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Deborah Levy - Things I Dont Want to Know: On Writing

Here you can read online Deborah Levy - Things I Dont Want to Know: On Writing full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2014, publisher: Bloomsbury USA, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Deborah Levy Things I Dont Want to Know: On Writing

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Blending personal history, gender politics, philosophy, and literary theory into a luminescent treatise on writing, love, and loss, Things I Dont Want to Know is Deborah Levys witty response to George Orwells influential essay Why I Write. Orwell identified four reasons he was driven to hammer at his typewriterpolitical purpose, historical impulse, sheer egoism, and aesthetic enthusiasmand Levys newest work riffs on these same commitments from a female writers perspective.
As she struggles to balance womanhood, motherhood, and her writing career, Levy identifies some of the real-life experiences that have shaped her novels, including her familys emigration from South Africa in the era of apartheid; her teenage years in the UK where she played at being a writer in the company of builders and bus drivers in cheap diners; and her theater-writing days touring Poland in the midst of Eastern Europes economic crisis, where she observed how a soldier tenderly kissed the women in his life goodbye.
Spanning continents (Africa and Europe) and decades (we meet the author at seven, fifteen, and fifty), Things I Dont Want to Know brings the reader into a writers heart.

Deborah Levy: author's other books


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All animals are equal but some animals are more equal than others.

George Orwell, Animal Farm (1945)

I know roughly speaking, how I became a writer. I dont know precisely why. In order to exist, did I really need to line up words and sentences? In order to exist, was it enough for me to be the author of a few books?... One day I shall certainly have to start using words to uncover what is real, to uncover my reality.

Georges Perec, Species of Spaces and other Pieces (1974)

Deborah Levy writes fiction, plays, and poetry. Her work has been staged by the Royal Shakespeare Company and widely broadcast on the BBC, including her dramatizations of two of Freuds most iconic case histories, Dora and The Wolfman . The author of highly praised novels including the Man Booker Prizeshortlisted Swimming Home , Beautiful Mutants , Swallowing Geography , and Billy and Girl , she lives in London.

Fiction

Black Vodka (stories)

Swimming Home

Pillow Talk in Europe and Other Places (stories)

Billy and Girl

The Unloved

Swallowing Geography

Beautiful Mutants

Ophelia and the Great Idea

Poetry

An Amorous Discourse in the Suburbs of Hell

Plays

Pax

Heresies

Clam

Call Blue Jane

Shiny Nylon

The B File: An Erotic Interrogation of Five Female Personas

Pushing the Price into Denmark

Honey Baby Middle England

MacbethFalse Memories

C ontents

: The line: I simply couldnt see where there was to get to references Sylvia Plaths poem The Moon and the Yew Tree.

It is sometimes necessary to know where to stop. The Chinese shopkeeper had probably noticed that my hand was resting quite close to his shirt cuff when he said that. The palm trees outside the restaurant were covered in snow by the time we had finished our bottle of wine. In fact, the tracks and paths that mapped the way back to my hotel had more or less disappeared. He still had not told me his name. I had not told him mine either, although I knew he knew it because hed read one of my books. For some reason, knowing each others names was something we did not want to know. He leaned over towards the German couple at the table nearby and congratulated them for having had the foresight to bring arctic clothing to Majorca in spring. My friend here, he pointed to me, is dressed for the beach.

The German man began to tell us, in English, how they had encountered a snake on a hike in the mountains earlier that morning. It was lucky they were wearing boots. The snake was hiding in a crack in a rock. It might even have been a rattlesnake. Did we know that dead snakes can bite for up to an hour after their death?

Yes, the Chinese shopkeeper said, I did know that. He turned to me and began to talk about soup again. He was obsessed with soup. Apparently, although hed forgotten how to make one sort of Chinese soup, he still remembered how to make another sort. It was more like rice porridge than soup, very nourishing and warming in winter, and he liked to add sesame oil and pepper to it. I couldnt help noticing that his hand was now resting quite close to my hand, and he might have noticed too, because of what he said next.

Now tell me, where do you think your skin is thinnest on the body?

On the finger tips?

