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Alexander Murray - Suicide in the Middle Ages: Volume I: The Violent against Themselves

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Suicide in the Middle Ages: Volume I: The Violent against Themselves: summary, description and annotation

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The phrase Suicide and the Middle Ages sounds like a contradiction. Was life too short anyway, and the Church too disapproving, to admit suicide? And how is the historian supposed to find out? In addressing these questions Alexander Murray takes the reader on a remarkable odyssey through medieval law, social life, literature, and religion. He examines a wide range of suicides and explores how the living reacted to them--a topic that will be examined in more detail in Volumes II and III of this masterly trilogy.

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title Suicide in the Middle Ages author Murray Alexander - photo 1

title:Suicide in the Middle Ages
author:Murray, Alexander.
publisher:Oxford University Press
isbn10 | asin:0198205392
print isbn13:9780198205395
ebook isbn13:9780585119236
language:English
subjectSuicide--History, Social history--Medieval, 500-1500, Church and social problems
publication date:1998
lcc:HV6544.M89 1998eb
ddc:362.28/094/0902
subject:Suicide--History, Social history--Medieval, 500-1500, Church and social problems
Page i
ERRATUM
Two Notes on p. xix describe Plates 5(a) and (b), but only the first of these (numbered Plate 5) appears opposite p. 137. The publishers apologise for the omission.
Page ii
Page iii Suicide in the Middle Ages by Alexander Murray VOLUME I - photo 2
Page iii
Suicide in the Middle Ages
by
Alexander Murray
VOLUME I
The Violent against Themselves
A Dio, a s, al prossimo si pne far forza
[Violence can be done to God, to oneself, and to one's neighbour]
(Dante Alighieri, Inferno, 11: 312)
Oxford New York
OXFORD UNIVERSITY PRESS
1998
Page iv
Disclaimer:
This book contains characters with diacritics. When the characters can be represented using the ISO 8859-1 character set ( http://www.w3.org/TR/images/latin1.gif ), netLibrary will represent them as they appear in the original text, and most computers will be able to show the full characters correctly. In order to keep the text searchable and readable on most computers, characters with diacritics that are not part of the ISO 8859-1 list will be represented without their diacritical marks.
Oxford University Press, Great Clarendon Street, Oxford OX2 6DP
Oxford New York
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Nairobi Paris So Paulo Singapore Taipei Tokyo Toronto Warsaw
and associated companies in Berlin Ibadan
Oxford is a trade mark of Oxford University Press
Published in the United States by
Oxford University Press Inc., New York
Alexander Murray 1998
The moral rights of the author have been asserted
First published 1998
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press. Within the UK, exceptions are allowed in respect of any fair dealing for the purpose of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, or in the case of reprographic reproduction in accordance with the terms of the licences issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside these terms and in other countries should be sent to the Rights Department, Oxford University Press, at the address above
British Library Cataloguing in Publication Data
Data available
Library of Congress Cataloging in Publication Data
Murray, Alexander, 1934
Suicide in the Middle Ages / by Alexander Murray.
p. cm.
Includes bibliographical references (p. ) and index.
Contents: v. 1. The violent against themselves
1. SuicideHistory. 2. Social historyMedieval, 5001500.
3. Church and social problems. I. Title.
HV6544.M89 1997
362.28'094'0902dc21 977806
ISBN 0198205392 (v. 1)
1 3 5 7 9 10 8 6 4 2
Typeset by Best-set Typesetter Ltd., Hong Kong
Printed in Great Britain
on acid free paper by
Bookcraft Ltd., Midsomer Norton
Nr. Bath, Somerset
Page v
PREFACE
On a clear night we can look up and be stunned by the stars, some of them galaxies as big as ours. When we are told their size and distance and age, the big numbers make us want to rush back indoors to the finite, familiar world of human beings. But have we not got things the wrong way round? In the few seconds it has taken to read this page so far, the number of electronic impulses passing through the reader's brain and nervous system is to be reckoned in billions, if not already trillions (1012). Many are quite unpredictable, if only because some of my billions help affect some of your billions and vice versa. That is for two people, over a few seconds. But there are many of us, our lifetimes strung together over centuries. For numerical complexity, can the galaxies match that?
The result, anyway, we call history. Early Hindu arithmeticians are said to have created the sign for zero, '0', on the model of the great 'space of heaven', resolving its infinities into a tiny circle.1 In the same way we speak of history as a school 'subject', when 'subject' is the one thing it is not. It is far above our heads. But because the reality would be unbearable, we conspire to forget that the real human past cannot be comprehended, still less traced or written about, except in simplifications so crude as always to distort and often to falsify; the falsehoods of each generation, agreed by convention, being exultantly exposed in the next by 'research', itself over-thrown in its turn. That battle of the generations no doubt lurches towards a quantum of truth. But behind the quantum is the unquantified, the living galaxies, one on another, of ricocheting trillions of impulses, further beyond reckoning than the stars are above anyone's head, and all of which, comprehended or not, happened with as much actuality as your reading of these words now.
These reflections could well preface any history book as a 'start-of-day' exercise, to be undertaken before picking it up. There is a special reason why they should preface this one. Unconventionally long, the book remains, to the author's certain knowledge, 'a mere introduction'. That has been said by authors of bigger books on bigger subjects. This one is about a single, recondite theme in a single period of history, a theme which has attracted academic attention so far mainly in articles, if at all. But the result is still a
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