for Rothman International. The televisionadvertising ban came into effect the following day, 1 August. By the following year, cigarette consumption had surged to 6 billion cigarettes.

Tara Parker-Pope, Cigarettes: Anatomy of an Industry , New York, 2001

Advertising

Cigarettes are inseparably intertwined with advertising and are the most spectacular proof of its efficacy. Across the world cigarette companies have made their advertising agencies rich, while the advertising agencies have made the cigarette companies even richer.

It is with the launch of Camel in 1913, and R. J. Reynoldss singleminded high-budget plugging of the brand that the idea of an advertising campaign was born. The word campaign with its implications of battles and war was highly appropriate to the fierce competition that was soon to consume the tobacco companies.

It could be said that, however successful the advertising, much of it amounted to no more than hyperbole and ingenious suggestion. Yet there is a profound skill in playing with words in a way that catches peoples imaginations.

Its toasted, claimed Lucky, to enormous effect, splendidly ignoring the fact that so was the tobacco of every other brand. George J. Whelan, a leading distributor of tobacco products in the 1920s, and former cigarette manufacturer, observed: There is no secret about cigarette making. Anyone can analyze a Camel and manufacture it. But that wasnt the point. The users would say it was not the same. Such is the power of advertising.

The public must be given ideas as to what it should like, and it is quite surprising sometimes how the public is sold on what might look [...] like the brainchild of a demented person...

An analyst writing in Advertising and Selling in 1936 observed:

You know a large part of the public doesnt really know what it wants. Our big task in recent years has been to dig up new likes or dislikes which we think might strike the publics fancy, and sell them to the public. We have dealt with diet, weight, coughs, mildness, quality of tobacco, nerves, toasting tobacco, youthful inspirations and a host of other subjects. The public must be given ideas as to what it should like, and it is quite surprising sometimes how the public is sold on what might look, in sales conference, like the brainchild of a demented person.

Men like George Washington Hill, who claimed that only three people in the world possessed the formula for Lucky Strike the assumption being that he was one of them but refused to name the other two, understood to perfection the ad mans old creed: you dont sell the steak, you sell the sizzle.


Robert Sobel, They Satisfy , New York, 1978
Peter B. B. Andrews, The Cigarette Market, Past and Future, Advertising and Selling ,
January 1936, cited by Brandt, Smoke: A Global History of Smoking , London, 2004

Aeros

See Smokeless cigarettes .

All About My Mother Todo Sobre Mi Madre (1999)

In Pedro Almodvars film All About My Mother , the heroine (Cecilia Roth) drives a car for Huma the diva (Marisa Paredes). Huma offers Manuela a cigarette, and the nature of smoking becomes a metaphor for Humas life.

MANUELA:No thank you.
Huma smokes.
HUMA:I started smoking because of Bette Davis. To imitate her. At eighteen I was smoking like a chimney. Thats why I called myself Huma.
MANUELA:Humas a very pretty name.
HUMA:Smoke is all theres been in my life.
MANUELA:Youve had success too.
HUMA:Success has got no taste or smell. And when you get used to it its like it doesnt exist.

Humo, it should be added, is Spanish for smoke, and Huma is the female version of the word.

All About My Mother , directed and screenplay by Pedro Almodvar, 1999

American presidents

Here is a companion to the presidents who puffed (even if they didnt all inhale), not to mention those who chewed and spat.

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