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Gutkind - Becoming a doctor: from student to specialist: doctor-writers share their experiences

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Gutkind Becoming a doctor: from student to specialist: doctor-writers share their experiences
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Becoming a Doctor portrays the arc of a doctors life, from a medical students first encounter with a cadaver to an interns reliance on dance during a gruelling year in an inner-city hospital and an experienced doctors ruminations on what it means to really listen to a patients story;Intern / Sayantani DasGupta -- Pas de deux / Danielle Ofri -- First in my class / Chris Stookey -- The patient narrative / Perri Klass -- The family room / Teri Reynolds -- On not becoming a doctor / Kay Redfield Jamison -- Magic hands / Thomas C. Gibbs -- On working with cadavers / Marion Bishop -- Going to Abilene / Elissa Ely -- Sine qua non / Peter D. Kramer -- The doctor in middle age / Charles Bardes -- A doctor of none / Zaldy S. Tan -- Good intentions / Sandeep Jauhar -- En route / Abigail Zuger -- A fire, deliberately set / Peggy Sarjeant -- Thirty minutes closer / Leah E. Mintz -- The cleverest doctor / Clint Morehead -- A manner of being / Robert Coles -- Knock knock / Lauren Slater.

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BECOMING A DOCTOR
ALSO EDITED BY LEE GUTKIND

Keep It Real: Everything You Need to Know About Researching and Writing Creative Nonfiction

The Best Creative Nonfiction, Vol. 3

The Best Creative Nonfiction, Vol. 2

The Best Creative Nonfiction, Vol. 1

In Fact: The Best of Creative Nonfiction

Anatomy of Baseball

Silence Kills: Speaking Out and Saving Lives

Hurricanes and Carnivals: Essays by Chicanos, Pochos, Pachucos, Mexicanos, and Expatriates

Our Roots Are Deep with Passion: Creative Nonfiction Collects New Essays by Italian-American Writers

Rage and Reconciliation: Inspiring a Health-Care Revolution

On Nature: Great Writers on the Great Outdoors

Healing: A Creative Nonfiction Reader

Lessons in Persuasion: Creative Nonfiction / Pittsburgh Connections

Connecting: Twenty Prominent Authors Write About Events That Shaped Their Lives

The Essayist at Work: Profiles of Creative Nonfiction Writers

Surviving Crisis: Twenty Prominent Authors Write About Events That Shaped Their Lives

Our Roots Grow Deeper Than We Know

BECOMING A DOCTOR

From Student to Specialist, Doctor-Writers Share Their Experiences

Edited by LEE GUTKIND

W. W. NORTON & COMPANY

NEW YORK Picture 1 LONDON

Copyright 2010 by Creative Nonfiction Foundation
Introduction copyright 2010 by Lee Gutkind

All rights reserved

For information about permission to reproduce selections from
this book, write to Permissions, W. W. Norton & Company, Inc.,
500 Fifth Avenue, New York, NY 10110

Library of Congress Cataloging-in-Publication Data

Becoming a doctor: from student to specialist: doctor-writers share their experiences / edited by Lee Gutkind.1st ed.
p.; cm.
Includes bibliographical references.
ISBN: 978-0-393-07156-6
1. Physicians writings. I. Gutkind, Lee. [DNLM:
1. Physicianspsychology. 2. Education, Medical.
3. Medicine. 4. Personal Narratives. W 21 B3975 2010]
R134.B43 2010
610.92dc22

2009040428

W. W. Norton & Company, Inc.
500 Fifth Avenue, New York, N.Y. 10110
www.wwnorton.com

W. W. Norton & Company Ltd.
Castle House, 75/76 Wells Street, London W1T 3QT

CONTENTS

Lee Gutkind

Picture 2 Sayantani DasGupta

Picture 3 Danielle Ofri

Picture 4 Chris Stookey

Picture 5 Perri Klass

Picture 6 Teri Reynolds

Picture 7 Kay Redfield Jamison

Picture 8 Thomas C. Gibbs

Picture 9 Marion Bishop

Picture 10 Elissa Ely

Picture 11 Peter D. Kramer

Picture 12 Charles Bardes

Picture 13 Zaldy S. Tan

Picture 14 Sandeep Jauhar

Picture 15 Abigail Zuger

Picture 16 Peggy Sarjeant

Picture 17 Leah E. Mintz

Picture 18 Clint Morehead

Picture 19 Robert Coles

Picture 20 Lauren Slater

INTRODUCTION: WRITING ABOUT DOCTORS
Lee Gutkind

S o far in my career I have written four books about doctorsorgan transplant surgeons, pediatricians, child psychiatrists, and veterinariansand their patients. I have also written books about backwoodsmen, roboticists, baseball umpires, and other subjects, all compelling and interesting and provocative, but always I come back to medicine.

There are some obvious reasons for a writer to find endless fascination with doctors and their lives, especially a writer of creative nonfiction, the genre that makes fact more compelling and understandable through narrative. For one thing, the practice of medicine, especially in a high-acuity medical center (though also in private practice), is exciting and dramatic; there are plenty of stories to capture and relate. Every day brings new narratives and scenes populated by colorful and controversial characters, real people and their loved ones, who are often in real trouble. The raw material couldnt be more exciting, mysterious, and obviouslyfor better or worselife-changing.

Throughout many years of shadowing doctors as they work, Ive seen patients rolled into the operating room on the absolute edge of death, then pacing the hospital corridor a week later, ready and anxious for discharge and home. I have seen patients die in the operating room, and physicians weeping in helpless frustration, although, thankfully, failure is not as frequent as success. Ive seen patients terrified and confused because no one can understand what is wrong with them, why they feel so poorly or so frightened, until the right specialistor therapistsomehow, magically, translates their symptoms into a diagnosis or quells their anxiety with assurance.

Its not magic, of course. Success in medicine stems from a combination of clear thinking, hard work, repeated practice, and old-fashioned gritoften with many mistakes and false starts along the way. I would describe the writing process in the same way. Talent is important, but not necessarily the key component. Effective, powerful writing, like effective doctoring, demands a rare ability to avoid becoming discouraged while experiencing frustrationand the willingness, energy, and fortitude to keep trying. Ernest Hemingway frequently pointed out that he wrote the last chapter of A Farewell to Arms thirty-nine times, until he got it right. The best doctors and the best writers live and breathe this never give up, never give in philosophy.

In addition to possessing grit and determination, doctors, like nonfiction writers, learn to think analytically, unraveling and reconstructing the intimate details of a patients story from beginning to end. The doctor has to understand and solve the narrative quickly, just like a writer, although the writer writes a story to keep a reader engaged, while the doctor wants to find fast relief for his or her patient. (And these days, quick, efficient, effective work by the physician is mandated by managed care.)

Writers and doctors also share an intensity of obsession. Their hours are sporadic and often overwhelming, dictated by need rather than plans and schedules. While private practice may sometimes be less demanding than working in the trenches of a medical center, doctors personal lives are invariably determined by events beyond their control.

Writing about doctors has helped me to realize that they arent necessarily special people; they are, more precisely, ordinary people engaged in an extraordinary profession. Clearly, they are not perfectnot as doctors or as people. Sometimes doctors are distant and convey disinterest; sometimes they are egocentric and radiate superiority; sometimes they are angry or frustrated and treat people rudely; sometimes, alas, the health care system makes it impossible for them to do their jobsand to demonstrate passion and empathy for their patients and colleagues when they most want to. The responsibilities of doctoring often surprise, test, and challenge thembut the best doctors meet and, when necessary, exceed the challenges. And the truth is, we ask more of our doctors, especially these days, than we do of people in almost any other profession.

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