Dolores Cannon - Conversations with Nostradamus: Volume 2

Conversations

with

Nostradamus

His Prophecies Explained

(Revised and Updated)

Volume Two

BY

DOLORES CANNON

Copyright 1990, Dolores Cannon

Revised Edition Copyright 1992 by Dolores Cannon

Reprinted by permission of The Putnam Publishing Group from The Prophecies of Nostradamus by Erika Cheetham. Copyright 1975, Erika Cheetham. Extracted from The Prophecies of Nostradamus, published by Corgi Books, a division of Transworld Publishers Ltd. Copyright 1973 by Erika Cheetham. All rights reserved.

Reprinted by permission of David Higham Associates, London, from Nostradamus by James Laver. Copyright 1942, James Laver.

Reprinted by permission of William Morrow & Co. from My Life and Prophecies by Jean Dixon. Copyright 1969, Jeane Dixon.

All rights reserved. No part of this book, in part or in whole, may be reproduced, transmitted or utilized in any form or by any means, electronic, photographic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from Ozark Mountain Publishers, except for brief quotations embodied in literary articles and reviews.

For permission, or serialization, condensation, adaptions, or for our catalog of other publications, write to Ozark Mountain Publishers, P.O. Box 754, Huntsville, AR 72740-0754, Attn: Permission Department.

Library or Congress Cataloging-in-Publication Data

Cannon, Dolores, 1931 -

Conversations with Nostradamus by Dolores Cannon

Communications from Nostradamus via several mediums through hypnosis, supervised by D. Cannon. Includes the Prophecies of Nostradamus, in Middle French with English translation. Contents: v. I-II-III (Revised editions)

1. Nostradamus, 1503-1566. 2. Prophecies. 3. Hypnosis. 4. Reincarnation therapy.

5. Astrology.

I. Cannon, Dolores, 1931- II. Nostradamus, 1503-1566. Prophecies. English & French. III. Title.

Library of Congress Catalog Card Number: 92-60547

ISBN 0-9632776-1-8 (v. II)

First Edition Printed by America West Publishers, 1990 Revised Edition published, 1992, 1994, 1997, 200 I , 2011, 2012

Cover Design: Joe Alexander;

Computer Enhancement: Jenelle Johannes

Book set in: Times New Roman

Book Design: Kris Kleeberg

Published by:

Ozark Mountain Publishing, Inc.

WWW.OZARKMT.COM

Printed in the United States of America

Table of Contents

To John Feeley, who had the courage and curiosity to cross the boundaries of time and space, to wander into the realm of the unknown to bring back this information.

He also had a great adventure while doing it. Thanks, John for taking me along with you.

Since Volume One and Two were first published, I have received many requests from readers to be put in touch with John Feeley for astrological purposes. I wish to report that John died in the summer of 1990 of AIDS at the age of 38. He had a copy of this dedication taped to the wall by his bed. He was very proud to have been a part of this research project. Thanks, John, for a job well done. Good luck in your work on the other side.

THE IDEA OF WRITING A SEQUEL never even occurred to me when I took on the assignment of translating Nostradamus' quatrains. I thought that by selecting a few hundred at random I would have enough to make an interesting book but the more we translated, the more involved the story became. The book just kept growing and growing. I began to wonder how big a book could be and still be salable. I had to start discarding and selecting which quatrains to include. I had to decide which ones were more relevant to the story and which ones Nostradamus wished me to relate to the world. Finally it became apparent that this could go on for quite a while. As the story evolved and more pieces of the puzzle came to light, I continued adding to the book, but at this rate it might be years before the project would be finished. It was then I decided that I had to call a halt to this and tie up the loose ends of the first volume.

Reluctantly, I put the other information aside to form into a sequel. When I did this several things happened that caused the story to take some more strange twists and turns. Since these new events were leading away from the story of Elena and Brenda, I then knew for certain that there would have to be another book. The story of my adventures with Nostradamus continued but in a different direction. As always, life gets in the way and has a habit of altering circumstances. But the determination of either Nostradamus, the powers that be, or whoever it was that was directing this project, was strong enough to find ways around any obstacle that was put in its path. What more obvious proof did I need that this project was indeed destined to be completed? How much evidence did I need that I was merely a pawn or instrument in revealing to the world something which was begun and hidden 400 years ago?

This was a project that was assigned to me without my conscious knowledge or agreement. If I had realized the scope of it, I don't know that I would have taken it on. It all began so inconspicuously and innocently that I had no feeling of being overwhelmed until I was months into the task. By then, it was too late to back out. Maybe this was the wisdom behind it. "They" apparently counted upon my insatiable curiosity to lead me on and not allow me to drop the assignment when the going got tough. They knew of my fascination with puzzles and my desire to bring unknown knowledge to light Whatever their motives behind the strange workings of this project, they knew I would not give up until the job was finished. Nostradamus had already astounded me with his wisdom, his wonderful use of symbolism, the pure art behind his work which has never truly been revealed to the world. I can appreciate the time and mental effort the interpreters and translators have put into their work over the years, but they have never quite been able to grasp the true greatness of the man and the trials he went through to disguise his words in order to preserve them for posterity. Maybe through my efforts we can at last see him for what he was in order to take heed of his warnings.

As explained in the first volume of this work, Elena was the key, the bridge to the great man Nostradamus. Through my work with hypnotic regression and reincarnation, I discovered that she had been one of Nostradamus' students in a past life in the 1500's in France. Or maybe it would be more accurate to say that Nostradamus discovered me. By some unknown power, he was able to sense that I was in communication with his student, and he was also aware that I was living in a future time. In his desire to reveal the true meanings of his prophecies to our generation, he gave me the assignment of translation. In a sense he ordered me to take on the job. He impressed upon me the urgency of the task and the importance of it being completed now in our time period.

Had there really been a way of getting out of this? I honestly don't know. I could have walked away from it. When the information first began to come through, I wrestled within myself over whether I really wanted to know what the future held. I had a perfect way out. Elena moved to Alaska immediately after the project was initiated. It could have ended there because there wasn't enough information for a book. I could have put the tapes in a box and labeled them for use as a possible chapter in a book of miscellaneous regressions to be written sometime down the road. But the urgency, the tone of pleading in Nostradamus' voice stayed with me. His last words to me were that he would come through anyone else that I chose to work with, he was that determined. Elena had been the bridge between our world and his; the key to this Pandora's Box. And as with that proverbial box, all the troubles of the world could now be released to public view.