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ThisEgg - dressed.

Here you can read online ThisEgg - dressed. full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2019, publisher: Oberon Books, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Winner of the Untapped Award 2018.After being stripped at gunpoint, Lydia set out to redress herself with a new healing set of armour. Lydia now only wears clothes she has made.Told with a tender intimacy, dressed. is a true story told by four women who have been friends since school. Combining choreography, live sewing, comedy and original music, dressed. celebrates the power clothes have to define us, to liberate us, to hide us and to embellish us.

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First published in 2019 by Oberon Books Ltd 521 Caledonian Road London N7 9RH - photo 1
First published in 2019 by Oberon Books Ltd 521 Caledonian Road London N7 9RH - photo 2
First published in 2019 by Oberon Books Ltd 521 Caledonian Road London N7 9RH - photo 3
First published in 2019 by Oberon Books Ltd
521 Caledonian Road, London N7 9RH
Tel: +44 (0) 20 7607 3637 / Fax: +44 (0) 20 7607 3629
e-mail:
www.oberonbooks.com
Copyright Josie Dale-Jones, Lydia Higginson, Nobahar Mahdavi, Olivia Norris, 2019
Josie Dale-Jones, Lydia Higginson, Nobahar Mahdavi and Olivia Norris are hereby identified as authors of this play in accordance with section 77 of the Copyright, Designs and Patents Act 1988. The authors have asserted their moral rights.
All rights whatsoever in this play are strictly reserved and application for performance etc. should be made before commencement of rehearsal to ThisEgg (). No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the play without the authors prior written consent.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or binding or by any means (print, electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher.
A catalogue record for this book is available from the British Library.
PB ISBN: 9781786827241
E ISBN: 9781786827258
Front image by Guy Sanders
Back image by Lidia Crisafulli
Cover design by Joe Boylan
Inside images by Lidia Crisafulli ()
Printed and bound by 4EDGE Limited, Hockley, Essex, UK.
eBook conversion by Lapiz Digital Services, India.
Visit www.oberonbooks.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that youre always first to hear about our new releases.
Printed on FSC accredited paper
10 9 8 7 6 5 4 3 2 1
Last year we decided to create dressed. for the women whose worlds have been shattered, and for all the friends who have helped rebuild them.
Drawing by Isabel Della-Porta ThisEgg is Josie Dale-Jones who self-produces - photo 4
Drawing by Isabel Della-Porta
ThisEgg is Josie Dale-Jones, who self-produces, co-creates and performs shows with a variety of artistic collaborators. ThisEgg is a multi-award-winning theatre company that makes intimate theatre that connects with audiences, moving them to laugh, cry and imagine; prompting them to ask big questions about the world we live in. ThisEgg devises original work which mixes theatrical styles, celebrating different forms of entertainment.
Made My Wardrobe is a project created by costume designer Lydia Higginson. In 2016 she had the idea to create her entire wardrobe from scratch and give away all the clothes she had ever bought from shops. She now only wears clothes she has made. She started a blog to document the process and now teaches her sewing workshops all over the UK.
i stand
on the sacrifices
of a million women before me
thinking
what can i do
to make this mountain taller
so the women after me
can see farther
legacy
Rupi Kaur
Contents
From Lydia Higginson
I was twenty-three when I decided I wanted to make my entire wardrobe from scratch. The idea had been brewing for a while. My diary was full to the brim with designs for garments I would have loved to have the time and space to make. Then on New Years Eve 2015, I decided 2016 was going to be the year I made all of these designs a reality. To force myself to do it, I promised that by the end of the year I would give away all the clothes I had ever bought from shops. I bought the domain name mademywardrobe.com and started a blog with the line
One year to make all my clothes.
I woke up early on New Years Day and cycled to my studio in the Bristol Textile Quarter. The first thing I made was a turquoise lace bra and silk French knickers. They werent perfect but when I put them on the next morning they felt right.
So I kept sewing. That January I also made an embroidered winter coat, a pair of tailored woollen trousers, a corset and a quilted jumper. I was working everything out as I was going along and made a lot of mistakes with the pattern cutting, but I was learning fast and adapting as I went. In the months that followed I made jackets, culottes, camisoles, jeans, skirts, dresses, leggings, jumpsuits and lots more bras and knickers. I had weeks where I wouldnt make much at all and would wonder if the project was going to fade into the background and be forgotten about. But then I always found myself coming back to it, when I had a quiet weekend or a spare evening. I grew in confidence as a seamstress.
I began to understand more about how different fabrics work and the way they move with the body. Then I reached December and realised that if I were to keep my promise, in one months time, I would have to give away all the clothes I had ever bought from shops. I realised that I had only made one jumper and the embellished coat wasnt nearly warm enough for the depths of winter. I had also forgotten to make simple wardrobe staples such as cotton T-shirts and long-sleeve tops. So, I spent that month in a manic hive of production. During that flurry I finished all the half-started garments I had abandoned in frustration earlier in the year and made lots of essential basics.
By the end of 2016 I had spent more than a thousand hours creating over sixty garments. I gave away all the clothes I had ever bought from shops over Christmas and since the 1st January 2017 I have only worn clothes I have made. I havent walked into a shop and bought a garment since autumn 2015. Ive put a thimble on my middle finger and stuck it to capitalism, mass consumerism and fast fashion.
Before I started Made My Wardrobe I had reached a point in my womanhood where I thought mainstream fashion had nothing to offer me. No outfit I wore felt right or felt like me. Every woman I know has had a phase like this and it usually surfaces around the time the rest of her life is also in flux. I was at a stage in my life where I needed to make some big changes and I didnt feel like I could just shop my way out of this one.
I wanted to express myself directly and connect with my clothes from conception and construction, to wear and care. The clothes I made were undoubtedly influenced by the work of other designers and the way I see women styling those designs on the street. But my clothes have woven into them my own personal experience of being a woman. Fashion is about expressing your individuality, but its also about tribe. No garment comes without a rich history that can be traced back through the wardrobes of our sartorial ancestors. Clothes have a story to tell. I believe clothes are the most intimate way we have of telling the world where we have been, how we feel and where we would like to go.
When I was nineteen, I experienced what it is like to have clothes ripped from my body against my will. Laying naked on the floor, I felt completely powerless. Making my own wardrobe was my way of gaining power back over my body. If my clothes are ever ripped from my body again I will know exactly how to fix them, because I made them. No one can take that skill away from me. The capacity to mend and heal as a woman has been instilled in me through stories and stitches, howls and whispers, across time and cultures.
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