Kathleen Ernst. - Old World Murder: A Chloe Ellefson Mystery
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Old World Murder: A Chloe Ellefson Mystery 2010 by Kathleen Ernst.
All rights reserved. No part of this book may be used or reproduced in any matter whatsoever, including Internet usage, without written permission from Midnight Ink, except in the form of brief quotations embodied in critical articles and reviews.
As the purchaser of this ebook, you are granted the non-exclusive, non-transferable right to access and read the text of this ebook on screen. The text may not be otherwise reproduced, transmitted, downloaded, or recorded on any other storage device in any form or by any means.
Any unauthorized usage of the text without express written permission of the publisher is a violation of the authors copyright and is illegal and punishable by law.
This is a work of fiction. Names, characters, places, and incidents are either the product of the authors imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
First e-book edition 2010
E-book ISBN: 9780738727370
Book design and format by Donna Burch
Cover design by Kevin R. Brown
Cover illustration Charlie Griak
Editing by Connie Hill
Midnight Ink is an imprint of Llewellyn Worldwide Ltd.
Midnight Ink does not participate in, endorse, or have any authority or responsibility concerning private business arrangements between our authors and the public.
Any Internet references contained in this work are current at publication time, but the publisher cannot guarantee that a specific reference will continue or be maintained. Please refer to the publishers website for links to current author websites.
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Manufactured in the United States of America
For the interpreters and curators I knew,
with respect and affection;
and for Sergeant Robert J. Bord,
with thanks.
Authors Note
Old World Wisconsin is a real place. I had the pleasure and privilege of working there for twelve years, starting in 1982. However, this book is a work of fiction. All characters, including Chloe Ellefson, were born in my imagination. I freely fabricated events to serve the story. For example, although most of the historic structures mentioned do exist, Mr. Toblers cobblestone cottage does not. To learn more about this very real and fascinating historic site, visit the website: http://oldworldwisconsin.wisconsinhistory.org/
Perhaps only one thing has remained constant: like most museums and history-related institutions, Old World Wisconsin relies upon public support. Please help sustain your local historic site!
As Chloe Ellefson walked from 1982 into 1870s Wisconsin, a white frame church emerged from the trees, prettily framed against a cloud-studded blue sky. The view alone was enough to make most visitors pause, appreciate the simple elegance of the restored church, perhaps even wonder about the lives of those women and men and children who had first worshiped within its walls.
For Chloe, the historic sites newest employee, the scene represented a fresh start.
A cadence in her mind kept time with her steps: Must make this work. Must make this work. Dr. Eberhardt could no doubt have written a thesis about that obsessive little drone but Dr. Eberhardt was still in North Dakota with his white pills and his spiral notebook and his guttural grunts that had reminded her all too often of Markus father. Visiting a psychiatrist who reminded her of the people she was trying to escape seemed counter-productive, but Solomon, North Dakotapopulation 793 on a good dayhadnt offered many options in low-cost mental health care.
Anyway, Chloe had come to Wisconsin to stand on her own two feet. Although, she thought as she reached the church gate, it would be more accurate to say shed come home to Wisconsin. The last thing shed ever expected to do. But she was here now. A new job. A new life. And she was determined to make it work.
After all, her chosen field was all about faades. Curators at living history sites presented impressions of the past. The bustles and bonnets (or braces and boots) that interpreters wore hid more than modern clothes and hairstyles. Well, she thought, nothing wrong with a good faade. In fact, a huge historic site intended to create and present illusions wasnt a bad choice for someone wanting to rewrite her own history.
Chloe had visited the outdoor museum during open-hours only once, the day before her interview almost a month earlier. As shed wandered the sprawling grounds that day, her spirits had unexpectedly begun to rise. Over fifty historic structures had been restored among the Kettle Moraine State Forests woods, prairies, and kettle ponds. Interpreters in period clothing brought the farmsteads, homes, and service buildings to life by telling tales and churning butter and making shoes and weeding gardens, and giving visitors as many participatory and sensory experiences as possible. Old World Wisconsin, the states newest historic site, was spectacular.
Now, she was hoping to recapture some of that good vibe. It was a late Monday afternoon. The last group of shrieking school children had tramped from the site, quickly followed by the interpreters stampede toward the parking lot. Chloes first day on the job, a blur of paperwork, staff meetings, and behind-the-scenes orientation, was winding to a close. This was the best time of day to visit any historic site. And having after-hours access was one of the true perks of becoming an employee.
Chloe knew it would take a long time to become truly familiar with Old World Wisconsin. She planned to visit a building or two after-hours each day. Starting with she consulted her map St. Peters Church.
She mounted the steps and, feeling important, used her new master key on the lock. Once inside she paused, letting impressions of the place come. St. Peters Church offered nothing too striking. Good.
Next, she took a quick curatorial survey: plain wooden pews, a pump organ, painted stations of the cross hanging on the walls. Most of the window panes were thick and distortedoriginal, amazingly enough. The altar cloth needed cleaning, and she scrawled a note on her pad.
Outside, tires screeched on gravel. A moment later heavy steps thumped up the stairs and a stocky, white-haired, red-faced man burst into the sanctuary. Who are you? he demanded.
Chloe blinked. Who are you ?
He scowled. Look here, lady, the museum closed at four oclock. You cant be in here!
Belatedly Chloe noticed the vague uniform: dark brown trousers, tan shirt, patch of some kind duly sewn on his sleeve. His official attire contrasted sharply with the non-uniform shed mustered for the day: tan chinos and a royal blue cotton shirt, long blonde hair captured in a single braid and coiled behind her head.
OK, Chloe told herself, time to get one more working relationship off to a good start. My apologies. I should have introduced myself. My name is Chloe. Im the new curator of collections.
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