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Jewett Helen - The murder of Helen Jewett : the life and death of a prostitute in nineteenth-century New York

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Jewett Helen The murder of Helen Jewett : the life and death of a prostitute in nineteenth-century New York
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    The murder of Helen Jewett : the life and death of a prostitute in nineteenth-century New York
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The murder of Helen Jewett : the life and death of a prostitute in nineteenth-century New York: summary, description and annotation

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In 1836, the murder of a young prostitute made headlines in New York City and around the country, inaugurating a sex-and-death sensationalism in news reporting that haunts us today. Patricia Cline Cohen goes behind these first lurid accounts to reconstruct the story of the mysterious victim, Helen Jewett. From her beginnings as a servant girl in Maine, Helen Jewett refashioned herself, using four successive aliases, into a highly paid courtesan. She invented life stories for herself that helped her build a sympathetic clientele among New York Citys elite, and she further captivated her customers through her seductive letters, which mixed elements of traditional feminine demureness with sexual boldness. But she was to meet her match--and her nemesis--in a youth called Richard Robinson. He was one of an unprecedented number of young men who flooded into Americas burgeoning cities in the 1830s to satisfy the new business societys seemingly infinite need for clerks. The son of an established Connecticut family, he was intense, arrogant, and given to posturing. He became Helen Jewetts lover in a tempestuous affair and ten months later was arrested for her murder. He stood trial in a five-day courtroom drama that ended with his acquittal amid the cheers of hundreds of fellow clerks and other spectators. With no conviction for murder, nor closure of any sort, the case continued to tantalize the public, even though Richard Robinson disappeared from view. Through the Erie Canal, down the Ohio and the Mississippi, and by way of New Orleans, he reached the wilds of Texas and a new life under a new name. Through her meticulous and ingenious research, Patricia Cline Cohen traces his life there and the many twists and turns of the lingering mystery of the murder. Her stunning portrayals of Helen Jewett, Robinson, and their raffish, colorful nineteenth-century world make vivid a frenetic city life and sexual morality whose complexities, contradictions, and concerns resonate with those of our own time. From the Hardcover edition. Read more...
Abstract: In 1836, the murder of a young prostitute made headlines in New York City and around the country, inaugurating a sex-and-death sensationalism in news reporting that haunts us today. Patricia Cline Cohen goes behind these first lurid accounts to reconstruct the story of the mysterious victim, Helen Jewett. From her beginnings as a servant girl in Maine, Helen Jewett refashioned herself, using four successive aliases, into a highly paid courtesan. She invented life stories for herself that helped her build a sympathetic clientele among New York Citys elite, and she further captivated her customers through her seductive letters, which mixed elements of traditional feminine demureness with sexual boldness. But she was to meet her match--and her nemesis--in a youth called Richard Robinson. He was one of an unprecedented number of young men who flooded into Americas burgeoning cities in the 1830s to satisfy the new business societys seemingly infinite need for clerks. The son of an established Connecticut family, he was intense, arrogant, and given to posturing. He became Helen Jewetts lover in a tempestuous affair and ten months later was arrested for her murder. He stood trial in a five-day courtroom drama that ended with his acquittal amid the cheers of hundreds of fellow clerks and other spectators. With no conviction for murder, nor closure of any sort, the case continued to tantalize the public, even though Richard Robinson disappeared from view. Through the Erie Canal, down the Ohio and the Mississippi, and by way of New Orleans, he reached the wilds of Texas and a new life under a new name. Through her meticulous and ingenious research, Patricia Cline Cohen traces his life there and the many twists and turns of the lingering mystery of the murder. Her stunning portrayals of Helen Jewett, Robinson, and their raffish, colorful nineteenth-century world make vivid a frenetic city life and sexual morality whose complexities, contradictions, and concerns resonate with those of our own time. From the Hardcover edition

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ACCLAIM FOR Patricia Cline Cohens
The Murder of Helen Jewett

As a diligent, resourceful historian, Cohen does a masterly job of identifying the mysteries at the heart of the case and showing us the available clues.

The New York Times

Meticulous and arresting.

The Boston Globe

Fascinating impressive, thoughtful and thought-provoking.

Newsday

Cohen confidently guides readers into the dark recesses of a great American tragedy.

The New Republic

Cohen delineates two intelligent, combustible personalities that transcend gender stereotypes of any eramaking their tragic tale all the more riveting.

People

Fascinating. Patricia Cline Cohen has written a significant contribution to the ever-expanding literature of Old New York.

The New York Observer

Consistently fascinating.

Daily News

The Murder of Helen Jewett is mesmerizing.

The San Diego Union-Tribune

FIRST VINTAGE BOOKS EDITION JULY 1999 Copyright 1998 by Patricia Cline Cohen - photo 1

FIRST VINTAGE BOOKS EDITION, JULY 1999

Copyright 1998 by Patricia Cline Cohen

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Vintage Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Originally published in hardcover in the United States by Alfred A. Knopf, Inc., New York, in 1998.

Vintage Books and colophon are trademarks of Random House, Inc.

