It is the year 2650 and Earth has become a world of non-Aristotelianism, or Null-A. This is the story of Gilbert Gosseyn, who lives in that future world where the Games Machine, made up of twenty-five thousand electronic brains, sets the course of peoples lives. Gosseyn isnt even sure of his own identity, but realizes he has some remarkable abilities and sets out to use them to discover who has made him a pawn in an interstellar plot.
Authors Introduction
Reader, in your hands you hold one of the most controversialand successfulnovels in the whole of science fiction literature.
In these introductory remarks, I am going to tell about some of the successes and I shall also detail what the principal critics said about The World of Null-A. Let me hasten to say that what you shall read is no acrimonious defense. In fact, I have decided to take the criticisms seriously, and I have accordingly revised this first Berkley edition and have provided the explanations which for so long I believed to be unnecessary.
Before I tell you of the attacks, I propose swiftly to set down a few of The World of Null-As successes:
It was the first hard-cover science fiction novel published by a major publisher after World War II (Simon and Schuster, 1948).
It won the Manuscripters Club award.
It was listed by the New York area library association among the hundred best novels of 1948.
Jacques Sadoul, in France, editor of Editions OPTA, has stated that World of Null-A, when first published, all by itself created the French science fiction market. The first edition sold over 25,000 copies. He has stated that I am stillin 1969the most popular writer in France in terms of copies sold.
Its publication stimulated interest in General Semantics. Students flocked to the Institute of General Semantics, Lakewood, Connecticut, to study under Count Alfred Korzybskiwho allowed himself to be photographed reading The World of Null-A. Today, General Semantics, then a faltering science, is taught in hundreds of universities.
World has been translated into nine languages.
With that out of the way, we come to the attacks. As youll see, theyre more fun, make authors madder, and get readers stirred up.
Here is what Sam Moskowitz, in his brief biography of the author, said in his book, Seekers of Tomorrow, about what was wrong with World of Null-A:... Bewildered Gilbert Gosseyn, mutant with a double mind, doesnt know who he is and spends the entire novel trying to find out. The novel was originally printed as a serial in Astounding Science Fiction, and after the final installment was published (Mr. Moskowitz continues), Letters of plaintive puzzlement began to pour in. Readers didnt understand what the story was all about. Campbell [the editor] advised them to wait a few days; it took that long, he suggested, for the implications to sink in. The days turned into months, but clarification never came
Youll admit thats a tough set of sentences to follow. Plain, blunt-spoken Sam Moskowitz, whose knowledge of science fiction history and whose collection of science fiction probably is topped only by that of Forrest Ackerman (in the whole universe)... is nevertheless in error. The number of readers who wrote plaintive letters to the editor can be numbered on the fingers of one and a half hands.
However, Moskowitz might argue that it isnt the quantity of complainers, but the quality. And there he has a point.
Shortly after The World of Null-A was serialized in 1945, a sci-fi fan, hitherto unknown to me, wrote in a science fiction fan magazine a long and powerful article attacking the novel and my work in general up to that time. The article concluded, as I recall it (from memory only) with the sentence: Van Vogt is actually a pygmy writer working with a giant typewriter.
The imagery throughout this article, meaningless though that particular line is (if youll think about it), induced me to include in my answering article in a subsequent issue of the same fan magazinewhich article is lost to posteritythe remark that I foresaw a brilliant writing career for the young man who had written so poetical an attack.
That young writer eventually developed into the science fictional genius, Damon Knight, whoamong his many accomplishmentsa few years ago organized the Science Fiction Writers of America, which (though it seems impossible) is still a viable organization.
Of Knights attack so long ago, Galaxy Magazine critic Algis Budrys wrote in his December, 1967, book review column: In this edition [of critical essays] you will find among other goodies from the earlier version, the famous destruction of A. E. van Vogt that made Damons reputation.
What other criticisms of The World of Null-A are there? None. Its a fact. Singlehandedly, Knight took on this novel and my work at age 23-1/2, and, as Algis Budrys puts it, brought about my destruction.
So whats the problem? Why am I now revising World? Am I doing all this for one critic?
Yep.
But why?you ask.
Well, on this planet you have to recognize where the power is.
Knight has it?
Knight has it.
In a deeper sense, of course, Im making this defense of the book, and revising it, because General Semantics is a worthwhile subject, with meaningful implications, not only in 2560 A. D. where my story takes place, but here and now.
General Semantics, as defined by the late Count Alfred Korzybski in his famous book, Science and Sanity, is an over-word for non-Aristotelian and non-Newtonian systems. Dont let that mouthful of words stop you. Non-Aristotelian means not according to the thought solidified by Aristotles followers for nearly 2,000 years. Non-Newtonian refers to our essentially Einsteinian universe, as accepted by todays science. Non-Aristotelian breaks down to Non-A, and then Null-A.
Thus, the titles World ofand Players ofNull-A.
General Semantics has to do with the Meaning of Meaning. In this sense, it transcends and encompasses the new science of Linguistics. The essential idea of General Semantics is that meaning can only be comprehended when one has made allowances for the nervous and perception systemthat of a human beingthrough which it is filtered.
Because of the limitations of his nervous system, Man can only see part of truth, never the whole of it. In describing the limitation, Korzybski coined the term ladder of abstraction. Abstraction, as he used it, did not have a lofty or symbolical thought connotation. It meant, to abstract from, that is, to take from something a part of the whole. His assumption: in observing a process of nature, one can only abstracti. e. perceivea portion of it.
Now, if I were a writer who merely presented another mans ideas, then I doubt if Id have had problems with my readers. I think I presented the facts of General Semantics so well, and so skilfully, in World of Null-A and its sequel that the readers thought that that was all I should be doing. But the truth is that I, the author, saw a deeper paradox.
Ever since Einsteins theory of relativity, we have had the concept of the observer whoit was statedmust be taken into account. Whenever I discussed this with people, I observed they were not capable of appreciating the height of that concept. They seemed to think of the observer as, essentially, an algebraic unit. Who he was didnt matter.