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Washington Irving - History, Tales, and Sketches: The Sketch Book A History of New York Salmagundi Letters of Jonathan Oldstyle, Gent.

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    History, Tales, and Sketches: The Sketch Book A History of New York Salmagundi Letters of Jonathan Oldstyle, Gent.
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History, Tales, and Sketches: The Sketch Book A History of New York Salmagundi Letters of Jonathan Oldstyle, Gent.: summary, description and annotation

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A writer of great urbanity and poise, Washington Irving was Americas first internationally acclaimed man of letters. Here in one volume are the writings that established his reputation and earned him the admiration of Hawthorne, Poe, Coleridge, Byron, Scott, and Dickens. Written in the character of an elderly gentleman of the old school, Letters of Jonathan Oldstyle, Gent. is a series of comic reports on the theater, theater-goers, fashions, balls, courtships, duels, and marriages of his contemporary New York. Salmagundi continues this roguish style of satire and burlesque, and its freshness, energy, and accomplishment took the Anglo-American literary scene by storm. A History of New York, a wild and hilarious spoof combining real New York history with political satire, is presented here in its original, unexpurgated version. The Sketch Book is a brilliant, captivating story collection that draws on vanishing folkways, depictions of Hudson Valley life, and fable; it contains Irvings best-loved stories, Rip Van Winkle and The Legend of Sleepy Hollow.

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Page iii
Washington Irving
History, Tales and Sketches
LETTERS OF
JONATHAN OLDSTYLE, GENT.
SALMAGUNDI
or, The Whim-Whams and Opinions
of Launcelot Langstaff, Esq. & Others
A HISTORY OF NEW YORK
From the Beginning of the World to the
End of the Dutch Dynasty
THE SKETCH BOOK OF GEOFFREY
CRAYON, GENT.
Page iv Volume compilation notes and chronology copyright 1983 by - photo 2
Page iv
Volume compilation, notes, and chronology copyright 1983 by
Literary Classics of the United States, Inc., New York, N.Y.
All rights reserved.
No part of this book may be reproduced commercially
by offset-lithographic or equivalent copying devices without
the permission of the publisher.
The texts of Letters of Jonathan Oldstyle, Gent., Salmagundi, and The
Sketch Book
are Copyright 1977, 1978 by
C. K. Hall & Co. All rights reserved.
The paper used in this publication meets the
minimum requirements of the American National Standard
for Information SciencesPermanence of Paper for
Printed Library Materials, ANSI Z39.48-1984.
Distributed to the trade in the United States
by Penguin Books USA Inc
and in Canada by Penguin Books Canada Ltd.
Library of Congress Catalog Card Number: 83-5474
For Cataloging in Publication Data, see end of Notes section.
ISBN 0-940450-14-3
Sixth Printing
The Library of America16
Manufactured in the United States of America
Page v
JAMES W. TUTTLETON
WROTE THE NOTES FOR
THIS VOLUME
Page vii
This volume prints the texts of Letters of Jonathan Oldstyle, Gent., Salmagundi, and The Sketch Book from The Complete Works of Washington Irving edited by Bruce I. Granger, Martha Hartzog, Haskell Springer, Henry A. Pochmann, Herbert L. Kleinfield, Richard Dilworth Rust, and Edwin T. Bowden and published by Twayne Publishers.
Page ix
CONTENTS
Letters of Jonathan Oldstyle, Gent
1
Salmagundi
45
A History of New York
363
The Sketch Book of Geoffrey Crayon, Gent
731
Chronology
1093
Note on the Texts
1121
Notes
1127

Page 1
LETTERS OF JONATHAN OLDSTYLE GENT.
Page 3
Contents
Letter I. November 15, 1802
5
Letter II. November 20, 1802
7
Letter III. December 1, 1802
10
Letter IV. December 4, 1802
14
Letter V. December 11, 1802
19
Letter VI. January 17, 1803
23
Letter VII. January 22, 1803
27
Letter VIII. February 8, 1803
33
Letter IX. April 23, 1803
39

Page 5
Letter I
Printed in The Morning Chronicle, November 15, 1802.
Mr. Editor,
If the observations of an odd old fellow are not wholly superfluous, I would thank you to shove them into a spare corner of your paper.
It is a matter of amusement to an uninterested spectator like myself, to observe the influence fashion has on the dress and deportment of its votaries, and how very quick they fly from one extreme to the other.
A few years since, the rage was; very high crowned hats with very narrow brims, tight neckcloth, tight coat, tight jacket, tight small clothes, and shoes loaded with enormous silver buckles: the hair craped, plaited, queued and powdered:in short, an air of the greatest spruceness and tightness diffused over the whole person.
The ladies, with their tresses neatly turned up over an immense cushion; waist a yard long, braced up with stays into the smallest compass, and encircled by an enormous hoop: so that the fashionable belle resembled a walking bottle.
Thus dressed, the lady was seen, with the most bewitching languor, reclining on the arm of an extremely attentive beau, who, with a long cane, decorated with an enormous tassel, was carefully employed in removing every stone, stick or straw that might impede the progress of his tottering companion, whose high-heel'd shoes just brought the points of her toes to the ground.
What an alteration has a few years produced!We now behold our gentleman, with the most studied carelessness, and almost slovenliness of dress; large hat, large coat, large neckcloth, large pantaloons, large boots, and hair scratch'd into every careless direction, lounging along the streets in the most apparent listlessness and vacuity of thought; staring with an unmeaning countenance at every passenger, or leaning upon the arm of some kind fair one for support, with the other hand cramm'd into his breeches pocket. Such is the picture of a modern beau: in his dress stuffing himself up to the
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