Fonthill Media Language Policy
Fonthill Media publishes in the international English language market. One language edition is published worldwide. As there are minor differences in spelling and presentation, especially with regard to American English and British English, a policy is necessary to define which form of English to use. The Fonthill Policy is to use the form of English native to the author. Alex E. Body was born and educated in England; therefore British English has been adopted in this publication.
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First published in the United Kingdom and the United States of America 2019
British Library Cataloguing in Publication Data:
A catalogue record for this book is available from the British Library
Copyright Alex E. Body 2019
ISBN 978-1-78155-729-7
The right of Alex E. Body to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.
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Typeset in 10.5pt on 13pt MinionPro
Printed and bound in England
Foreword
Few bands in the history of rock music inspire such polarised opinion as Rush. From their modest beginnings as a blues rock cover band playing small bars in Toronto, Rushs career was built on the firm foundation of constant touring. Originally forming in 1968 as high school friendsguitarist Alex Lifeson, drummer John Rutsey, and singer and bassist Jeff Jonesit was not until 1971 that Geddy Lee would join the band, replacing Jones to create the original line-up. Rutsey would remain in the band until 1974 when he was replaced by Neil Peart, thus creating the definitive Rush line-up. Since 1974, Rushs line-up has not changed.
Even from their earliest days, the band developed and changed constantly, losing and gaining fans along the waybut famously retaining their integrityalways moving in the direction that they chose.
In this book, I have tried to follow the journey of Rush through their compositions, tracing the origins of some of the bands unexpected (and sometimes unpopular) changes of style, as well as highlighting the bands great achievements along the way. The writing is deliberately as objective as possible, although, due to the nature of music, this has not always been possible. Nevertheless, this is a book designed to reveal the inner workings and background behind the bands enormous repertoire; it is not a review of it.
Rush were known for many years as the worlds biggest cult band; indeed, with twenty-four gold records and fourteen platinum records, they are only succeeded by The Beatles and The Rolling Stones for the most consecutive gold or platinum studio albums by a rock band.
As the bands enormous influence on modern rock music became evident in the twenty-first century, Rush are now regarded by rock fans and musicians alike as one of the most important rock acts to ever come out of North America. After more than forty years of writing and touring, in 2017, it seems that the band may finally be at the end of their career. Rush fans, however, know that the only thing to expect from Rush is the unexpected.
Authors note: Given the stability of the bands line-up I have chosen not to list the line-up against each album. As a result, the reader should assume the line up to be, unless shown otherwise:
Geddy Lee: bass, vocals, keyboards
Alex Lifeson: guitars
Neil Peart: drums and percussion.
Acknowledgements
Thanks are due to Stephen Lambe for support and advice along the way. Alex Dunbar, Mitch Simpson, Sebastiaan van Stijn, and Tim Starace for their photographs and memorabilia, my mum and dad for getting the ball rolling, and Audrey for her enduring patience.
Plate Section
The simple, yet highly effective cover for Rushs eponymous debut. (Anthem Entertainment Group)
John Rutsey, seen here in the centre, would appear solely on the bands 1974 debut LP before being replaced by Peart in the summer of that year. (Anthem Entertainment Group)
The cover of Fly by Night, the first Rush album to feature the bands definitive line-up. (Anthem Entertainment Group).
Caress of Steel was graphic designer Hugh Symes first collaboration with the band. (Anthem Entertainment Group)
Symes iconic cover for the bands 1976 album, 2112. (Anthem Entertainment Group)
Keen to make a visual impact, though with little confidence in how to do so, the band, for a time, donned kimonos on stage. (Anthem Entertainment Group)
Symes fabulous A Farewell to Kings artwork foreshadows the visually complex style he would become famous for. (Anthem Entertainment Group)
The defiant star man image became a motif for the band that would last throughout their career. Here it appears as part of the A Farewell to Kings artwork. (Anthem Entertainment Group)
An artistic representation of Apollo (left) and Dionysus (right) each keeping to their own hemisphere serves as the cover for 1978s Hemispheres. (Anthem Entertainment Group)
The cover for Permanent Waves was subtly altered several times over various reissues. This is latest edition, with the newspaper headline and advertising boards altered. (Anthem Entertainment Group)
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