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Lincoln Child - Cemetery Dance

Here you can read online Lincoln Child - Cemetery Dance full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2009, publisher: Vision, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Lincoln Child Cemetery Dance

Cemetery Dance: summary, description and annotation

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Pendergast the worlds most enigmatic FBI Special Agent returns to New York City to investigate a murderous cult. William Smithback, a New York Times reporter, and his wife Nora Kelly, a Museum of Natural History archaeologist, are brutally attacked in their apartment on Manhattans Upper West Side. Eyewitnesses claim, and the security camera confirms, that the assailant was their strange, sinister neighbor a man who, by all reports, was already dead and buried weeks earlier. While Captain Laura Hayward leads the official investigation, Pendergast and Lieutenant Vincent DAgosta undertake their own private and decidedly unorthodox quest for the truth. Their serpentine journey takes them to an enclave of Manhattan they never imagined could exist: a secretive, reclusive cult of Obeah and voodoo which no outsiders have ever survived.

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Douglas Preston, Lincoln Child

Cemetery Dance

Chapter 1

Can you believe it, Bill? I still can't. They told me almost twelve hours ago and I still can't believe it." "Believe it, sweet thing." William Smithback, Jr., unfolded his lanky limbs, stretched out on the living room couch, then draped one arm over his wife's shoulders. "Any more of that port?"

Nora filled his glass. He held it up to the light, admiring its garnet color. Cost him a hundred bucks and well worth it. He sipped, exhaled. "You're a rising star at the museum. Just wait. In five years, they'll make you dean of science."

"Don't be silly."

"Nora, this is the third straight year of budget cuts and here they've given your expedition a green light. That new boss of yours is no fool." Smithback nuzzled Nora's hair. After all this time, he still never failed to find its smell a touch of cinnamon, a hint of juniper arousing.

"Just think: next summer, we'll be back in Utah on a dig. That is, if you can get the time off."

"I've got four weeks coming to me. They'll miss me desperately at the Times, but they'll just have to make do." He took another sip, swirled the liquid around in his mouth. "Nora Kelly: expedition number three. You couldn't have asked for a better anniversary present."

Nora glanced at him sardonically. "I thought tonight's dinner was my anniversary present."

"That's right. It was."

"And it was perfect. Thanks."

Smithback winked back. He'd treated Nora to his favorite restaurant, Caf des Artistes on West 67th. It was the perfect place for a romantic meal. The soft, seductive lighting; the cozy banquettes; the titillating artwork of Howard Chandler Christy and then, on top of everything else, the sublime food.

Smithback realized Nora was looking at him. There was a promise, in those eyes and that sly smile, of another anniversary present to come. He kissed her cheek, pulled her closer.

She sighed. "They gave me every dime I asked for."

Smithback mumbled his response. He was content to snuggle with his wife and perform a mental postmortem on the meal he'd just consumed. He'd sharpened his appetite with a brace of dirty martinis, followed by a charcuterie plate. And for a main course he could never resist the steak barnaise, rare, accompanied bypommes frites and a savory dollop of creamed spinach and, of course, he'd had a hearty helping of Nora's loin of venison

"And you know what that means? I'll be able to complete my analysis of the spread of the Kachina Cult through the Southwest."

"That's fantastic." Dessert had been chocolate fondue for two, accompanied by a plate of delightfully malodorous French cheeses. Smithback let his free hand settle lightly over his stomach.

Nora fell silent and they lay there a moment, satisfied to enjoy each other's company. Smithback stole a glance at his wife. A feeling of contentment settled over him like a blanket. He wasn't a religious man, not exactly; and yet he felt blessed to be here, in a classy apartment in the world's greatest city, holding down the job he'd always dreamed of. And in Nora, he'd found no less than the perfect companion. They'd been through a lot in the years since they'd first met, but the trouble, and the danger, had only served to bring them closer. She was not only beautiful, svelte, gainfully and eagerly employed, immune to nagging, empathetic, intelligent she'd also proven to be the ideal soul mate. Looking at her, he smiled despite himself. Nora was, quite simply, too good to be true.