No. Ill tell you now. It is thinnest on the eyelids and it is thickest on the palms and soles.

I laughed and he smiled. Then he laughed and I smiled. He said he missed the smell of roasted peanuts in China and hed forgotten how to make the seafood kind of Chinese soup, but, he was very pleased hed made a new life in the mountains of Majorca because that is where I had invited him to join me at my table for three. And then he nudged me because Maria had just walked in to the restaurant and was stamping the snow off her boots. She looked surprisingly tall in a heavy coat trimmed with fur. I waved to her and she made her way to our table. Maria was carrying a small suitcase in her gloved hand. Her face was stern and sad.

My brother told me you were cold in your room.

Yes.

I have moved you to another room. There are blankets on your bed.

Thank you.

Are you going somewhere Maria?

Yes.

Maria did not want to talk. Not at all.

I opened my bag and gave her the chocolate I had bought at the Chinese shopkeepers shop, intensidad, with the big 99% on it. And then I counted out the rent for my hotel room, four nights in cash, because I thought she might need it for whatever she had to do next. She was pleased to take the cash. When she kissed my cheek I could feel her heart beating under her coat, fierce and roaring.

Later, when the Chinese shopkeeper walked me up the invisible mountain path to the hotel, he said again, Sometimes in life, its not about knowing where to start, its knowing where to stop. He told me that when he was living in Paris all those years ago, he was lonely at the weekends, so he decided to take the train to Marseilles. He was walking near the port and the mistral was blowing and he hardly spoke any French, but when he saw two cops stop a North African boy, probably no more than ten years old, he stopped too. The boy was wearing a childish white cotton vest. It probably smelt of the soap powder his mother had washed it in. The cops lifted up his vest and started to punch his stomach. That was something he could not forget, the sight of adult men lifting up the vest of a child so as to hurt him more accurately. He found himself walking over to the boy who was tough and taking the punches, and he shouted to the cops in his funny Chinese French accent, Stop, stop, stop, stop, stop. It was not exactly heroic but it was what he wanted them to do. They did stop. They stopped and walked away.

The Chinese shopkeeper said, You will want to stop here because we have arrived at your hotel. We stopped by the terrace and his head moved closer to mine. I could see the silver in his black hair.

When we kissed, I knew we were both in the middle of some sort of catastrophe and I didnt know if something was starting or if it was stopping. The collar of his big winter coat was wet where the snow was melting. He took off his coat and handed it to me. If you go for a walk you will need it and I have another one. You need to dress properly for the weather you find yourself in.

After a while, I walked up the marble stairs, past the large cactus that stood in a pot on the landing and up to the battered oak door of a room on the second floor. I opened the door with the key Maria had slipped in to my hand when I gave her the cash. It was smaller than my room upstairs. Folded neatly on the end of the bed were a pile of blankets, and placed in front of a window that looked out on to the ancient palm tree in the garden was a desk and chair. It had obviously been tricky to squeeze the desk in, but Maria had carried it through the door and pushed it between the window and the bed.

I had a view. I had a writing desk. The room was warm. Burning in the fire were three large logs. In a basket nearby were other logs stacked neatly on top of each other. The room was so warm I knew the logs had been burning for some time.

Maria had left in a rush. In a snowstorm. Had she outgrown this world shed made up here in the mountains? Was she not looking forward to picking the lemons and oranges in the orchard she had irrigated? She had also planted the vegetables and olive trees and built the beehives from which she gathered the thick, aromatic honey she served at breakfast. It was Maria who baked the bread and ground the coffee beans. The logs that would keep me warm through the night were chopped by her too. Maria had left in a rage and without enough cash. Did she want to stride out on her own and get on with whatever it is she had to do next?

It occurred to me that both Maria and I were on the run in the twenty-first century, just like George Sand whose name was also Amantine was on the run in the nineteenth century, and Maria whose name was also Zama was looking for somewhere to recover and rest in the twentieth. We were on the run from the lies concealed in the language of politics, from myths about our character and our purpose in life. We were on the run from our own desires too probably, whatever they were. It was best to laugh it off.

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