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Trillin - About Alice

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About Alice: summary, description and annotation

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BONUS: This edition contains an excerpt from Calvin TrillinsQuite Enough of Calvin Trillin.
In Calvin Trillins antic tales of family life, she was portrayed as the wife who had a weird predilection for limiting our family to three meals a day and the mother who thought that if you didnt go to every performance of your childs school play, the county would come and take the child. Now, five years after her death, her husband offers this loving portrait of Alice Trillin off the pagehis loving portrait of Alice Trillin off the pagean educator who was equally at home teaching at a university or a drug treatment center, a gifted writer, a stunningly beautiful and thoroughly engaged woman who, in the words of a friend, managed to navigate the tricky waters between living a life you could be proud of and still delighting in the many things there are to take pleasure in.
Though it deals with devastating loss, About Alice is also a love story, chronicling a romance that began at a Manhattan party when Calvin Trillin desperately tried to impress a young woman who seemed to glow.
You have never again been as funny as you were that night, Alice would say, twenty or thirty years later.
You mean I peaked in December of 1963?
Im afraid so.
But he never quit trying to impress her. In his writing, she was sometimes his subject and always his muse. The dedication of the first book he published after her death read, I wrote this for Alice. Actually, I wrote everything for Alice.
In that spirit, Calvin Trillin has, withAbout Alice, created a gift to the wife he adored and to his readers.

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CONTENTS For our grandchildren Izzy and Toby and Rebecca and Na - photo 1

CONTENTS For our grandchildren Izzy and Toby and Rebecca and Nate I Now - photo 2

CONTENTS For our grandchildren Izzy and Toby and Rebecca and Nate I Now - photo 3

CONTENTS

For our grandchildren
Izzy and Toby and Rebecca and Nate

I

Now that its fashionable to reveal intimate details of married life, I can state publicly that my wife, Alice, has a weird predilection for limiting our family to three meals a day.

Alice, Lets Eat

There was one condolence letter that made me laugh. Naturally, a lot of them made me cry. Some of those, oddly enough, were from people who had never met Alice. They had become familiar with her as a character in books and magazine pieces Id writtenlight books and magazine pieces about traveling or eating or family life. Virtually all those letters began in the same way, with a phrase like Even though I never really knew Alice. I was certain of what Alices response would have been. Theyre right about that, she would have said. They never knew me.

I once wrote that tales about writers families tend to have a relation to real life that can be expressed in terms of standard network-television fare, on a spectrum that goes from sitcoms to Lifetime movies, and that mine were sitcoms. Now that I think of it, maybe they were more like the Saturday-morning cartoons. Alice played the role of the momthe voice of reason, the sensible person who kept everything on an even keel despite the antics of her marginally goofy husband. Years ago, at a conference of English teachers where we were both speakers, the professor who did the introductions said something like Alice and Bud are like Burns and Allen, except shes George and hes Gracie. Yes, of course, the role she played in my stories was based on the role she played in our familyour daughters and I sometimes called her T.M., which stood for The Motherbut she didnt play it in the broad strokes of a sitcom mom. Also, she was never completely comfortable as the person who takes responsibility for keeping things on an even keel; that person inevitably misses out on some of the fun. (I feel the need to break out of the role of straight person, she said in a Nation review of Alice, Lets Eat that cautioned readers against abandoning long-planned European vacations in order to scour the country for the perfect roast polecat haunch.) The sitcom presentation sometimes made her sound stern as well as wise, and she was anything but stern. She had something close to a childs sense of wonderment. She was the only adult I ever knew who might respond to encountering a deer on a forest path by saying, Wowsers!

Once, during a question-and-answer period that followed a speech I had given at the Herbst Theatre, in San Francisco, someone asked how Alice felt about the way she was portrayed in my books and articles. I said that she thought the portrayal made her sound like what she called a dietitian in sensible shoes. Then the same questioner asked if Alice was in the audience, and, when I said she was, he asked if shed mind standing up. Alice stood. As usual, she looked smashing. She didnt say anything. She just leaned over and took off one of her shoesshoes that looked like they cost about the amount of money required in some places to tide a family of four over for a year or twoand, smiling, waved it in the air. She wasnt a dietitian in sensible shoes, and she would have been right in saying that the people whose exposure to her had been through my stories didnt know her. Still, in the weeks after she died I was touched by their letters. They may not have known her, but they knew how I felt about her. It surprised me that they had managed to divine that from reading stories that were essentially sitcoms. Even after Id taken in most episodes of The Honeymooners, after all, it had never occurred to me to ponder the feelings Ralph Kramden must have had for Alice Kramden. Yet I got a lot of letters like the one from a young woman in New York who wrote that she sometimes looked at her boyfriend and thought, But will he love me like Calvin loves Alice?

The letter that made me laugh was from Roger Wilkins. By the time of Alices death, Roger occupied a chair of history and American culture at George Mason University, but in the seventies he had been on the editorial board of The New York Times. In that period, Id sometimes join the regular lunches he had with the late Richard Harrisa remarkable investigative reporter for The New Yorker who had the aggressively unsentimental worldview often found among people in his line of work. Alice and Roger became acquainted when she accompanied me to a conference I was covering in New Orleans. In off hours, when wed gather around the hotel swimming pool, she and Roger sometimes had long, serious conversations. It wasnt unusual for me to find Alice having long, serious conversations with people Id been bantering with for years. She got engaged with peoples lives. If she said to a friends son or daughter, Hows school? she wasnt just being polite; she wanted details, and she wasnt shy about offering advice. If people we were visiting mentioned that theyd been thinking about renovating their house, Alice was right on the case, room by room. In such architectural conversations, she could get bossy, and sometimes I felt obliged to warn our hosts that one of her characteristic gesturesthe gesture she used when she was saying something like You have to open all of this upwas remarkably similar to the gesture youd use to toss money into the wind.

She wasnt among those whose response to tragedy or loss was limited to offering the conventional expressions of sympathy before moving on with their own lives. In 1988, an old friend phoned us to say that his grown daughter, a young woman wed known since she was a child, had been raped by an intruder. This was a dozen years after Alice had been operated on for lung cancer, and among the things that she wrote to our friends daughter was that having lung cancer and being raped were comparable only in that both were what she called realizations of our worst nightmares. She said that there was some relief at surviving what you might have thought was not survivable. No one would ever choose to have cancer or to be raped, she wrote. But you dont get to choose, and it is possible at least to understand what Ernest Becker meant when he said something like To live fully is to live with an awareness of the rumble of terror that underlies everything, or to begin to understand the line in King LearRipeness is all. You might have chosen to become ripe less dramatically or dangerously, but you can still savor ripeness. Alice had a large envelope in which she kept copies of letters like thatalong with copies of some letters she had sent the girls and copies of poems we had written for her on birthdays and documents like the announcement of a prize for community service that Abigail, our older daughter, had been awarded at Yale and an astonishing letter of recommendation that a professor had provided for Sarah, our younger daughter, when she applied for her first job after getting her M.S.W. On the envelope was written Important Stuff.

In his condolence letter, Roger talked partly about that engaged quality in Alice, but he also got around to her appearance. She was nice and she was concerned and she was smart and when she talked to you, she was thinking about you, and, also, she was so very pretty, he wrote in September of 2001, a few days after Alice died. I always thought of you as a wonderful guy, but still I couldnt figure out how you managed to get Alice. Harris once told me it was just dumb luck. When I read that, I burst out laughing. Harris had nailed it again.

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