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William Giraldi - Hold the Dark

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William Giraldi Hold the Dark
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    Hold the Dark
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    Liveright Publishing Corporation
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  • Year:
    2014
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    New York
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    978-0-87140-667-5
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Hold the Dark: summary, description and annotation

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A terrifying literary thriller set on the Alaskan tundra, about the mystery of evil and mankinds losing battle with nature. At the start of another pitiless winter, the wolves have come for the children of Keelut. Three children have been taken from this isolated Alaskan village, including the six-year-old boy of Medora and Vernon Slone. Stumbled by grief and seeking consolation, Medora contacts nature writer and wolf expert Russell Core. Sixty years old, ailing in both body and spirit, and estranged from his daughter and wife, Core arrives in Keelut to investigate the killings. Immersing himself in this settlement at the end of the world, he discovers the horrifying darkness at the heart of Medora Slone and learns of an unholy truth harbored by this village. When Vernon Slone returns from a desert war to discover his son dead and his wife missing, he begins a methodical pursuit across this frozen landscape. Aided by his boyhood companion, the taciturn and deadly Cheeon, and pursued by the stalwart detective Donald Marium, Slone is without mercy, cutting a bloody swath through the wilderness of his homeland. As Russell Core attempts to rescue Medora from her husbands vengeance, he comes face to face with an unspeakable secret at the furthermost reaches of American soila secret about the unkillable bonds of family, and the untamed animal in the soul of every human being. An Alaskan , an epic woven of both blood and myth, recalls the hyperborean climate and tribalism of Daniel Woodrells Winters Bone and the primeval violence of James Dickeys .

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William Giraldi

HOLD THE DARK

A Novel

For Aiden Xavier, may your dark always be on hold.

O unteachably after evil, but uttering truth.

Gerard Manley Hopkins

We fear the cold and the things we do not understand. But most of all we fear the doings of the heedless ones among ourselves.

Eskimo shaman to explorer Knud Rasmussen

I

The wolves came down from the hills and took the children of Keelut. First one child was stolen as he tugged his sled at the rim of the village, another the following week as she skirted the cabins near the ice-choked pond. Now, in the rolling snow whorls of the new winter, a third was dragged from their village, this one from his own doorstep. Noiselessnot a scream, not a howl to give witness.

The women were frantic, those who had lost their children inconsolable. Police arrived from town one afternoon. They scratched sentences into notepads. They looked helpful but never returned to the village. Both women and men patrolled the hills and borders with rifles. Even the elderly, armed with pistols, escorted children home from the schoolhouse and church. But no one would send a party past the valleys to hunt the wolves.

The six-year-old son of Medora Slone was the third to be taken. She told her fellow villagers how she had trekked over the hills and across the vale all that evening and night and into the blush of dawn with the rifle across her back and a ten-inch knife strapped to her thigh. The revenge she wanted tasted metallic. The tracks of the wolves became scattered and vague, then vanished in the flakes falling like feathers. Several times she sank in snow to her knees and imagined her tears turning to pellets of ice that clinked on the hoar and the rocks of the crag.

In her letter to Russell Core just three days after her boy was taken, she wrote that she did not expect to find him alive. A jagged trail of the boys blood had led from their back porch and through the patchy woods into the hills above. Still, she needed his body, or whatever remained, if only his bones. Thats the reason she was writing Core, she said. She needed him to get her boys bones and maybe slaughter the wolf that took him. No one in the village would hunt the wolves.

My husband is due back from the war very soon, she wrote in her letter to him. I must have something to show him. I cant do without Baileys bones. I cant have just nothing.

* * *

Core was not a man who easily frightened. Hed begun as a nature writer, and in search of a project went north where the gray wolves found him one fall, watched him for a week as he camped and fished there. They trailed him along the river, wanted something from him, though it was not his death, he knew. He imagined they wanted a story woven of truth, not myth, one not tilted by dread. The following winter he journeyed to Yellowstone. His second book chronicled that year of living among the graysa narrative written in an alien era of youth, so long ago that Core scarcely believed in its reality.

