Anita Shreve - Testimony
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Copyright 2008 by Anita Shreve
All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.
Little, Brown and Company
Hachette Book Group
237 Park Avenue, New York, NY 10017
Visit our Web site at www.HachetteBookGroupUSA.com
First eBook Edition: October 2008
Little, Brown and Company is a division of Hachette Book Group Inc.
The Little, Brown name and logo are trademarks of Hachette Book Group Inc.
The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
ISBN: 978-0-316-04017-4
ALSO BY ANITA SHREVE
Body Surfing
A Wedding in December
Light on Snow
All He Ever Wanted
Sea Glass
The Last Time They Met
Fortunes Rocks
The Pilots Wife
The Weight of Water
Resistance
Where or When
Strange Fits of Passion
Eden Close
for Michael Pietsch
I t was a small cassette, not much bigger than the palm of his hand, and when Mike thought about the terrible license and risk exhibited on the tape, as well as its resultant destructive power, it was as though the two-by-three plastic package had been radioactive. Which it may as well have been, since it had produced something very like radiation sickness throughout the school, reducing the value of an Avery education, destroying at least two marriages that he knew of, ruining the futures of three students, and, most horrifying of all, resulting in a death. After Kasia brought Mike the tape in a white letter envelope (as if he might be going to mail it to someone!), Mike walked home with it and watched it on his television an enormously complicated and frustrating task since he first had to find his own movie camera that used similar tapes and figure out how to connect its various cables to the television so that the tape could play through the camera. Sometimes Mike wished he had just slipped the offensive tape into a pot of boiling water, or sent it out with the trash in a white plastic drawstring bag, or spooled it out with a pencil and wadded it into a big mess. Although he doubted he could have controlled the potential scandal, he might have been able to choreograph it differently, possibly limiting some of the damage.
Much appeared to have happened before the camera in the unseen hand focused on the quartet. One saw the girl (always the girl in Mikes eyes) turning (twirling, it seemed to be) away from a tall, slender boy who still had his jeans on, and toward a somewhat shorter, more solidly built naked young man, who caught the young girl and bent to suck on her right nipple. At that point in the tape, no faces were visible, doubtless a deliberate edit on the part of the person behind the camera. Also, at that moment in time, Mike, who was then headmaster of Avery Academy, did not recognize the setting as a dorm room, though he would soon do so. The shorter boy then turned her to face the first boy, who by then was unbuckling his belt, his jeans sliding off in one go, as if they were cartoon pants, too big for the boys slender hips. The camera panned jerkily, instantly causing in Mike the beginnings of motion sickness, to a narrow dorm bed on which a third boy, entirely naked and appearing to be slightly older than the other two boys, lay stroking himself. And Mike remembered, among other images he wished he could excise from his brain, the truly impressive length of the young mans empurpled penis and the concentrated tautness of the muscles of the boys chest and arms. The camera slid back to the center of the room, producing a second dip and rise in Mikes stomach, to the two standing boys and the now kneeling girl.
It was at this point in the tape that Mike realized there was sound attached, for he heard a kind of exaggerated groaning from the side of the room where the bed was, as well as hard-pounding music (though the latter seemed to be, for some reason, muted). Meanwhile, the tall boy with the slender shoulders was holding the blond head of the girl to his crotch. She appeared to know what to do even to have, at some point prior to the event, practiced what to do for Mike couldnt help but notice a certain expertise, a way of drawing the standing boys engorged penis toward her so that it seemed she might painfully stretch it before gently swooping forward and seeming to swallow it whole. The slender boy came with an explosive adolescent sound, as if taken by surprise. The cameraman or woman (it was difficult to picture a girl behind the camera) swung the lens up to capture the boys face, which, with a start, Mike Bordwin recognized. He had assumed, when Kasia had solemnly handed him the tape just an hour earlier, saying to him in an extremely sober tone, I think you should take a look at this, that the tape was simply confiscated pornography (not that the tape wasnt pornographic) something a dorm parent might have dealt with. The idea that there would be recognizable people attached to the action students he had seen in hallways, in the cafeteria, and on the basketball court did not really occur to him until he saw the face of the boy, contorted as it was in a paroxysm of pleasure and therefore somewhat grotesque to the outside observer. He thought, Rob, and It cant be. The Rob he had known was a polite, hardworking student who also happened to be an outstanding forward on the basketball team. And was that how Mike had seen his students, he wondered then, even as he was observing the moment of coming on Robs face, as excellent student or promising actor or pretentious brownnoser or good arm? Because it was perfectly apparent that such descriptive tags were entirely inadequate. The Rob whom Mike had known seemed to be but an embryo of the full-fledged sexual being on the tape. There was a kind of seizure then in Mikes chest as he suddenly, from different parts of his brain, received alarming and unwanted bits of information, not unlike an air traffic controller watching several blips on his radar screen inexplicably about to collide. The girl hardly seemed to come up for air when she turned to the other standing boy, whose face had not been visible during the first pan but which now clearly was, jolting the headmaster and causing him to cry out the name of the boy Silas and to emit a groan of his own, entirely unsexual. Silas and the girl lay down on the floor with Silas on top and went at it in an old-fashioned though frenetic way, the girls body thudding lightly onto what was clearly now a dormitory floor, dotted with a half-dozen beer cans. Mike closed his eyes, not wanting to watch this particular boy have his own paroxysmal seizure. When he opened them again, the camera was on the face of the girl, who was either experiencing the heights of pleasure or giving an excellent imitation of same. It was then that he saw the girl was very young very, very young: the number fourteen floated through his brain though he didnt at that time know her name. It was not unusual for the headmaster not to know all of the students by name, particularly the underclassmen who hadnt yet distinguished themselves, which Mike was pretty certain she had not. He suddenly wondered how many other persons faculty or students had watched this performance on the tape, this particular worry marking perhaps the worst moment of his life to date (though far worse was yet to come).
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