Gamble - Pirate music
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The Squirrels Are Dead is a collection of extraordinary formal versatility and skill Fran Brearton, Edinburgh Review. Experimental and wide-ranging, her work is by turns lyrical, surreal and quirkily humorous. Her debut collection shows that she is already a writer of considerable achievement and one who looks set to promise more in the future David Cooke, The North. What separates her from the thousands of other poets with a gift for sharp description, is the complexity and tautness of her arguments Gambles intelligence is what makes these poems a pleasure to read John Clegg. COVER PAINTING
Dance (1999) by Robert Henry
OIL ON CANVAS 50 X 38 For my parents When autumn is over and the leaves have fallen from the trees with only the dark evergreens retaining their bulk which is at once a shelter and an obstacle to the passage of light, we see that we have never been alone in the forest. JANET FRAME
Blue Nude was written as part of a collaborative project with the artist Douglas Hutton and displayed alongside his work at Enniskillen Castle Galleries. Night was commissioned by Katherine Lockton for a project celebrating the war poetry of Giuseppe Ungaretti and written in response to Ungarettis poem Half asleep (In dormaveglia). Im extremely grateful to the Society of Authors for a Somerset Maugham Award in 2011; to Michael Longley who, as Ireland Chair of Poetry, gave me a bursary which enabled me to spend time at the Tyrone Guthrie Centre at Annaghmakerrig; to the Australian Centre at the University of Melbourne for awarding me the Vincent Buckley Poetry Prize in 2012; and to Jim Carruth for appointing me as the mentor on Clydebuilt 6. Thanks to the staff at Annaghmakerrig for always making me feel welcome, and to everyone who helped to make my time in Melbourne special. For advice, encouragement and just general good companionship, I would also like to thank Paul Batchelor, Fran Brearton, Elizabeth Campbell, Ailbhe Darcy, Leontia Flynn, Peter Mackay, Paul Maddern, Eoghan Walls and Alex Wylie.
All buzzy resistless things slam shut into windows or self-exterminate in lights. The season of the endless nights, of TV poultices he who dances, he who sings. The death of miniatures with wings, muddled, and mid-flight.
The mother flicks an opalescent eye.
Noon in Potos. It is three generations before one single woman has a baby that lives, centuries until anyone works out why.
And so on with the dandy, the body, the duster; bring scissors for the tail and under-chin, bring mane-and-tail detangler. Bring hoof oil for the feet and hair oil for the hair. Work both of your arms together, feeling your own skin get coated in the muck, the dust and glair you have loosened from the animal. Bring plaiting bands and even quarter markers. Bring baby wipes and, for white feet, for snips and blazes, baby powder; bring hydro-glycerine to clean the saddle and the bridle. Spend as long as it takes, and if at the end of it you still do not feel satisfied walk up the yard and ask them for another.
Repeat, until you know your left foot from your right.
We can play that part.
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