Brian Calek - Signals
Here you can read online Brian Calek - Signals full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2013, publisher: Createspace Independent Publishing Platform, genre: Science fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:
Romance novel
Science fiction
Adventure
Detective
Science
History
Home and family
Prose
Art
Politics
Computer
Non-fiction
Religion
Business
Children
Humor
Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.
- Book:Signals
- Author:
- Publisher:Createspace Independent Publishing Platform
- Genre:
- Year:2013
- Rating:3 / 5
- Favourites:Add to favourites
- Your mark:
- 60
- 1
- 2
- 3
- 4
- 5
Signals: summary, description and annotation
We offer to read an annotation, description, summary or preface (depends on what the author of the book "Signals" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.
Signals — read online for free the complete book (whole text) full work
Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Signals" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.
Font size:
Interval:
Bookmark:
signals
(the unreal autobiography of brian calek)
Introduction
Electronic Voice Phenomenon is the collections of sounds on audio devices not heard while initially recording. They fall in several categories. The simplest form consist of knocking, whispers, phantom footsteps, scratching, growls, shuffling and all noise that leave the initial recorder baffled. Time is wasted on interpretation. Genetic imprint seeks order. Humans crave design. Vague signals and random input build patters that do not exist: pareidolia. Although the unexplained information remains available for playback, people make different interpretations of the same data over various time-spans. Fascination evaporates once the recording is removed, stored, and forgotten.
The second type of EVP phenomenon is much stronger. There is consistent interpretation over time. Communication from simple words to basic phrases develops. Euphoric elation and anxiety are experienced during playback. In extreme cases people claim the voices mimic family members or lost loved ones. An early example comes from 1959, by Friedrich Jurgenson, a Swedish opera singer who enjoyed recording birds in the wild. At home, revisiting his cherished sounds of nature, he heard his mother's voice clearly say, Friedel, you are being watched. These moments change men. Though simple and brief, this second form of EVP will leave the observer in constant pursuit of something he may never capture again.
The third involves direct responses to questions. This form of EVP research is highly dangerous because it delivers the most profound impact. Simply put, it is interpreted as the apparent real-time exchange of information with unseen partners. Individuals make a conscious decision that the signal recorded is paranormal: ghost, entities, demons, gods. Lacking the mechanical design concepts of their own equipment, ignoring fundamental concepts of science, logic is abandoned and people choose to believe they have a gift for the repeated capture of phantom audio. Nothing explains the high rate of evidence they gather. No formal theory of EVPs exists, so individuals maximize pareidolia. In the end, though never physically attacked, their equilibrium state is marked by a constant pursuit of these voices combined with a slow removal from society.
That leaves the fourth and fifth type of EVP.
The fourth carries the burden of physical attack. It is the most feared and special audio capture currently known. Rarely encountered, when seasoned investigators come across this form of EVP they exit the location and refer their clients to religious authorities. They are simply called Reverse EVPs. They are distinct recordings with the inflection, timbre and rhythm of human speech. Violent, guttural, animal pitch changes and distortions of tongue that naturally trigger fear. They are indecipherable until played in reverse! With the advent of computers and programs built to modify sound their importance and capture grows. Reverse EVPs exist in all cases of paranormal attack, oppression and demonic possession. The reverse sentences mock and eviscerate. They take effort to find, but free will and determination is the only requirement. The drive to attain them causes the strongest bond. One deep extension found in people attaining this level of EVP research is called night terrors. Even while sleeping they experience entities speaking to them, choking them, trying to pin them down and enter their body. Insomnia, panic, gnashing, reality...smears. Understand that these symptoms can literally kill. Massive heart attacks have taken thousands of young men and women with this brutal condition. So where does that leave us? I mentioned five types of EVP progressions, but have only discussed four. Some of you may even be thinking, I have had paranormal attacks. I have been beaten. I have been scratched and molested. I record EVPs but never caught the reverse form. How can I go through all this without having entities around that speak this way? This is true. I claim that no physical paranormal attack can exist without the presence of reverse EVPs. Period. To explain why I say that (and why you can experience the violence while only catching the standard, forward form of EVPs) you must understand the final type of EVP.
The fifth type of EVP is the focus of this book. I have kept its secret to myself. I thought it could only do evil. In most cases it destroys by sending people down one of the previous EVP paths. Its form took me across the dynamics of Newton, the Relativity of Einstein, the wave functions of Schrodinger, the trees of Feynman and the unbelievable world of String Theory.
Simply put, it was the realization that special types of reversals existed. Normally if you record your voice and use a sound program to reverse your speech the result is indecipherable most of the time. Randomly, because of chance, some parts of the reverse recording will sound like something else. Play anything in reverse, and if it is long enough, sporadic audio patterns appear: phonetic reversal. This form of reverse language is statistically very different from EVPs I have chosen to place in the demonic category. In cases of the demonic, you will find that forward digital recordings always make sense when played in reverse. In fact, they make complete sense. No part of the reverse recording is random or even needs to be analyzed. You will be able to instantly decipher the forward and reverse playbacks.
This is the fifth form of EVP. Let me say it again, louder: IF DEMONIC ENTITIES ARE PRESENT EVPS THAT MAKE PERFECT SENSE FORWARD WILL ALWAYS HAVE REVERSALS THAT CONTAIN COMPLETE MEANING WHEN PLAYED IN REVERSE. The fifth form of EVPs all share this undiscovered physical property. This is why people who find the third type of EVP (answers to questions, responses, direct communication) but never capture the fourth type of EVP (words found by reversing random sounds) can still experience demonic attack. Because it seems illogical to reverse something you can clearly understand, investigators and clients are oblivious to the fact that their forward EVP captures are laced with reversals. Interact long enough, even without complete intellectual consent, and this pattern of misleading verbal exchanges becomes the source of strong demonic pacts. Viewed as subjugated vessels, demons take your repeated willingness to communicate as submission and will not let you go.
Here are some examples of EVP phrases sent to me. Some of the clients were new to the paranormal. Others were very advanced. In some cases they had saved me time by reversing the segments of random babble. They had identified and enhanced the good EVP sections. None of them were prepared for what I sent back. They never considered the possibility of reversing the phrases they could clearly understand.
Because this is so shocking and hard to believe I have posted the audio online at:
http://www.youtube.com/watch?v=rzdPmvo2or4
The goal of this work is to heal and save. I will lay out a framework and explanation of EVPs based on the analysis of higher dimensions (the real dimension of string theory). I do not condone or encourage anyone to actively capture EVPs or use these methods for communication. I am a realist, though. Many will try regardless of warning. Lured by fun, relationships, loneliness, relocation to new homes and the infinite tools used to divine spirits, once they start down this path nothing stops destruction but faith. They must see attachments and EVPs for what they really are: designed chaos.
If you are an investigator in this field and have ever tried to help a client, then you know how frustrating breaking the deep cycle of EVPs and demonic activity can become. They promise to stop searching for EVPs. They nod their head. They understand now. They believe the voices captured are not truly passed family members but mimicking entities. They know the recordings are not peaceful and guiding. They realize the dangers. When you call to check on them everything is good . Since stopping their search for EVPs all activity is gone. They are fan-bucking-tastic!
Next pageFont size:
Interval:
Bookmark:
Similar books «Signals»
Look at similar books to Signals. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.
Discussion, reviews of the book Signals and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.