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G. Randy Slone - The Audiophile’s Project Sourcebook: 80 High-Performance Audio Electronics Projects

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This is the Audiophiles Project Sourcebook. Build audio projects that produce great sound for far less than they cost in the store, with audio hobbyists favorite writer Randy Slone. In The Audiophiles Project Sourcebook, Slone gives you: clear, illustrated schematics and instructions for high-quality, high-power electronic audio components that you can build at home; carefully constructed designs for virtually all standard high-end audio projects, backed by an author who answers his email; 8 power-amp designs that suit virtually any need; instructions for making your own inexpensive testing equipment; comprehensible explanations of the electronics at work in the projects you want to construct, spiced with humor and insight into the electronics hobbyists process; and complete parts lists. The Audiophiles Project Sourcebook is devoid of the hype, superstition, myths, and expensive fanaticism often associated with high-end audio systems. It provides straightforward help in building and understanding top quality audio electronic projects that are based on solid science and produce fantastic sound! The Projects You Want, For Less. Features: balanced input driver/receiver circuits; signal conditioning techniques; voltage amplifiers; preamps for home and stage; tone controls; passive and active filters; parametric filters; graphic equalizers; Bi-amping and tri-amping filters; headphone amplifiers; power amplifiers; speaker protection systems; clip detection circuits; power supplies; delay circuits; level indicators; and homemade test equipment.

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THE AUDIOPHILES PROJECT SOURCEBOOK

THE AUDIOPHILES PROJECT SOURCEBOOK

G. Randy Slone

Copyright 2002 by The McGraw-Hill Companies Inc All rights reserved Except - photo 1

Copyright 2002 by The McGraw-Hill Companies Inc All rights reserved Except - photo 2

Copyright 2002 by The McGraw-Hill Companies, Inc. All rights reserved. Except as permitted under the United States Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a database or retrieval system, without the prior written permission of the publisher.

ISBN: 978-0-07-170622-3

MHID: 0-07-170622-4

The material in this eBook also appears in the print version of this title: ISBN: 978-0-07-137929-8, MHID: 0-07-137929-0.

All trademarks are trademarks of their respective owners. Rather than put a trademark symbol after every occurrence of a trademarked name, we use names in an editorial fashion only, and to the benefit of the trademark owner, with no intention of infringement of the trademark. Where such designations appear in this book, they have been printed with initial caps.

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Information contained in this work has been obtained by The McGraw-Hill Companies, Inc. (McGraw-Hill) from sources believed to be reliable. However, neither McGraw-Hill nor its authors guarantee the accuracy or completeness of any information published herein, and neither McGraw-Hill nor its authors shall be responsible for any errors, omissions, or damages arising out of use of this information. This work is published with the understanding that McGraw-Hill and its authors are supplying information but are not attempting to render engineering or other professional services. If such services are required, the assistance of an appropriate professional should be sought


TERMS OF USE

This is a copyrighted work and The McGraw-Hill Companies, Inc. (McGraw-Hill) and its licensors reserve all rights in and to the work. Use of this work is subject to these terms. Except as permitted under the Copyright Act of 1976 and the right to store and retrieve one copy of the work, you may not decompile, disassemble, reverse engineer, reproduce, modify, create derivative works based upon, transmit, distribute, disseminate, sell, publish or sublicense the work or any part of it without McGraw-Hills prior consent. You may use the work for your own noncommercial and personal use; any other use of the work is strictly prohibited. Your right to use the work may be terminated if you fail to comply with these terms.

THE WORK IS PROVIDED AS IS. McGRAW-HILL AND ITS LICENSORS MAKE NO GUARANTEES OR WARRANTIES AS TO THE ACCURACY, ADEQUACY OR COMPLETENESS OF OR RESULTS TO BE OBTAINED FROM USING THE WORK, INCLUDING ANY INFORMATION THAT CAN BE ACCESSED THROUGH THE WORK VIA HYPERLINK OR OTHERWISE, AND EXPRESSLY DISCLAIM ANY WARRANTY, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. McGraw-Hill and its licensors do not warrant or guarantee that the functions contained in the work will meet your requirements or that its operation will be uninterrupted or error free. Neither McGraw-Hill nor its licensors shall be liable to you or anyone else for any inaccuracy, error or omission, regardless of cause, in the work or for any damages resulting therefrom. McGraw-Hill has no responsibility for the content of any information accessed through the work. Under no circumstances shall McGraw-Hill and/or its licensors be liable for any indirect, incidental, special, punitive, consequential or similar damages that result from the use of or inability to use the work, even if any of them has been advised of the possibility of such damages. This limitation of liability shall apply to any claim or cause whatsoever whether such claim or cause arises in contract, tort or otherwise.

CONTENTS
PREFACE

The Audiophiles Project Sourcebook is intended for electronics hobbyists and audiophiles who enjoy constructing their own high-end audio equipment, and who also desire a more complete understanding of the fundamentals involved with audio design. In addition, the information contained in this book will equip audio enthusiasts with the practical knowledge for experimentation and modifications to existing audio equipment, as well as clarifying issues of application compatibility.

A well-rounded variety of domestic and professional audio projects is provided, including preamplifiers, filter circuits, headphone amplifiers, power amplifiers, effects circuits, power supplies, protection circuits, and display circuits. For the most part, these projects represent the state of the art in performance capabilities, and will exceed the performance parameters of most commercially available equipment. In addition to the complete schematics and technical descriptions, I have provided the PC board artwork and layout illustrations for many of the more complex designs.

I have assumed that the reader is experienced in the fundamentals of electronics and electronic construction, but I have made few assumptions regarding the readers expertise relating specifically to audio electronics. Appendix A provides a reasonably exhaustive clarification of audio electronics terms and modern buzz words as a further barrier against confusion.

The Audiophiles Project Sourcebook is for hobbyists and audio-philes who have been discouraged by the apparent schism between audio professionals and extravagant esoterics. It is designed to help anyone experience the ultimate in sonic quality at a reasonable expense. The concepts and principles presented are not subjective, mythical, or traditional; they are scientific and extensively supported with provable analysis. Many readers will be pleasantly surprised at the low cost involved with even the best audio systems.

Above all, I have directed this book toward people who want to experience the fun, satisfaction, and fulfillment of superb and practical electronic projects (not to mention the significant cost savings). This text is not infested with watered-down demonstration or educational projectsit is a sourcebook of impressive, high-performance designs that lend legitimacy to the readers construction efforts. I sincerely hope that many will enjoy it and benefit from it.

ACKNOWLEDGMENTS

As a Christian, my first and foremost expression of appreciation belongs to my Lord and Savior, Jesus Christ, who keeps me and assists me in all honorable and productive goals. Also along the personal vein, a special debt of gratitude goes out to my wife, Mary Ann, who somehow manages to provide me with great measures of understanding and encouragement, even though she seldom understands what the heck Im doing.

From the professional perspective, I am greatly indebted to my friend and associate at ZUS Audio, Russell Torlage, for his continual feedback and support of this project. A heartfelt thanks also goes out to Joe Koenig, Luis Alves, and the exemplary team at Electronics Workbench for their assistance in many problematic technical areas.

The heart of this book has been beating in audiophiles for the past four decades, so the majority of credit for this work really belongs to many pioneers, both past and present. Progress in the audio fields is effectively a group effort, with many excellent audio engineers and dedicated hobbyists deserving the majority of credit.

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