Howard Jacobson - The Finkler Question
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By the Same Author
Fiction Coming From Behind Peeping Tom Redback The Very Model of a Man No More Mister Nice Guy The Mighty Walzer Whos Sorry Now? The Making of Henry Kalooki Nights The Act of Love Non-fiction Shakespeares Magnanimity (with Wilbur Sanders) In the Land of Oz Roots Schmoots: Journeys Among Jews Seriously Funny: From the Ridiculous to the SublimeFirst published in Great Britain 2010
Copyright 2010 by Howard Jacobson
This electronic edition published 2010 by Bloomsbury Publishing Plc
The right of Howard Jacobson to be identified as the author of this work has
been asserted by him in accordance with the Copyright, Designs and Patents Act 1988
All rights reserved. You may not copy, distribute, transmit, reproduce or otherwise make available
this publication (or any part of it) in any form, or by any means (including without limitation electronic,
digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior
written permission of the publisher. Any person who does any unauthorised act in relation
to this publication may be liable to criminal prosecution and civil claims for damages.
Bloomsbury Publishing Plc, 36 Soho Square, London W1D 3QY
A CIP catalogue record for this book is available from the British Library
ISBN 978 1 4088 1204 4
www.bloomsbury.com
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To the memory of three dear friends, great givers of laughter
Terry Collits (19402009)
Tony Errington (19442009)
Graham Rees (19442009)
Who now will set the table on a roar?
Part One
ONE
He should have seen it coming.
His life had been one mishap after another. So he should have been prepared for this one.
He was a man who saw things coming. Not shadowy premon-itions before and after sleep, but real and present dangers in the daylit world. Lamp posts and trees reared up at him, splintering his shins. Speeding cars lost control and rode on to the footpath leaving him lying in a pile of torn tissue and mangled bones. Sharp objects dropped from scaffolding and pierced his skull.
Women worst of all. When a woman of the sort Julian Treslove found beautiful crossed his path it wasnt his body that took the force but his mind. She shattered his calm.
True, he had no calm, but she shattered whatever calm there was to look forward to in the future. She was the future.
People who see whats coming have faulty chronology, that is all. Tresloves clocks were all wrong. He no sooner saw the woman than he saw the aftermath of her his marriage proposal and her acceptance, the home they would set up together, the drawn rich silk curtains leaking purple light, the bed sheets billowing like clouds, the wisp of aromatic smoke winding from the chimney only for every wrack of it its lattice of crimson roof tiles, its gables and dormer windows, his happiness, his future to come crashing down on him in the moment of her walking past.
She didnt leave him for another man, or tell him she was sick of him and of their life together, she passed away in a perfected dream of tragic love consumptive, wet-eyelashed, and as often as not singing her goodbyes to him in phrases borrowed from popular Italian opera.
There was no child. Children spoilt the story.
Between the rearing lamp posts and the falling masonry he would sometimes catch himself rehearsing his last words to her also as often as not borrowed from the popular Italian operas as though time had concertinaed, his heart had smashed, and she was dying even before he had met her.
There was something exquisite to Treslove in the presentiment of a woman he loved expiring in his arms. On occasions he died in hers, but her dying in his was better. It was how he knew he was in love: no presentiment of her expiry, no proposal.
That was the poetry of his life. In reality it had all been women accusing him of stifling their creativity and walking out on him.
In reality there had even been children.
But beyond the reality something beckoned.
On a school holiday in Barcelona he paid a gypsy fortune-teller to read his hand.
I see a woman, she told him.
Treslove was excited. Is she beautiful?
To me, no, the gypsy told him. But to you... maybe. I also see danger.
Treslove was more excited still. How will I know when I have met her?
You will know.
Does she have a name?
As a rule, names are extra, the gypsy said, bending back his thumb. But I will make an exception for you because you are young. I see a Juno do you know a Juno?
She pronounced it Huno. But only when she remembered.
Treslove closed one eye. Juno? Did he know a Juno? Did anyone know a Juno? No, sorry, no, he didnt. But he knew a June.
No, no, bigger than June. She seemed annoyed with him for not being able to do bigger than June. Judy... Julie... Judith. Do you know a Judith?
Hudith.
Treslove shook his head. But he liked the sound of it Julian and Judith. Hulian and Hudith Treslove.
Well, shes waiting for you, this Julie or Judith or Juno... I do still see a Juno.
Treslove closed his other eye. Juno, Juno...
How long will she wait? he asked.
As long as it takes you to find her.
Treslove imagined himself looking, searching the seven seas. You said you see danger. How is she dangerous?
He saw her rearing up at him, with a knife to his throat Addio, mio bello, addio .
I did not say it was she who was dangerous. Only that I saw danger. It might be you who is dangerous to her. Or some other person who is dangerous to both of you.
So should I avoid her? Treslove asked.
She shuddered a fortune-tellers shudder. You cannot avoid her.
She was beautiful herself. At least in Tresloves eyes. Emaciated and tragic with gold hooped earrings and a trace, he thought, of a West Midlands accent. But for the accent he would have been in love with her.
She didnt tell him anything he didnt already know. Someone, something, was in store for him.
Something of more moment than a mishap.
He was framed for calamity and sadness but was always somewhere else when either struck. Once, a tree fell and crushed a person walking just a half a yard behind him. Treslove heard the cry and wondered whether it was his own. He missed a berserk gunman on the London Underground by the length of a single carriage. He wasnt even interviewed by the police. And a girl he had loved with a schoolboys hopeless longing the daughter of one of his fathers friends, an angel with skin as fine as late-summer rose petals and eyes that seemed forever wet died of leukaemia in her fourteenth year while Treslove was in Barcelona having his fortune told. His family did not call him back for her final hours or even for the funeral. They did not want to spoil his holiday, they told him, but the truth was they did not trust his fortitude. People who knew Treslove thought twice about inviting him to a deathbed or a burial.
So life was still all his to lose. He was, at forty-nine, in good physical shape, had not suffered a bruise since falling against his mothers knee in infancy, and was yet to be made a widower. To his know-ledge, not a woman he had loved or known sexually had died, few having stayed long enough with him anyway for their dying to make a moving finale to anything that could be called a grand affair. It gave him a preternaturally youthful look this unconsummated expectation of tragic event. The look which people born again into their faith sometimes acquire.
It was a warm late-summers evening, the moon high and skittish. Treslove was returning from a melancholy dinner with a couple of old friends, one his own age, one much older, both recently made widowers. For all the hazards of the streets, he had decided to walk a little around a part of London he knew well, mulling over the sadness of the night in retrospect, before taking a cab home.
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