• Complain

Gamble - Pirate music

Here you can read online Gamble - Pirate music full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2014, publisher: Bloodaxe Books, genre: Detective and thriller. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Gamble Pirate music

Pirate music: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Pirate music" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Pirate music — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Pirate music" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
MIRIAM GAMBLE
PIRATE MUSIC
Miriam Gambles second collection takes its title from unlicensed broadcasting. Here, the marginalia of prophecy coexist with and counter voices of authority, voices that are at once eerie and depressingly recognisable. An artist steals back paintings, leaving the money in their wake, and scores a cameo on Crimewatch; a figure from medieval memento mori art finds himself up against a consumer deaf to the language of symbolism; animal anti-heroes spit in the face of well-meaning, or not so well-meaning, human interest. Throughout, biological impulses are sparked then thwarted by entropic systems creatures and humans alike find themselves steered rather than steering, engulfed by repeating patterns which nullify the efforts of the individual life. Pirate Music questions the narratives, including those forged by art itself, by which we shape the world to suit our own devices and steel ourselves against what we cannot name or see. Praise for Miriam Gambles first collection The Squirrels Are Dead: These poemsunderstand the relation between form and violence, understand that craft and control can be acts of brute force too against the other, even against the self.

The Squirrels Are Dead is a collection of extraordinary formal versatility and skill Fran Brearton, Edinburgh Review. Experimental and wide-ranging, her work is by turns lyrical, surreal and quirkily humorous. Her debut collection shows that she is already a writer of considerable achievement and one who looks set to promise more in the future David Cooke, The North. What separates her from the thousands of other poets with a gift for sharp description, is the complexity and tautness of her arguments Gambles intelligence is what makes these poems a pleasure to read John Clegg. COVER PAINTING
Dance (1999) by Robert Henry
OIL ON CANVAS 50 X 38 For my parents When autumn is over and the leaves have fallen from the trees with only the dark evergreens retaining their bulk which is at once a shelter and an obstacle to the passage of light, we see that we have never been alone in the forest. JANET FRAME

Acknowledgements are due to the editors of the following journals, websites and anthologies, where some of these poems, or versions of these poems, first appeared: Bear Review, BODY Literature, Causeway / Cabhsair, Connotation Press, The Dark Horse, Dear World & Everyone In It (Bloodaxe Books, 2013), Eborakon, Edinburgh Review, ire/Ireland: An Interdisciplinary Journal of Irish Studies, The Honest Ulsterman, Irish Pages, The Irish Review, The Lifeboat, Neu Reekie!, Pleiades, Poetry Ireland Review, Poetry Proper, The Rialto, Shine On: Irish Writers for Shine (Dedalus Press, 2011), The Scotsman, Southword, and The Yellow Nib. A big thank you to Adrian Grima for allowing me to publish my translation of his poem, Andrew Dreams of Catherine Wheels.

Blue Nude was written as part of a collaborative project with the artist Douglas Hutton and displayed alongside his work at Enniskillen Castle Galleries. Night was commissioned by Katherine Lockton for a project celebrating the war poetry of Giuseppe Ungaretti and written in response to Ungarettis poem Half asleep (In dormaveglia). Im extremely grateful to the Society of Authors for a Somerset Maugham Award in 2011; to Michael Longley who, as Ireland Chair of Poetry, gave me a bursary which enabled me to spend time at the Tyrone Guthrie Centre at Annaghmakerrig; to the Australian Centre at the University of Melbourne for awarding me the Vincent Buckley Poetry Prize in 2012; and to Jim Carruth for appointing me as the mentor on Clydebuilt 6. Thanks to the staff at Annaghmakerrig for always making me feel welcome, and to everyone who helped to make my time in Melbourne special. For advice, encouragement and just general good companionship, I would also like to thank Paul Batchelor, Fran Brearton, Elizabeth Campbell, Ailbhe Darcy, Leontia Flynn, Peter Mackay, Paul Maddern, Eoghan Walls and Alex Wylie.

