Robin Owen is a photographer, photography instructor, and author whose clientele includes well-known athletes, politicians, and leading business professionals throughout the Washington, D.C. area and beyond. While most of her work is done in the Northeast United States, she travels regularly for destination shoots. Robins boudoir photography seminars are valued by budding and established photographers alike, and she is dedicated to sharing her love and knowledge of boudoir photography with others. She finds great personal satisfaction in helping other artists reach their goals through her teaching websites, The Boudie School (www.theboudieschool.com), and her Facebook Group, (www.facebook.com/groups/TheBoudoirGroupbyRobinOwen). On a personal level, Robin is known for her sassy, irreverent, and friendly personality. Her unique perspective and wit, as well as her artistry and technical knowledge, have endeared her to other photographers around the world. Learn more about her work, services, and products at www.robinowenphotography.com.
Copyright 2015 by Robin Owen.
All rights reserved.
All photographs by the author.
Published by:
Amherst Media, Inc.
P.O. Box 586
Buffalo, N.Y. 14226
Fax: 716-874-4508
www.AmherstMedia.com
Publisher: Craig Alesse
Senior Editor/Production Manager: Michelle Perkins
Associate Editor: Barbara A. Lynch-Johnt
Associate Publisher: Kate Neaverth
Editorial Assistance from: Carey A. Miller, Sally Jarzab, John S. Loder
Business Manager: Adam Richards
Warehouse and Fulfillment Manager: Roger Singo
ISBN-13: 978-1-60895-757-6
Library of Congress Control Number: 2014933303
10 9 8 7 6 5 4 3 2 1
No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopied, recorded or otherwise, without prior written consent from the publisher.
Notice of Disclaimer: The information contained in this book is based on the authors experience and opinions. The authors and publisher will not be held liable for the use or misuse of the information in this book.
Check out Amherst Medias blogs at: http://portrait-photographer.blogspot.com/
http://weddingphotographer-amherstmedia.blogspot.com/
Contents
Acknowledgments
There are a few who have gone out of their way to help me with this book. I would like to specifically thank them for their help, encouragement and support.
To Stephanie Zettl: Thank you for writing that first letter and introducing me to the fine folks at Amherst Media, and for all the encouragement you have given me. None of this would have happened without you. XO.
To Summer Owen: Thank you, dear daughter of mine, for proofreading all those chapters.
To my wonderful family: For putting up with my absences all summer.
To Donald and Lucy: For letting me use their home when I was in dire need of a shoot location. You guys are the best neighbors ever!
To my friends, Shannon Anderson, Amber Long, Josie Myers, Christine Hurry, and Jessica Holland, who dropped what they were doing on more than one occasion and showed up when I desperately needed them to model. Love you guys.
To Millissa Rodgers: For being a true friend when I needed one the most. XO.
Foreword
M y goal for this book is to show you that lighting setups dont need to be complicated to achieve amazing results. I usually use one light for my boudoir and portrait sessions, and thats enough to create stunning images. I hope that the book gives you a few unique ideas and inspires you to use your imagination and challenge yourself. Feel free to reach out to me through Facebook at www.facebook.com/RobinOwen or on my web site www.theboudieschool.com. I look forward to meeting many of you in the future.
Best of Luck,
Robin
I dont have a lot of lighting equipment in my studio. This forces me to think outside of the box when I want to try something different. It is not unusual for me to pick up random objects, such as fabric or colored glass, and shine light through them to see what effect they give me.
One day, I was standing in the laundry room, folding clothes, when I noticed the patterned cut-out of my plastic laundry basket. I picked up the basket, walked over to the studio, and started experimenting. I dug out an old video light, turned it on, and shined the light through it. When I saw the amazing pattern the basket created on the wall, I knew I had to use it! I have several different colored walls in the studio, but I preferred the richness of the purple wall for this shoot.
The first thing I had to do was find a way to mount the basket in front of the light. I didnt have an assistant to help me hold it and I couldnt let the basket touch the video light because it was too hot and the plastic would melt. Through trial and error, I discovered that if I ran the pole of a light stand through the cutout holes, the basket would stay in place. I carefully positioned my model Carrie so that the light would shine on her eyes.
I first experimented with an LED light panel but found the light was too dim to give me a defined shadow. The Lowel Pro video light, with a set of barn doors attached to control the spread of light, was bright enough to create the shadow pattern I was looking for. My settings were f/2.8 and second at ISO 2500.
If you have a video light, experiment with it. Shine the light through different objects and see which ones give you pleasing patterns and colors.
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