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Bobby Rush - I Aint Studdin Ya: My American Blues Story

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Experience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with Chicken Heads. More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including Sue and I Ain't Studdin' Ya. And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title King of the Chitlin' Circuit, from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.

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Copyright 2021 by Rushup Productions Inc.

Cover design by Terri Sirma

Cover photograph Rick Olivier

Cover copyright 2021 by Hachette Book Group, Inc.

Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture.

The scanning, uploading, and distribution of this book without permission is a theft of the authors intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact permissions@hbgusa.com. Thank you for your support of the authors rights.

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First Edition: June 2021

Published by Hachette Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Hachette Books name and logo is a trademark of the Hachette Book Group.

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Library of Congress Cataloging-in-Publication Data has been applied for.

ISBNs: 978-0-306-87480-2 (hardcover); 978-0-306-87479-6 (ebook)

E3-20210521-JV-NF-ORI

I reverently dedicate this book to the memory of my deceased children, Valerie, Donell, and Sherry.

When youre in your mid-eighties like me, you know youre way past the first song of the show. Youre actually walking back to the stage for one more encore. The bus is outside the nightclub, warming up. Its ready to take you to the airport or to your hotel or to take you home for good. Or you may just drive another three hundred miles into the abyss of the night. So if Im thinking about my daddy a lot, it just means Im thinking about my longevity and how I got to be one of the last men standing of the original American music bluesmen.

Many people know my name: Bobby Rush. But way more do not. Oh, youve heard about the blues greats, B.B. King, Muddy Waters, Howlin Wolf, Elmore James, and others. And you should have, because these men gave us one of the greatest art forms in the history of humanity. These greats were my teachers, peers, and, most of all, friends.

But Ive been lying to ya.

Some say I was born in 1940; Ill take that. Some say I was born in 1934, and Ill take that, too. But they also say I was born in 1937. And Ill bet you Im the only person in the history of show business that made themself to be oldernot youngerthan they really are. I started lying about my age when I was twelve, becoming fifteen overnightand I aint never looked back. If you cant give me a pass on that, then I aint studdin ya.

My daddy knew the Bible from front to back. Ive recorded over four hundred songs and can remember at least two hundred and fifty of themmusic and lyrics. I guess I inherited his superb memory. And Im glad I did because now, as I sit down and try to tell you my story, I realize its a blessing to remember to remember.

After B.B. King died, it closed the door on our almost-sixty-year friendship. Some said I was the next in line to carry the torch. I dont know if thats true, because B.B. and I traveled the same road, but we cruised on different wheels. And thats the beauty of life. But I am connected to him and so many others because their stories are surely connected to mine. I am, we are, a part of a very American story. I am a proud Black man. I am a proud bluesman. And I am a product of the American South.

But now Im just one man with one story leftmine.

The sugarcane stalks were just starting to turn yellow in late September. I looked at the back of Daddys hands as he massaged the stalk. The contrast of his boot-black skin against the greenish-yellow leaf looked like the stark colors that I only saw on the shelves of the general store. Hm-mm, its just about dry enough, Junior, Daddy said. It wouldnt be another week before me and three of my brothers were out there cutting down the stalks with long-blade machetes.

This wouldnt be my first time chopping sugarcane. But when your mind is young, you put together things bit by bit. So I knew what the result of all this chopping would beand that was syrup. Sweet, dark, Louisiana syrup. During my childhood, soppin up that syrup with Maws hot homemade biscuits was heaven on earththe highlight of my day. Still, as much as I knew there was a purpose in this harvesting, I just wanted to be near Daddy.

My daddy was some kinda man, I tell ya. At around six foot two, he looked as tall as a tree to me. Good-looking, fit as a fiddle, black as midnight, tough as a bulldog, and yet a peaceful man. His entire demeanor commanded attention. A true bookworm, he read everything. Every day. All day. And yet he had only a third-grade education. With a daddy like mine, I dont carry one single note of the dark blues of not having a father. So fully present in my life, he is a large man in my memory, spirit, and heart.

A quiet but a serious man, he was everything to me. Despite his reserved style, my earliest memory of him is when hed grab me with his enormous hands, lift me up high to the ceiling, and set me down on his right knee. Hed then pop me up and down to the rhythm of his whistling. Man, could he toot. The tone of his whistle was pure as a flute, and his licks were as soulful as Junior Walkers saxophone. You could tell whatever song he was tootin because his melody was so accurate. He probably could whistle better than anybody I ever heard in my entire musical life.

But something happened to me the day Daddy pulled out of his pocket a dull silver harmonica. Whisking it back and forth against the fabric of his blue bib overalls, he put the shined harp in his mouth and started to play. On his rock-solid knee, my mouth hung wide open. I was astonished. I could do nothing more than to stare deeply into his brown eyes and listen to the greasy yet melodic sound coming out of the harmonica. In my childhood mind, it sounded like somebody was crying, but they werent sad. The slew of changing tones Daddy was producing with his mouth created pictures in my mind. One tone sounded like an old hound dog; another sounded like a trainit fascinated me. I watched how he gripped the harmonica. I watched how his cheeks quickly ballooned up with airand just as quickly drew small as he blew out. The mystical mixture of him rhythmically popping me up and down on his knee while I listened to the music coming out of that harpbecame my first groove.

My first groove. Its something when a groove hits you. You feel it in your bones. You feel in your hands. You feel in your butt. You feel it in your heart. Its primal. Its magnetic. Its pure. Its irresistible. Knowing that his sound captivated me, Daddy performed for me. And since he didnt joke or play around much, this was a special moment. His eyes lit up. He bopped his head slightly from side to side. Sensing my ever-increasing interest, he smiled. Still, this was not the moment that put me on the road to becoming a musician. But it was damn sure starting the car.

When youre from the Deep South, Black, and born right after the Depression, theres a language that comes with that. So when I say my daddy was an upright man, maybe only some old people from Louisiana or Mississippi would understand what Im talking about. Yeah, my daddy was upright in the traditional senseas in righteous and decent. It didnt hurt Daddys reputation that he was also a preacher. With that, it connected him to a tradition that was as old as time, and it showed through his actions of kindness and counsel to others.

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