Nora roused herself. "Can't let myself get too comfortable. Not yet, anyway."

"Why not?"

She disentangled herself and walked into the kitchen to grab her purse. "There's one more errand I have to run."

Smithback blinked. "At this hour?"

"I'll be back in ten minutes." She returned to the couch and leaned over him, one hand smoothing his cowlick as she kissed him. "Don't go anywhere, big boy," she murmured.

"Are you kidding? I'll be a regular Rock of Gibraltar."

She smiled, stroked his hair again, then headed for the front door.

"Be careful," he called after her. "Don't forget those weird little packages we've been getting."

"Don't worry. I'm a grown up girl." A moment later, the door closed and the lock turned.

Smithback put his hands behind his head and stretched out on the sofa with a sigh. He heard her footsteps recede down the corridor; heard the chime of the elevator. Then all was quiet save for the low hum of the city outside.

He could guess where she'd gone to the patisserie around the corner. They made his favorite specialty cakes and were open until midnight. Smithback was particularly partial to their praline gnoise with calvados buttercream; with any luck, that was the cake Nora had ordered for tonight's celebration.

He lounged there, in the dimly lit apartment, listening to Manhattan breathe. The cocktails he'd consumed had slowed everything down just a little. He recalled a line from a Thurber short story: drowsily contented, mistily contented. He had always felt an unreasoning fondness for the writings of fellow journalist James Thurber. Along with those of pulp fictioneer Robert E. Howard. One, he felt, had always tried too hard; the other, not hard enough.

For some reason, he found his thoughts spiraling back to the summer day when he'd first met Nora. All the memories returned: Arizona, Lake Powell, the hot parking lot, the big limo he'd arrived in. He shook his head, chuckling at the memory. Nora Kelly had seemed like a bitch on wheels, a freshly minted PhD with a chip on her shoulder. Then again, he hadn't exactly made a good impression, acted like a perfect ass, that was for sure. That was four years ago, or was it five oh, God, had the time really gone that fast?

There was a shuffling outside the front door, then the rattle of a key in the lock. Nora, back so soon?

He waited for the door to open, but instead the key rattled again, as if Nora was having trouble with the lock. Maybe she was balancing a cake on her arm. He was about to rise to open it for her when the door creaked open and he heard steps cross the entryway.

"As promised, I'm still here," he called out. "Mr. Gibraltar. But hey, you can call me Rock."

There was another step. Somehow, it didn't sound like Nora: it was too slow and heavy, and it seemed to be shambling, as if uncertain.

Smithback sat up on the couch. A figure loomed in the small foyer, framed in the light of the corridor beyond. It was too tall and broad shouldered to be Nora.

"Who the hell are you?" he said.

Quickly, Smithback reached for the lamp on the adjoining table, snapped it on. He recognized the figure almost immediately. Or he thought he did there was something wrong with the face. It was ashen, puffy, almost pulpy. It looked sick or worse.

"Colin?" Smithback said. "Is that you? What the hell are you doing in my apartment?"

That was when he saw the butcher knife.

In an instant he was on his feet. The figure shuffled forward, cutting him off. There was a brief, awful moment of stasis. Then the knife darted forward with terrible speed, slashing at air Smithback had occupied less than a second before.

"What the fuck?

" Smithback yelled.

The knife shot forward again, and Smithback fell over the coffee table in a desperate attempt to avoid the blow, overturning the table as he did so. He scrambled to his feet again and turned to face his assailant, crouching low, hands apart, fingers spread and ready. Quickly, he glanced around for a weapon. Nothing. The figure stood between him and the kitchen if he could get past, he could grab a knife, even the odds.

He ducked his head slightly, extended an elbow, and charged. The figure fell back under this attack, but at the last moment the knife hand came around, slashing at Smithback's arm and cutting a deep stripe from elbow to shoulder. Smithback wrenched to one side with a cry of surprise and pain and as he did so he felt the exquisitely cold sensation of steel being driven deep into his lower back.

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