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Sarah Way Sherman - Sarah Orne Jewett, an American Persephone

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    Sarah Orne Jewett, an American Persephone
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Sarah Orne Jewett, an American Persephone: summary, description and annotation

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The tale of Demeter and Persephone, a central myth of Victorian womens culture, is used to interpret the life and work of a 19th-century Maine writer.

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title Sarah Orne Jewett an American Persephone author Sherman - photo 1

title:Sarah Orne Jewett, an American Persephone
author:Sherman, Sarah Way.
publisher:University Press of New England
isbn10 | asin:0874514843
print isbn13:9780874514841
ebook isbn13:9780585275666
language:English
subjectJewett, Sarah Orne,--1849-1909--Criticism and interpretation, Women and literature--Maine--History--19th century, National characteristics, American, in literature, Maine--In literature.
publication date:1989
lcc:PS2133.S54 1989eb
ddc:813/.4
subject:Jewett, Sarah Orne,--1849-1909--Criticism and interpretation, Women and literature--Maine--History--19th century, National characteristics, American, in literature, Maine--In literature.
Page i
Sarah Orne Jewett, an American Persephone
Recipient of the University of New Hampshire Book Prize for 1988
Page ii
Page iii Sarah Orne Jewett an American Persephone Sarah Way Sherman - photo 2
Page iii
Sarah Orne Jewett, an American Persephone
Sarah Way Sherman
Page iv University Press of New England Brandeis University Brown - photo 3
Page iv
University Press of New England
Brandeis University
Brown University
Clark University
University of Connecticut
Dartmouth College
University of New Hampshire
University of Rhode Island
Tufts University
University of Vermont
1989 by the Trustees of the University of New Hampshire
All rights reserved. Except for brief quotation in critical articles or reviews, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For further information contact University Press of New England, Hanover, NH 03755.
Quotations from "Aunt Jennifer's Tigers" are reprinted from THE FACT OF A DOORFRAME, Poems Selected and New, 19501984, by Adrienne Rich, by permission of W. W. Norton & Company, Inc. Copyright 1984 by Adrienne Rich. Copyright 1975, 1978 by W. W. Norton & Company, Inc. Copyright 1981 by Adrienne Rich.
Printed in the United States of America
Picture 4
Library of Congress Cataloging-in-Publication Data
Sherman, Sarah Way.
Sarah Orne Jewett, an American Persephone.
Bibliography: p.
Includes index.
1. Jewett, Sarah Orne, 18491909Criticism and
interpretation, 2. Women in literature. I. Title.
PS2133.S54 1989 813'.4 88-40353
ISBN 0-87451-477-0
ISBN 0-87451-484-3 (pbk.)
5 4 3 2
Page v
To my grandmother, Peggy Sherman
and to my parents, Joan and Skip Sherman
Page vii
Contents
Preface
ix
Acknowledgments
xi
1. Root-Bound: The Victorian Context
1
2. Mother Texts
16
3. Hearts and Rounds: Jewett in the Community of Women
46
4. Hearts and Rounds, Part 2
69
5. Honey from Ashes: Pastoral As Woman's Place
91
6. Deephaven: Ambivalence in Arcadia
118
7. Ascending Spiral
154
8. The Return
189
9. Sympathy Is of the Mind As Well As the Heart
225
10. Writing Life
256
Notes
275
Works Cited
313
Index
327

Illustrations follow page 46
Page ix
Preface
Willa Cather once called The Country of the Pointed Firs (1896) an American classic able to stand alongside Huckleberry Finn and The Scarlet Letter.1 Cather notwithstanding, Sarah Orne Jewett's Pointed Firs hasn't gotten that kind of recognition. It may be partly because it doesn't fit the pattern of most American classics, those novels that Nina Baym labeled "melodramas of beset manhood."2 There's no search for the father, no exploration of untracked wilderness, no hunt to kill the magical beast, let alone an easily discernible plot. Instead, an unmarried writer visits a tiny Maine fishing village, where she hopes to write a book in peace and quiet. Over the course of the summer she becomes intimately acquainted with her landlady, Mrs. Todd, a motherly widow who raises herbs and nurses her neighbors according to ancient remedies. This pastoral interlude closes with the summer itself. As the narrator leaves on her steamer for the city, she looks back over the water for a last glimpse of her friend.
The world described here is a simple one, virtually without conflict. The writer's solitary routine is punctuated by feminine rituals: tea parties, neighborly visits, confidential talks, and reminiscing. The grand event is a family reunion in which the anonymous narrator's adoption by Mrs. Todd is signified by their sharing of a sacramental gingerbread house. The narrator does not fall in love with the local doctoras the cover of one paperback edition seemed to suggest. In fact, there are no young men around at all, and the only romance is the gently sketched courtship of two people over sixty. Indeed, the primary bonds here are between womenmothers, daughters, cousins, and friends. The chapter describing William Blackett's wedding actually closes not with the married couple but with Mrs. Todd and the narrator watching them sail away, then walking home themselves, holding hands.
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