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Blagoy Kiroff - August Macke -Master Drawings

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Blagoy Kiroff August Macke -Master Drawings

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August Macke (1887 1914) was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly innovative time for German art he saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. Like a true artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him. Mackes career was cut short by his early death in the second month of the First World War at the front in Champagne, France, on 26 September 1914. His final painting, Farewell, depicts the mood of gloom that settled after the outbreak of war.

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August Macke:
Master Drawings
By Blagoy Kiroff First Edition ***** August Macke: Master Drawings ***** Copyright 2015 Blagoy Kiroff
Foreword
A ugust Macke (3 January 1887 26 September 1914) was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). He lived during a particularly innovative time for German art he saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. Like a true artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him. He was born in Germany on 3 January 1887, in Meschede, Westphalia and was the only son of August Friedrich Hermann Macke, a building contractor and amateur artist, and his wife, Maria Florentine, ne Adolph, who came from a farming family in Westphalia's Sauerland region. Shortly after August's birth the family settled at Cologne, where Macke was educated at the Kreuzgymnasium (1897-1900) and became a friend of Hans Thuar, who would also become an artist. In 1900, when he was thirteen, the family moved to Bonn, where Macke studied at the Realgymnasium and became a friend of Walter Gerhardt and Gerhardt's sister, Elisabeth, whom he would marry a few years later.

The first artistic works to make an impression on the boy were his father's drawings, the Japanese prints collected by his friend Thuar's father and the works of Arnold Bcklin which he saw on a visit to Basel in 1900. In 1904 Macke's father died, and in that year Macke enrolled at the Kunstakademie Dsseldorf, under Adolf Maennchen (1904-1906). During this period he also took evening classes under Fritz Helmut Ehmke (1905), did some work as a stage and costume designer at the Schauspielhaus Dsseldorf, and visited northern Italy (1905) and Netherlands, Belgium and Britain (1906). Thereafter Macke lived most of his creative life in Bonn, with the exception of a few periods spent at Lake Thun in Switzerland and various trips to Paris, Italy, the Netherlands and Tunisia. In Paris, where he traveled for the first time in 1907, Macke saw the work of the Impressionists, and shortly after he went to Berlin and spent a few months in Lovis Corinth's studio. His style was formed within the mode of French Impressionism and Post-impressionism and later went through a Fauve period.

In 1909 he married Elisabeth Gerhardt. In 1910, through his friendship with Franz Marc, Macke met Kandinsky and for a while shared the non-objective aesthetic and the mystical and symbolic interests of Der Blaue Reiter. Macke's meeting with Robert Delaunay in Paris in 1912 was to be a sort of revelation for him. Delaunay's chromatic Cubism, which Apollinaire had called Orphism, influenced Macke's art from that point onwards. His Shops Windows can be considered a personal interpretation of Delaunay's Windows, combined with the simultaneity of images found in Italian Futurism. The exotic atmosphere of Tunisia, where Macke traveled in April 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces.

August Macke's oeuvre can be considered as Expressionism (in its original German flourishing between 1905 and 1925), and also as part of Fauvism. The paintings concentrate primarily on expressing feelings and moods rather than reproducing objective reality, usually distorting colour and form. Macke's career was cut short by his early death in the second month of the First World War at the front in Champagne, France, on 26 September 1914. His final painting, Farewell, depicts the mood of gloom that settled after the outbreak of war.

Drawings and Prints
Girls Playing Under Trees Charcoal On Paper Detail Detail - photo 1 Girls Playing Under Trees Charcoal On Paper Detail Detail Japanese Women Brush And Ink D - photo 2 Detail Detail Japanese Women Brush And Ink Detail P - photo 3 Detail Japanese Women Brush And Ink Detail Portrait Of Wilhelm Schmidtbonn Brush - photo 4 Japanese Women Brush And Ink Detail Portrait Of Wilhelm Schmidtbonn Brush And Ink And Pencil On Paper - photo 5 Detail Portrait Of Wilhelm Schmidtbonn Brush And Ink And Pencil On Paper Detail - photo 6 Portrait Of Wilhelm Schmidtbonn Brush And Ink And Pencil On Paper Detail Portrait Of Liese Schmidtbonn Charcoal On Paper Detail - photo 7 Detail Portrait Of Liese Schmidtbonn Charcoal On Paper Detail Dancer V Black - photo 8 Portrait Of Liese Schmidtbonn Charcoal On Paper Detail Dancer V Black Crayon On Paper Detail - photo 9 Detail Dancer V Black Crayon On Paper Detail Men Working In The Fields Pencil on - photo 10 Dancer V Black Crayon On Paper Detail Men Working In The Fields Pencil on paper Detail - photo 11 Detail Men Working In The Fields Pencil on paper Detail Dancer Pencil And - photo 12 Men Working In The Fields Pencil on paper Detail Dancer Pencil And Coloured Crayons On Paper Detail - photo 13 Detail Dancer Pencil And Coloured Crayons On Paper Detail Two Men And A Woman - photo 14 Dancer Pencil And Coloured Crayons On Paper Detail Two Men And A Woman Coloured Crayon On Paper Detail - photo 15 Detail Two Men And A Woman Coloured Crayon On Paper Detail Grieving Woman - photo 16 Two Men And A Woman Coloured Crayon On Paper Detail Grieving Woman Charcoal And Wash On Paper Detail - photo 17 Detail Grieving Woman Charcoal And Wash On Paper Detail Detail - photo 18 Grieving Woman Charcoal And Wash On Paper Detail Detail Elisabeth Gerhardt Coal Elisab - photo 19 Detail Detail Elisabeth Gerhardt Coal Elisabeth Gerhardt Pastel - photo 20 Detail Elisabeth Gerhardt Coal Elisabeth Gerhardt Pastel Detail - photo 21 Elisabeth Gerhardt Coal Elisabeth Gerhardt Pastel Detail Hans Thuar 1903 pencil and tempera on - photo 22 Elisabeth Gerhardt Pastel Detail Hans Thuar 1903 pencil and tempera on paper mounted on cardboard - photo 23 Detail Hans Thuar 1903 pencil and tempera on paper mounted on cardboard Detail - photo 24
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