For the afterword he offered an essay on the only recorded wolf attack on a human in the park. A female gray had crept into a campsite and stolen a toddler while the parents slept off champagne. He explained this killing as the result of food shortages, migrating herds of caribou confused by a late winter, heedless human invasion into the domain of the wolf: roads and campsites and oil-starved engines, all of it an affront to the majesty of what once had been. Even his own presence among them was an indignity. He felt that daily. This girls death was no mystery, no myth. Only elemental. Only hunger.

He was asked to help in the stabbing cold of that morningthe nature writer who had been tent-living among the clan of this killer. He could not say no. His daughter was the same age as the taken girl and his love for her then felt already like loss. The guilt of a father whose work takes him from home. He and the others, the rangers and biologists and camouflaged men, tracked the wolf across twenty square miles over the Northern Range, through Lamar Valley. He rode on a borrowed four-wheeler and was in radio contact with the sniping copters he hated. He sent them false information so they would not find her. Then he rode across the line into Montana where, alone and sickened, he found her and shot her from forty yards on a cattle farmers ranch. The rifle theyd given him had no kickit was nothing like the guns hed fired as a boy, at the range with his father before his father slumped from life.

That morning Core thought his own land-borne bullet more respectful than those from rangers impersonating gods. Through the scope he could see the wolfs white muzzle still sprayed pink with the childs innards. Pieces of yellow pajamas were glued to the dried purple blood just over her flews. Her eyes were golden. Not the glow of red or green as in picture-book terror-wolves, but a dullish, perversely dignified human gold.

You dont see yourself full, Core knew, until you see yourself reflected in the eye of a beast. This task was a test of human dignity, and he had failed.

No one can deceive the eyes of a wolf. They always know. And in this way he came to know her too. He left just after he killed her. This was his book. It began in tribute and ended in slaughter. Hed studied that female gray for a year. Hed named her the name of his daughter.

Examiners found much of the girl mashed inside the digestive tract. A goddamn murderer, the dead childs parents said of the wolf that robbed her. A goddamn demon. But Core knew otherwise. The raider, this marauder, thief in the nightshe dared to intrude not because it was her wish but because it was her need. Who was the transgressor here? He wanted to scold these parents, insist on a fine for their wanton camping in a restricted dale, for the plastic trash dumped beside their tent, but he could not.

Then he watched over the next decade as the gray wolf was hunted to near-extinction. Those cowards sniping from their copters. He recoiled each time he remembered squeezing the trigger on that adult female with the strands of cloth stuck to the hinge of her mouth. He became a help to Yellowstone reintroduction, penned newspaper editorials about mans hubris, spoke at college symposiums where khaki-clad alumni nodded in agreement, asked him to sign his book and then quickly forgot.

In her letter Medora Slone wrote of Cores book: You have sympathy for this animal. Please dont. Come and kill it to help me. My sons bones are in the snow.

* * *

He had Medora Slones letter folded into the pocket of his denim jacket when he arrived at the nursing home, a sprawling one-level building that used to be an elementary school, classrooms converted into bedrooms but the hallways still school-like. A column of lockers still at one end, the fire alarms plate-sized red bells he remembered from his own youth. His wife of thirty-five years lay sleeping where shed lain for the past thirteen months, only part lucid in a bed after a stroke had cleaved one half of her head. He stood looking at this woman who needed a power no man or god was able to give.

He went to the sink and drank. In the mirror he saw his white mane spilling to his shoulders from beneath a baseball cap, the ruff of white sprouting from his jawline, a chin that seemed elongated. He could not guess when he had gone so wintry, so wolfish. Thirteen months ago, perhaps. Microwave meals twice a day. The uneven sleep of the sick, all the hours of quiet he counted. The wind in winter an almost dulcet guest for the wail it made. Boredom daily morphed to despair and back. Sixty years old this year and he knew he looked eighty. Unable to summon the will even to see a barber.

How many more paintings could he produce of the wolf hed slain? The walls of his library were already covered with such creations. Always, it seemed, of the same wolf. Always the yellow strands of cloth pasted into her bloodied mouth. He could not paint her back to the living. He could not will his own living back.

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