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Antonio Tabucchi - Indian Nocturne

Here you can read online Antonio Tabucchi - Indian Nocturne full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 1989, publisher: New Directions, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Antonio Tabucchi Indian Nocturne

Indian Nocturne: summary, description and annotation

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An enjoyable, well-crafted little book.The Complete Review

Translated from the Italian, this winner of the Prix Medicis Etranger for 1987 is an enigmatic novel set in modern India. Roux, the narrator, is in pursuit of a mysterious friend named Xavier. His search, which develops into a quest, takes him from town to town across the subcontinent.

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This edition published in Great Britain in 2013 by Canongate Books Ltd 14 High - photo 1

This edition published in Great Britain in 2013 by Canongate Books Ltd,
14 High Street, Edinburgh EH1 1TE

www.canongate.tv

This digital edition first published in 2013 by Canongate Books

Notturno indiano copyright Antonio Tabucchi, 1984
All rights reserved
Translation copyright Chatto & Windus, 1988

The moral rights of the author and translator have been asserted

British Library Cataloguing-in-Publication Data
A catalogue record for this book is available on request from the British Library

ISBN 978 0 85786 943 2
eISBN 978 0 85786 944 9

Typeset in Van Dijck by Palimpsest Book Production Ltd,
Falkirk, Stirlingshire

Those who sleep badly seem to a greater or lesser degree guilty: what do they do? They make the night present.

Maurice Blanchot

Authors Note

As well as being an insomnia, this book is also a journey. The insomnia belongs to the writer of the book, the journey to the person who did the travelling. All the same, given that I too happen to have been through the same places as the protagonist of this story, it seemed fitting to supply a brief index of the various locations. I dont really know whether this idea was prompted by the illusion that a topographical inventory, with the force that the real possesses, might throw some light on this Nocturne in which a Shadow is sought; or whether by the irrational conjecture that some lover of unlikely itineraries might one day use it as a guide.

A.T.

Index of the Places in this Book

1. The Khajuraho Hotel. Suklaji Street, no number, Bombay.

2. Breach Candy Hospital. Bhulabai Desai Road, Bombay.

3. The Taj Mahal Inter-Continental Hotel. Gateway of India, Bombay.

4. Railway Retiring Rooms. Victoria Station, Central Railway, Bombay. Accommodation for the night with valid railway ticket or with an Indrail Pass.

5. The Taj Coromandel Hotel. 5 Nungambakkam Road, Madras.

6. The Theosophical Society. 12 Adyar Road, Adyar, Madras.

7. Bus-stop. The MadrasMangalore road, about 50 kilometres from Mangalore, place-name unknown.

8. Arcebispado e Colgio de S. Boaventura. CalangutePanaji road, Velha Goa, Goa.

9. The Zuari Hotel. Swatantrya Path, no number, Vasco da Gama, Goa.

10. Calangute Beach. About 20 kilometres from Panaji, Goa.

11. The Mandovi Hotel. 28 Bandodkar Marg, Panaji, Goa.

12. The Oberoi Hotel. Bogmalo Beach, Goa.

INDIAN NOCTURNE
I

The taxi driver wore a hairnet and had a pointed beard and a short ponytail tied with a white ribbon. I thought he might be a Sikh, since my guidebook described them as looking exactly like that. My guidebook was called India, a Travel Survival Kit; Id bought it in London, more out of curiosity than anything else, since the information it offered about India was fairly bizarre and at first glance superfluous. Only later was I to realise how useful it could be.

The Sikh was driving too fast for my liking and hitting his horn ferociously. I had the impression he was deliberately going as close to the pedestrians as he could, and with an indefinable smile on his face that I didnt like. On his right hand he wore a black glove, and I didnt like that either. When he turned into Marine Drive he seemed to calm down and quietly took his place in one of the lines of traffic on the side nearest the sea. With his gloved hand he pointed to the palm trees along the seafront and the curve of the bay. Thats Trobay, he said, and opposite us is Elephant Island, only you cant see it. Im sure youll be wanting to go there, the ferries leave every hour from the Gateway of India.

I asked him why he was going down Marine Drive. I didnt know Bombay, but I was trying to follow our route on a map on my knees. My reference points were Malabar Hill and the Chor, the Thieves Market. My hotel was somewhere between those two points, and there was no need to go along Marine Drive to get to it. We were driving in the opposite direction.

The hotel you mentioned is in a very poor district, he said affably, and the goods are very poor quality. Tourists on their first trip to Bombay often end up in the wrong sort of place. Im taking you to a hotel suitable for a gentleman like yourself. He spat out of the window and winked. Where the goods are top quality. He gave me a sleazy smile of great complicity, and this I liked even less.

Stop here, I said, at once.

He turned round and looked at me with a servile expression. But I cant stop here, he said, theres the traffic.

Then Ill get out anyway, I said, opening the door and holding it tight.

He braked sharply and began a litany in a language that must have been Marathi. He looked furious and I dont suppose the words he was hissing through his teeth were particularly polite, but I didnt take any notice. I had only the one small suitcase which I had kept beside me, so there wasnt even any need for him to get out and get me my luggage. I left him a hundred-rupee note and climbed out onto the vast pavement of Marine Drive. On the beach there was a religious festival, or fair, one or the other, with a big crowd milling in front of something I couldnt make out. Along the seafront there were bums stretched out on the parapet, children selling knick-knacks, beggars. There was also a line of motorised rickshaws; I jumped into a sort of yellow cubicle hitched up to a moped and shouted the name of the street my hotel was on to the small driver. He stamped on the starter pedal and set off at full speed, slipping into the traffic.

Cage District was much worse than I had imagined. Id seen it in the photographs of a famous photographer and thought I was prepared for human misery, but photographs enclose the visible in a rectangle. The visible without a frame is always something else. And then here the visible had too strong a smell. Or rather smells, a lot of smells.

It was dusk when we entered the district, and in the time it took to go down a street, quite suddenly, as happens in the tropics, night fell. Many of the buildings in Cage District are made of wood and matting. Prostitutes wait in shacks made of ill-fitting boards, their heads sticking out of holes. Some of those shacks were not much larger than sentry-boxes. And then there were hovels and tents of rags, little shops perhaps or other kinds of business, lit by paraffin lamps, with small clusters of people in front. But the Hotel Khajuraho had a small illuminated sign and opened almost on the corner of a street with brick buildings, and the lobby, if you could call it that, was merely ambiguous without being sordid. It was a small dark room with a high counter like the bars in English pubs; at each end of the counter were two lamps with red shades and behind it was an old woman. She wore a gaudy sari and her nails were painted blue; by the looks of her she could have been European, although on her forehead she wore one of the many marks that Indian women do wear. I showed her my passport and told her Id booked by telegram. She nodded and began to copy from my passport making a great show of how careful she was being, then she turned the paper round for me to sign.

With bathroom or without? she asked, and told me the price.

I took a room with a bathroom. I had the impression she spoke with a slight American accent, but I didnt go into it.

She told me the room number and handed me the key. The keyring was made of transparent plastic with a design inside of the kind you might expect in a hotel like this. Do you want dinner? she asked. She looked at me suspiciously. I got the message that the place was not usually used by Westerners. Naturally she was wondering what I was doing there with hardly any luggage after having cabled from the airport.

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