The Library of Congress has cataloged the Knopf edition as follows:
Cohen, Patricia Cline.
The Murder of Helen Jewett : The Life and Death of a Prostitute in Nineteenth-Century New York / Patricia Cline Cohen. 1st ed.
p. cm.
eISBN: 978-0-307-77321-0
1. Jewett, Helen, D. 1836. 2. ProstitutesNew York (State) New YorkBiography. 3. ProstitutionNew York (State)New YorkHistory19th Century. 4. MurderNew York (State)New YorkHistory19th Century. 5. United StatesMoral Conditions.
I. Title.
HQ146.N7C65 1998
306.74209747DC21 98-14561

Author photograph Benjamin J. Cohen

www.vintagebooks.com

v3.1

The murder of Helen Jewett the life and death of a prostitute in nineteenth-century New York - image 2

For my sister, Mary Weavers Cline,
whose love of old New York inspired my own

The murder of Helen Jewett the life and death of a prostitute in nineteenth-century New York - image 3

The murder of Helen Jewett the life and death of a prostitute in nineteenth-century New York - image 4 CONTENTS The murder of Helen Jewett the life and death of a prostitute in nineteenth-century New York - image 5
CHAPTER ONE: Snow in April

A pril 9 of 1836 was an unseasonably cold Saturday night in New York City, coming at the end of the coldest and longest winter of the early nineteenth century. Just a few days earlier, a late storm dropped snow all over the northeast and mid-Atlantic states, but now a sudden thaw seemed to be in the making, signaling the late arrival of spring. The Hudson River, extending along the west side of Manhattan Island and north into upstate New York, had been frozen since mid-December; in February New Yorkers could walk to Hoboken on the ice. That particular Saturday in April, the ninth, was the first day since winter began that steamboats ventured to depart from Albany to churn their way through the icy waters down to the metropolis. The slight warming brought a drizzle to the city that night, and the moon, in its last quarter, rose at 3:11 in the morning. The streets of lower Manhattan were cold, dark, and wet.

Sometime in the early morning hours of Sunday, April 10, Rosina Townsend awoke in the first-floor front bedroom of a house she leased on the south side of Thomas Street in downtown Manhattan, just three blocks above Chambers Street and three blocks west of Broadway. She was roused, she maintained, by a knock at her bedroom door; a man asked to be let out the locked front entry. Rosina recalled exclaiming, without leaving her bed, Get your woman to let you out, which was her general rule at this house on Thomas Street, a successful, well-ordered brothel. Each of the nine young women who lived in the house knew that Rosina always locked the door around midnight and knew further that the lock required a key both inside and out. Some customers came and went during the evening hours, while others stayed the night. In the event that a late-night customer had to leave before morning, the house rule ensured that each departing man would be escorted to the door, which minimized problems of mischief or theft. But no female inmate came for the key after the mans request, and Rosina maintained that she quickly dropped back to sleep. The disturbance was so minimal that her bed companion did not wake up at all.

OVERLEAF New York City 1840 The inset circle bisected by Broadway shows - photo 6

OVERLEAF New York City 1840 The inset circle bisected by Broadway shows - photo 7

OVERLEAF: New York City, 1840. The inset circle, bisected by Broadway, shows City Hall (19), the post office in the rotunda (22), the Police Court building (23), the Park Theatre (14), the College of Physicians and Surgeons (18), and the New York Hospital (26). Bridewell had been torn down by 1840; it stood between the R and the K in PARK. Rosina Townsends brothel was on the south side of Thomas Street, midway between Chapel and Hudson.

Soon after, Rosina awoke again, this time to a loud knocking from the outside of the street door; it also awoke her bedmate. On this occasion she checked the clock on the mantel over the fireplace in her room, which indicated it was now three in the morning. The knock signaled a regular customer who had arranged to arrive late for an engagement with Elizabeth Salters, whose room was on the front east side of the second floor. (Salters confirmed this late arrival of a friend at the trial.) Rosina checked the mans identity by peeking through her bedroom window at the front steps outside; she then lighted a lamp in her room and let him into the house. As he disappeared upstairs, she reported that she encountered her first real clue that something was amiss. Through the door at the back of the hallway, she spotted a globe lamp sitting on a marble-topped table in the parlor at the back of the house; it was out of place, and it was lighted. Only two such lamps with the distinctive round glass font fitted on a square metal base existed in her house. Each was normally kept in a second-floor bedroom.

Rosina entered the parlor and next noticed that the door to the backyard was ajar. This was a door that did not require a key but instead locked with a bar that could be removed by anyone inside the house. The backyard, some sixty feet deep, contained a garden and trees, tables, a cistern, and an outdoor privy; it was fully enclosed by a continuous fence that varied in height from eight to twelve feet. Where a neighbors stable backed up to her fence, Rosina had pickets installed over its top to prevent unauthorized entry. Brothel keepers in New York City found it wise to be security conscious. Three years earlier the Thomas Street brothel had been stormed by three ruffians who managed to clamber over the fence into the yard and who entered the house shouting profanities at Rosinas boarders and guests.

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