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Anita Shreve - Body Surfing

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Copyright 2007 by Anita Shreve All rights reserved Except as permitted under - photo 1

Copyright 2007 by Anita Shreve

All rights reserved. Except as permitted under the U.S. Copyright Act of 1976, no part of this publication may be reproduced, distributed, or transmitted in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

Hachette Book Group

237 Park Avenue, New York, NY 10017

Visit our website at www.HachetteBookGroup.com.

The Warner Books name and logo are trademarks of Hachette Book Group, Inc.

First eBook Edition: April 2007

ISBN: 978-0-316-00457-2

ALSO BY ANITA SHREVE

A Wedding in December

Light on Snow

All He Ever Wanted

Sea Glass

The Last Time They Met

Fortunes Rocks

The Pilots Wife

The Weight of Water

Resistance

Where or When

Strange Fits of Passion

Eden Close

For

Whitney, Katherine, Alli, Molly, and Chris

Picture 2

T hree oclock, the dead hour. The faint irritation of sand grit between bare foot and floorboards. Wet towels hanging from bedposts and porch railings. A door, caught in a gust, slams, and someone near it emits the expected cry of surprise. A southwest wind, not the norm even in August, sends stifling air into the many rooms of the old summerhouse. The hope is for an east wind off the water, and periodically someone says it.

An east wind now would be a godsend.

The energy of the morning has dissipated itself in fast walks and private lessons, in vigorous reading and lazy tennis. Even in a brief expedition to a showroom in Portsmouth to look at Audi Quattros. Mrs. Edwards, Sydney has been told, will need a new car in the fall.

There are guests in the house who must be attended to. One hopes for visitors with initiative, like a refreshing east wind. They are not Sydneys concern. Her afternoons are free. Her entire life, but for a few hours each day of overpaid tutoring, is disconcertingly free.

She changes into a black tank suit, the elastic sprung in the legs. She is twenty-nine and fit enough. Her hair is no color she has ever been able to describe. She is not a blonde or a brunette, but something in between that washes out in January, comes to life in August. Gold highlights on translucence.

Sydney has been married twice: once divorced and once widowed. Others, hearing this information for the first time, find it surprising, as if this fact might be the most interesting thing about her.

On the porch, red geraniums are artfully arranged against the lime-green of the dune grass, the blue of the water. Not quite primary colors, hues seen only in nature.

Knife blades of grass pierce the wooden slats of the boardwalk. Sweet pea overtakes the thatch. Unwanted fists of thistle push upward from the sand. On the small deck at the end of the boardwalk are two white Adirondack chairs, difficult to get out of, and a faded umbrella lying behind them. Two rusted and immensely heavy iron bases for the umbrella sit in a corner, neither of which, Sydney guesses, will ever leave the deck.

Wooden steps with no railing lead to a crescent-shaped beach to the left, a rocky coastline to the right. Sydney runs across the hot sand to the edge of the water. The surf is a series of sinuous rolls, and when she closes her eyes, she can hear the spray. She prepares herself for the cold. Better than electroshock therapy, Mr. Edwards always says, for clearing the head.

A seizure of frigid water, a roiling of white bubbles. The sting of salt in the sinuses as she surfaces. She stands and stumbles and stands again and shakes herself like a dog. She hugs her hands to her chest and relaxes only when her feet begin to numb. She dives once more, and when she comes up for air she turns onto her back, letting the waves, stronger and taller than they appear from shore, carry her up and over the crest and down again into the trough. She is buoyant flotsam, shocked into sensibility.

She body surfs in the ocean, getting sand down the neckline of her suit. As a child, when she took off her bathing suit, she would find handfuls of sand in the crotch. She lowers herself into the ocean to wash away the mottled clumps against her stomach, but then she sees a good wave coming. She stands and turns her back to it and springs onto the crest. The trick always is to catch the crest. Hands pointed, eyes shut, she is a bullet through the white surge. She scrapes her naked hip and thigh against the bottom.

She crawls onto the sand, the undertow carving hollows beneath her shins. A wave she hasnt braced for hits her back and neck. She wipes the tangle of hair from her face, the water from her eyes. She sees a shape on the beach that wasnt there before. A tanned chest, a splotch of red. A man in bathing trunks is holding a pink cloth, wide and lurid, before her.

Ive been sent with a towel. Youre Sydney, right?

How extraordinary if she werent. Not another body in the water for a thousand yards.

Inside the house, the furniture is white, a good idea in theory, not in practice. The slipcovers on the two sofas are marked with faint smudges and worried stains, navy lint from a woolen sweater. Fine grains of sand have repeatedly scratched the surface of the maple floor as if it had been lightly scoured.

On the stairs down to the basement sits a basket of old newspapers, a wicker catchall for objects that are not part of the neutral decor but might prove useful. A sparkling purple leash. A neon pink pad of Post-it Notes. A Day-Glo orange life vest. Practicality and sports rife with unnatural color.

Although Mrs. Edwards gives the impression of having inhabited the cottage for decades, perhaps even generations (already there are family rituals, oft-repeated memories, old canning jars full of sea glass used as doorstops), they have owned the house only since 1997. Before then, Mr. Edwards confided, they simply rented other cottages nearby. In contrast to his wife, he seems a man incapable of deceit.

Sydney shares a bathroom with the guests, a couple from New York who have come in search of antiques. In the mornings, there are aqua spills of toothpaste in the sink, pink spots of makeup on the mirror. Used tissues are tucked behind the spigots. Sydney routinely washes out the sink with a hand towel before she uses it. She stuffs the towel into the hamper in the hallway on her way back to her room.

It was obvious immediately to Sydney that the Edwardses eighteen-year-old daughter, Julie, was slow, that no amount of tutoring would adequately prepare her for the stellar senior year of high school Mrs. Edwards hopes for, a year that is almost certain, in Sydneys opinion, to defeat the girl. Mrs. Edwards speaks knowledgeably of Mount Holyoke and Swarthmore. Skidmore as a safety. Sydney can only blink with wonder. Julie is pliant, eager to please, and extraordinarily beautiful, her skin clear and pink, her eyes a sea-glass blue. Sydney can see that the girl, who seems willing to study all the hours of the day, will disappoint her mother and break her fathers heart, the latter not because she wont get into the colleges Mrs. Edwards seems so knowledgeable about, but because she will try so hard and fail.

Salt encrusts the windows of the house on the diagonal, as if water had been thrown against the glass. The windows out to the porch have to be washed twice a week to provide any appreciation of the view, which is spectacular.

Sydney sometimes senses that her presence has upset the family equilibrium. She tries to be available when needed, present but silent when not.

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