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Matthew Bamberg - 101 quick and easy ideas taken from the master photographers of the twentieth century

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Matthew Bamberg 101 quick and easy ideas taken from the master photographers of the twentieth century
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101 quick and easy ideas taken from the master photographers of the twentieth century: summary, description and annotation

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If youve ever found yourself looking at a photograph in a museum or gallery and thinking, I can do that, this is the book for you. 101 QUICK AND EASY IDEAS TAKEN FROM THE MASTER PHOTOGRAPHERS OF THE TWENTIETH CENTURY shows you how to recognize and use the techniques of some of the great photographers of the last century. Each chapter of the book focuses on one photographer, and includes a brief biography that highlights what life experiences influenced his or her work, as well as descriptions of one or several iconic images they photographed that include the key photographic elements that apply to that work - light, shadow, narrative, and symbolism. Along with the descriptions are recreations of the images that use similar subject matter and settings, as well as the steps to help you compose and manipulate your own version of the image. As you work through the book youll find that the same concepts and themes were used by many of the photographers, but the meanings change as their work is shaped as the events, technology, and environment changed throughout the twentieth century. Arranged alphabetically, 101 QUICK AND EASY IDEAS TAKEN FROM THE MASTER PHOTOGRAPHERS OF THE TWENTIETH CENTURY, features photographers youll easily recognize and some that are new to you, such as Ansel Adams, Dorothea Lang, Robert Mapplethorpe, Berenice Abbott, Heri Cartier-Bresson, and many more. By learning about and trying the common photography concepts and techniques used by famous photographers youll enhance your photographic skill set and hopefully find inspiration and ideas for your own work.

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101 Quick and Easy Ideas Taken from the Master Photographers of the Twentieth - photo 1

101 Quick and Easy Ideas Taken from the Master Photographers of the Twentieth CenturyMatthew BambergPublisher and General Manager, Course Technology PTR: Stacy L. Hiquet Associate Director of Marketing: Sarah Panella Manager of Editorial Services: Heather Talbot Marketing Manager: Jordan Casey Executive Editor: Kevin Harreld Project Editor/Copy Editor: Cathleen D. Small Technical Reviewer: Ron Rockwell Interior Layout: Shawn Morningstar Cover Designer: Mike Tanamachi Indexer: Larry Sweazy Proofreader: Kim V. Benbow

2010 Course Technology, a part of Cengage Learning.

ALL RIGHTS RESERVED. No part of this work covered by the copyright herein may be reproduced, transmitted, stored, or used in any form or by any means graphic, electronic, or mechanical, including but not limited to photocopying, recording, scanning, digitizing, taping, Web distribution, information networks, or information storage and retrieval systems, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without the prior written permission of the publisher.

For product information and technology assistance, contact us at Cengage Learning Customer & Sales Support, 1-800-354-9706

For permission to use material from this text or product, submit all requests online at .

All trademarks are the property of their respective owners.

All images Matthew Bamberg unless otherwise noted.

Library of Congress Control Number: 2009933303

ISBN-10: 1-4354-5436-7

eISBN-10: 1-4354-5587-8

Course Technology, a part of Cengage Learning 20 Channel Center StreetBoston, MA 02210USA

Cengage Learning is a leading provider of customized learning solutions with office locations around the globe, including Singapore, the United Kingdom, Australia, Mexico, Brazil, and Japan. Locate your local office at: international.cengage.com/region .

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Visit our corporate Web site at cengage.com .

Printed in the United States of America1 2 3 4 5 6 7 11 10 09

Dedication

To Brenda

Acknowledgments

Throughout much of the twentieth century, creating a photograph was both an exploratory and an arduous process. From dealing with oversized cameras to using homemade darkrooms, taking the photo from its initial composition to a processed print was truly a feat of perseverance. Id like to thank all those photographers who were engaged in that. Id like to thank Todd Larson for his endless assessment of my photos and his support and encouragement during the writing process. In addition, Id like to thank Kevin Harreld for reading my proposals and helping to make this photography book series possible. Last but not least, special thanks go to Cathleen Small, who has managed to keep me on track with both my writing and my research.

About the Author

Matthew Bamberg is the author of the 101 Quick and Easy Secrets photography book series, which covers everything from creating winning photographs to using your photographs and emulating the great twentieth-century photographers. Bamberg began his career in the arts as a graduate student at San Francisco State University in 1992. His work in the visual and media arts included video production and software applications. He completed his M.A. in Creative Arts in 1997. After being a public school teacher for 14 years, Bamberg became a photographer and writer. He began to photograph for the articles he was writing while working for the Desert Sun and Palm Springs Life magazine. He has traveled the world, photographing in the most remote of places from Burma to Bolivia. His photographs have appeared in international magazines, galleries, and retail stores. Bamberg is also the author of The 50 Greatest Photo Opportunities in San Francisco .

Books in the 101 Quick and Easy Secrets photography book series include:

  • 101 Quick and Easy Secrets to Create Winning Photographs

  • 101 Quick and Easy Secrets for Using Your Digital Photographs

  • 101 Quick and Easy Ideas Taken from the Master Photographers of the Twentieth Century

Introduction

Have you ever seen a photograph in a museum and thought, I can do that? With todays digital technology and a dSLR camera, theres quite a bit you can do to emulate those museum pieces. 101 Quick and Easy Ideas Taken from the Master Photographers of the Twentieth Century helps you to recognize some of the techniques used by the great photographers of the twentieth century.

Each chapter in the book includes a bio of the master photographer (including what life events influenced his or her work) and a description of one or several photographs the photographer shot. In the photograph descriptions, I have described the elements of photography that apply to that worklight, shadow, subject, narrative, and symbolism. Ive then re-created a similar photo with one key element that the master photographer used to produce it. Although the master photographers images are not included in the book for copyright reasons, a website link is provided for most images. From there, you can go on to take your own picture using similar techniques and subjects. In addition, Ive attempted to use similar subject matter to the master photographers photos. In some cases, Ive traveled to the exact spot where the master photographers photo was taken (such as the re-creation of William Egglestons Roys Caf scene in Amboy, California). In others, Ive re-created a similar scene in a different place (such as finding a similar scene to Lee Friedlanders barren street scenes).

Also included in the book are the steps to find, compose, and manipulate the new image. There are sidebars that detail the steps to make images black and white as well as to create sepia tones and create softness, among other post-processing techniques.

The Concept

When considering a book about the masters, one mustnt forget the common concepts that they used to photograph their subjects. The book covers many. One such concept is taking a picture from a worms-eye viewa photograph shot from below to make the subject look big. The name of this technique comes from the concept of thinking of yourself as a worm looking up.

Another concept master photographers usedframing shots where two disparate subjects appear to be communicating with each otheris detailed. Whether it is a figure in an ad communicating with a real person or a figure in one ad communicating with a figure in another, the result is the samecommon, everyday figures are brought to life in ways that people wouldnt normally think about.

Subjects seen from a worms-eye view In these two ads one disparate subject - photo 2

Subjects seen from a worms-eye view.

In these two ads one disparate subject appears to be communicating with - photo 3
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