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Michael Merriam - Last Car to Annwn Station

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Michael Merriam Last Car to Annwn Station

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Last Car to Annwn Station By Michael Merriam The fare is ten cents miss Mae - photo 1

Last Car to Annwn Station By Michael Merriam The fare is ten cents miss Mae - photo 2

Last Car to Annwn Station

By Michael Merriam

The fare is ten cents, miss.

Mae Malveaux, an attorney with Minneapolis Child Protective Services, is burnt-out, tired and frustrated. Passing on an invite from Jill, her flirtatious coworker, Mae just wants a quiet night in. Leaving the office late, shes surprised to find the Heritage Line streetcars up and running and hops aboard, eager for a quick trip home.

But this is no ordinary streetcar. Death is one of its riders, and Mae is thrust into Annwn, a realm of magic and danger.

Your transfer, miss. Youll be needing that.

Maes life is turned upside down as human and fae worlds collide. Her budding relationship with Jill takes a perilous turn when they are hunted by mythical beasts, and Mae is drawn into a deadly power struggle. With Jill at her side, Mae must straddle both worlds and fight a war she barely comprehends, for not only does the fate of Annwn rest in her hands, but the lives of both a human and fae child

81,000 words

Dear Reader,

I feel as though it was just last week I was attending 2010 conferences and telling authors and readers who were wondering what was next for Carina Press, weve only been publishing books for four months, give us time and now, here it is, a year later. Carina Press has been bringing you quality romance, mystery, science fiction, fantasy and more for over twelve months. This just boggles my mind.

But though were celebrating our one-year anniversary (with champagne and chocolate, of course) were not slowing down. Every week brings something new for us, and we continue to look for ways to grow, expand and improve. This summer, well continue to bring you new genres, new authors and new nichesand we plan to publish the unexpected for years to come.

So whether youre reading this in the middle of a summer heat wave, looking to escape from the hot summer nights and sultry afternoons, or whether youre reading this in the dead of winter, searching for a respite from the cold, months after Ive written it, you can be assured that our promise to take you on new adventures, bring you great stories and discover new talent remains the same.

We love to hear from readers, and you can email us your thoughts, comments and questions to generalinquiries@carinapress.com. You can also interact with Carina Press staff and authors on our blog, Twitter stream and Facebook fan page.

Happy reading!

~Angela James

Executive Editor, Carina Press

www.carinapress.com

www.twitter.com/carinapress

www.facebook.com/carinapress

Acknowledgments

Id like to thank my wife, Sherry L.M. Merriam, who was the first reader and helped me edit the manuscript into something I could submit to publishers.

Thanks to Adam Stemple, Alison Ching, Jaye Lawrence, Joanne Anderton, Kevin McIntyre and Hilary Moon Murphy, all of whom read the novel in various drafts and offered thoughts, ideas, occasional smacks to the back of the head and all the encouragement I needed to finish it.

A special thanks to the editors and staff at Carina Press for choosing to publish my novel and helping me polish it until it shined. They are a joy to work with.

To everyone on Live Journal who cheered me on as I wrote the novel and who, when I described it as a dark urban fantasy, revenge and redemption paranormal romance and supernatural horror novel with mythological and fairy tale overtones and lesbian protagonists, featuring the ghost of the defunct Twin Cities streetcar system, had a good laugh about me finding my little niche.

Dedication

Dedicated to Mr. Thomas Lowry (February 27, 1843February 4, 1909). For the streetcars.

Contents

Monday, 23rd of October

Somewhere in the world, at any given moment, Roy Orbison is singing.

Mae Malveaux blinked at her reflection in the washroom mirror as she slapped a bit of water on her face.

And I really need a vacation.

She sighed and returned to her desk, trying to tune out the tinny music coming from the office to her left. She had left her door open in a vain attempt to get some fresh air in the windless space her desk and file cabinet were wedged into. Instead, her neighbors radio was filling the airspace. For the sixth time today, she had heard Roy Orbison singing. It was starting to get under her skin. She did not understand why the fates seemed determined to haunt her with the voice of a dead man in large sunglasses.

An opened folder sat waiting for her return, right where she had left it. This particular case was another thing Mae did not understand. Despite persistent abuse and neglect, on four occasions, judges had returned Chrysandra Arneson to the custody of her mother, Marie Arneson.

Child Protective Services, after contact from school officials and doctors, had removed the girl from the home within six months after each judicial order. Now Marie, having completed a drug rehabilitation program and found gainful employment, was again seeking custody of her twelve-year-old daughter.

In each of the previous rulings, the judges had cited the need to keep the family unit intact as one of the driving reasons for returning the little girl to her mothers care.

Mae suspected it had more to do with the womans family being white, wealthy and suburban. The Arneson family, already established among the elites of the Twin Cities after decades of doing business in the brewing and milling industries, had made a fortune in the 1950s when the public transportation system in the Twin Cities switched from streetcars to buses.

Mae had spoken to the childs grandparents, but while they were happy to be her temporary guardians, they did not want to be responsible for Chrysandra long term. Instead, the elder Arnesons were single-minded in their belief that Marie was a good mother and that for some reason the State of Minnesota had singled out their precious daughter for harassment. Mae felt the Arnesons were willfully ignoring evidence that Marie was abusing their granddaughter, pretending the constant parade of bruises, burns and broken bones over the last three years were all accidental. The identity of the childs father was unknown, and Marie Arneson and her family refused to share any information about him, closing off that avenue of aid from Mae.

Mae groaned with relief when the song ended and she heard the solid click of the radio being switched off. She had the beginning of a migraine. Walking into the meeting with Juvenile Court Judge Slotky on a matter unrelated to this case, she had found herself in an impromptu negotiation conference with the attorney representing Marie Arneson. Judge Slotky seemed sure they could work out a deal without the need for a court session.

This mornings ambush was bad enough, but William Jefferson Hodginss refusal to take her seriously had infuriated Mae. At one point Hodgins and Judge Slotky began talking to each other as if Mae were not even in the room. The old boys in local law circles saw her childlike frame, pale complexion and thin, slightly stringy blond hair, and brushed her off. Mae had refused to agree to anything and stormed out of the judges chambers.

Hey, I thought you left hours ago.

Mae looked up, startled by the voice. Jill frowned down at her and Mae gave her a lopsided smile. They had been office pals since Jill began working for the county a year ago, meeting socially outside of the office for drinks and lunches on a regular basis. Jill was younger than Mae, barely past thirty, and worked in the law library upstairs. She dressed conservatively and kept her hair up at work, exuding a sexy librarian aura, with her black hair, pale blue eyes and long legs. The men who worked in the Government Center were stupid for her. Jill seemed mostly oblivious to the attention of her male coworkers.

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