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Ellsworth - The secret game : a wartime story of courage, change, and basketballs lost triumph

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Winner ofthe 2016 PEN/ESPN Award for Literary Sports Writing
The true story of the game that never should have happened--and of a nation on the brink of monumental change
In the fall of 1943, at the little-known North Carolina College for Negroes, Coach John McLendon was on the verge of changing basketball forever. A protg of James Naismith, the games inventor, McLendon taught his team to play the full-court press and run a fast break that no one could catch. His Eagles would become the highest-scoring college team in America--a basketball juggernaut that shattered its opponents by as many as sixty points per game. Yet his players faced danger whenever they traveled backcountry roads.
Across town, at Duke University, the best basketball squad on campus wasnt the Blue Devils, but an all-white military team from the Duke medical school. Composed of former college stars from across the country, the team dismantled everyone they faced, including the Duke varsity. They were prepared to take on anyone--until an audacious invitation arrived, one that was years ahead of anything the South had ever seen before. What happened next wasnt on anyones schedule.
Based on years of research, The Secret Game is a story of courage and determination, and of an incredible, long-buried moment in the nations sporting past. The riveting, true account of a remarkable season, it is the story of how a group of forgotten college basketball players, aided by a pair of refugees from Nazi Germany and a group of daring student activists, not only blazed a trail for a new kind of America, but helped create one of the most meaningful moments in basketball history

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Copyright 2015 by Scott Allen Ellsworth

Author photograph by Anica Presley

Cover design by Kapo Ng

Cover photo-illustration by Steven Twigg; photographs Chris Brignell/Alamy (basketball) and Richard Clement/Icon Sportswire (hands)

Cover copyright 2015 by Hachette Book Group, Inc.

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the authors intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the authors rights.

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ISBN 978-0-316-24463-3

E3

Death in a Promised Land

For Betsy

A few years back, I went looking for the history of basketball.

Instead, I found the history of my country.

I had gone to see an elderly basketball coach, a long-forgotten giant whose connection to the game stretched back nearly seventy-five years. The old man had much to tell me. But there was one storyabout a basketball game played in secret in North Carolina on a Sunday morning in 1944that at first I simply could not believe. There was nothing like this story in any history book that I had ever seen.

I soon discovered that what the old coach told me was truethe game had happened. But as I tried to piece together what occurred on that lost Sunday, I found something else. There was a larger story waiting in the wings: a story not just about basketball but about the Southand about freedom, war, and the coming of a new kind of America. And that is what this book is all about.

Seven decades ago, much of this story was deliberately kept quiet.

Its time that it was told.

S.A.E.

Carrboro, North Carolina

During World War II and in the decades leading up to it, African Americans called themselves colored or Negro. And while these obsolete terms may seem insulting today, they were the accepted terms during the era in which the books story takes place. Rather than force todays terminology into a book that is set largely during the 1940s, and to better capture and stay true to the voices of the period, I have utilized the language of the day.

Picture 3

S omething was happening to basketball.

For half a century, the game had quietly edged its way toward the top level of American sportfamiliar and widely played but with little true fanfare of its own. Television had not yet arrived in the nations living rooms, and radio broadcasts of basketball games were as rare as slam dunks and turnaround jump shots. In Franklin D. Roosevelts America, basketball coaches and players werent household names, the NBA hadnt yet been organized, and nobody spent half a paycheck on a pair of sneakers. If you wanted to see a college basketball game, you just showed up. There were always plenty of seats.

The truth was, aside from a few hoops-mad hot spots like Indiana and Kentucky, or New York City and Lawrence, Kansas, basketball was an entertaining but short-term winter visitor, one that helped fill the sports pages of the nations newspapers between the end of the college football season and the heart of baseballs spring training. During the lean years of the Great Depression and the turbulent days of World War II, few Americans gave the game much thought.

But along the edges of the basketball world, in musty field houses and on gravel-topped school yards, change was in the air. A handful of maverick coaches and self-possessed players had been pushing hard against the old, dull gamethe human chess matches in which scoring was rare, shooting was strictly two-handed, and belts and knee pads were standard game-day apparel. Aided by rule changes and the arrival of better equipment, these coaches and players had moved beyond the boundaries of what was considered acceptable, ruffling feathers and upsetting traditions. Tinkerers and inventors, they were reaching for something different, a kind of basketball that hadnt happened yet.

Among them was a soft-spoken man with chestnut-brown eyes, a displaced Kansan whose prairie twang and enigmatic ways often caused Southern brows to furrow and heads to tilt. Not much older than most of his players, John McLendon had not played a lick of college basketball himself, and the small school where he coached was unknown to most North Carolinians, much less to the rest of the country. But he also possessed an unmatched basketball pedigree: at the University of Kansas, where he had been one of only a handful of colored undergraduates, McLendon had also been the last student of James Naismith, basketballs inventor.

Nor was that all. For in less than a half dozen years, McLendon had transformed the Eagles of the North Carolina College for Negroes into the nations highest-scoring college basketball team, a juggernaut of speed and finesse that left opponents demolished, referees exhausted, and fans in awe. On the outermost fringe of collegiate athletics, the twenty-eight-year-old coach had crafted an approach to basketball that was, he believed, years ahead of its time.

But to know for certain, he would have to cross another kind of boundary.

He would also need some help.

And so, on one Sunday morning during the spring of 1944, John McLendon and a handful of college basketball players suddenly found themselves in a locked gym on the south side of Durham, North Carolina, going deep into uncharted territory. More than three years before Jackie Robinson first pulled on a Brooklyn Dodgers uniform, and a full decade before the Brown decision and the Montgomery bus boycott, they had a chance to do something that the South wouldnt see for years and an opportunity to give the country a new vision of sport. On a long-forgotten Sunday during the middle of the nations bloodiest war, they uncovered what the future could look likewould look likefor a different kind of country.

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