CONTENTS
It is the season of the death of bumbles.

All buzzy resistless things slam shut into windows or self-exterminate in lights. The season of the endless nights, of TV poultices he who dances, he who sings. The death of miniatures with wings, muddled, and mid-flight.

If we had been shoebills neither of us would have survived: a second son and second daughter from whom, after the dream days of pragmatic action, insurance against the firsts demise, our folks would have stridden, spurning the hapless bodies, carrying the fish and water to the one who had cast us out of the nest. No matter that our folks lived right beside a river or that the elder child confessed, quite flagrant, to the filial atrocities it dished out when they turned their backs. But we should have been harder, louder! Theres the first child stuffing its face on fish, the second scorned for a puling baby, left among the rushes to die.

The mother flicks an opalescent eye.

The word spreads around the camp and the men are summoned from the gold mines. Dead silence. The Inca girls tell string over their knuckles, the healer heads towards the Temple of the Sun. One by one, the white women birth bleeding monstrosities: some are tinier than kittens, all gasp unsuccessfully for breath like creatures spat against a rocky shoreline. No one talks, or makes a sign, although the Spanish shift to manage Quechua, set free again the locked-up Inca prince.

Noon in Potos. It is three generations before one single woman has a baby that lives, centuries until anyone works out why.

Pick a well-lit corner, and tie your animal there; find the local radio station with the throwback music; lose your coat, your woollens; secure, if applicable, your hair. Now you are ready. Take from the kit a metal curry-comb and begin tackling the most intransigent layers. Be economical but thorough: do not stint; use strokes that are generous, semi-circular.

And so on with the dandy, the body, the duster; bring scissors for the tail and under-chin, bring mane-and-tail detangler. Bring hoof oil for the feet and hair oil for the hair. Work both of your arms together, feeling your own skin get coated in the muck, the dust and glair you have loosened from the animal. Bring plaiting bands and even quarter markers. Bring baby wipes and, for white feet, for snips and blazes, baby powder; bring hydro-glycerine to clean the saddle and the bridle. Spend as long as it takes, and if at the end of it you still do not feel satisfied walk up the yard and ask them for another.

Repeat, until you know your left foot from your right.

Its their simplicity we love their tendency to clean up after themselves, but also the limits on our baggage: what will fit on five hangers and a couple of shelves; our sudden transformation into this. Like loving was a first kiss, the calm-limbed body minus its head, we put our things in order (eyes avoiding the wall art) and shove the emptied bag under the bed. If only there were more channels, and less of a clinical whiff to the air, and maybe real milk, were certain we could make a start. Instead, a telephone call and if theres a dilemma, all the better. We know that.

We can play that part.

All year he gathers in the mesmerising curios, arranges here no here and rearranges to his taste, in its base most eminently solid writ clear in colour texture odour that flower, this fragrantest of dungs though its subject in the ordering to x-fold variations permutations, combinations, Dear! its not quite, no its not quite perfect yet had he fingernails he would scratch his head feathers quite away and then there are always more more things, more glittering phenomena to be appended to his stack to the well-gauged light and shadow of his amour-shack this womanwork is never done they file by, they doom to ensnare him by the ear the eye the nostril, and before hes aware of what is happening the place is a sorry mess he begins the job again; he will sprain what intellects amassed in his tiny skull toying with the heavenly and unanswerable question of what a feathered female wants, what may be guaranteed to bag one and she comes and it is not quite what she had envisaged, personally, in her heart of hearts down the leaf-strewn path there is a better one the flower was a fatal error and suddenly, so suddenly, his work is done; he sleeps the vacant sleep of eunuchs; sweet bird fear the heat of the sun or do not fear the heat of the sun
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Pirate music»

Look at similar books to Pirate music. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Pirate music»

Discussion, reviews of the book Pirate music and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.