Lee Child - First Thrills

First published in the United States of America in 2010 by St. Martins Press.

Introduction copyright 2010 by Lee Child

The Thief copyright 2010 by Gregg Hurwitz

Scutwork copyright 2010 by CJ Lyons

The Bodyguard copyright 2010 by Lee Child

Last Supper copyright 2010 by Rip Gerber

After Dark copyright 2010 by Alex Kava and Deb Carlin

Wednesdays Child copyright 2010 by Ken Bruen

Eddy May copyright 2010 by Theo Gangi

The Plot copyright 2010 by Jeffery Deaver

Eye of the Storm copyright 2010 by John Lutz and Lise S. Baker

The Dead Club copyright 2010 by Michael Palmer and Daniel James Palmer

Underbelly copyright 2010 by Grant McKenzie

The Gato Conundrum copyright 2010 by John Lescroart

The Princess of Felony Flats copyright 2010 by Bill Cameron

Savage Planet copyright 2010 by Stephen Coonts

Suspended copyright 2010 by Ryan Brown

Invisible copyright 2010 by Sean Michael Bailey

When Johnny Comes Marching Home copyright 2010 by Heather Graham

On the Train copyright 2010 by Rebecca Cantrell

Childrens Day copyright 2010 by Kelli Stanley

My Fathers Eyes copyright 2010 by Wendy Corsi Staub

Program with a Happy Ending copyright 2010 by Cynthia Robinson

Killing Carol Ann copyright 2010 by J. T. Ellison

Chloe copyright 2010 by Marc Paoletti

Cold, Cold Heart copyright 2010 by Karin Slaughter

Calling the Shots copyright 2010 by Karen Dionne

Afterword copyright 2010 by Steve Berry

A lot of people work very hard behind the scenes to bring a book to life. A collection like this involves even more work because of the number of authors involved. We would like to thank these unsung heroes:

Scott Miller and everyone at Trident Media Group, for their unending enthusiasm and hard work in bringing this project to life.

Our editor, Eric Raab, his assistant, Whitney Ross, and everyone at Tor/Forge, for taking our words and giving them a home.

International Thriller Writers board of directors, for their inspiration and guidance. The ITW staff who work tirelessly to keep everything in working order. ITWs Debut Author Program, which provides new authors with support, encouragement, and camaraderie.

And, finally, our guardian angels: Lee Child, Steve Berry, Liz Berry, Jon Land, Kim Howe, and Eileen Hutton.

Thanks, guys! We couldnt have done any of this without you!

As of this writing, the International Thriller Writers, Inc. organization-ITW-is a little more than five years old. It grew quickly and strongly and in short order became very good at what such organizations are supposed to be good at, but what was fascinating was the way it ebbed and flowed and tested uncharted areas and developed skills and interests that were new. Its annual conventions-ThrillerFests-were immediately distinctive. Its internal disciplines were immediately professional. But I believe its support of new members will be most remembered.

New authors face a tough challenge. Publishing was never an easy field to break into, and it gets harder all the time. Sometimes lightning strikes, but for most of us, a career is built slowly and painstakingly, year on year. The first couple of years are crucial. Early buzz means survival. Established ITW members know that-indeed, how could they not? By definition, they all survived that test, and they all remember it well. So, early and organically, the organization felt its way into a situation where sending the elevator back down became a major priority.

Not that it wasnt a two-way street. Our first debut generation organized itself into Killer Year 2007, and ITW recognized a great idea and ran with it. Some members of that class are now three or four books into stellar careers and are well on their way to becoming household names. The obvious quality of their emerging talent reinforced ITWs commitment, and the organization stepped up its efforts and developed a solid program of support. Inside the organization, debut authors get access to advice and mentoring, and they mix with the biggest names on an equal footing.

And outside the organization, they get exposure, in the kind of volume youre holding right now. This is a short-story anthology, and its intended to function as a sampler, as a shop window. Read these stories, and youll sense the talent the same way we did, and youll be excited to pick up the participants full-length novels, and buzz will build, and the participants will survive the crucial first year or two, and careers will be started, and the next generation of household names will be forged.

But publishing is a tough business, especially right now, and we were realistic enough to know that readers would be a little reluctant to buy a book by people they had-by definition-never heard of. So the call went out for big names to help. The idea was to sprinkle some major attractions in the shop window, to draw your eye. And the response was overwhelming. Eleven big bestsellers immediately offered to join in. Alphabetically, Ken Bruen, Stephen Coonts, Jeffery Deaver, Heather Graham, Gregg Hurwitz, Alex Kava, John Lescroart, John Lutz, Michael and Daniel Palmer, Karin Slaughter, and Wendy Corsi Staub all contributed stories-free, gratis, and for nothing, simply because they remembered their debut years and didnt want to stand by idle. Among them they sell many millions of books a year, and we think they brighten up the shop window enormously. Their enthusiasm was so infectious, even I was moved to contribute a story.

But dont let the established names glitter and glamour distract from the thirteen new names here. Again alphabetically, we are proud to present Sean Michael Bailey, Ryan Brown, Bill Cameron, Rebecca Cantrell, Karen Dionne, J. T. Ellison, Theo Gangi, Rip Gerber, CJ Lyons, Grant McKenzie, Marc Paoletti, Cynthia Robinson, and Kelli Stanley. Read them, and I think youll agree that the only real difference between the big names and the new names is chronology. Fifteen years from now the new names will be the big names. Their talent is amazing.

Which actually explains why the eleven big names-plus me-agreed to help. Of course theres an element of altruism involved-unsurprisingly, since thriller writers are the nicest people you could hope to meet-but theres a little self-interest, too, because writers are first and foremost readers, and like any other readers, we want a constant stream of great new stuff to consume. This is our way of making sure we get it. So join us-you wont regret it.

Momma came into the living room and asked where I got the Power Rangers pencil case and I didnt say anything. I just scrunched my eyes shut tight and pretended Id gone away.