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Delia Parr - Abide with Me

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Delia Parr Abide with Me
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    Abide with Me
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PRAISE FOR DELIA PARR AND HER NOVELS

Parr has a superb sense of narrative pacing

Philadelphia Inquirer on A Place Called Trinity

Parrs writing is fresh and original.

Milwaukee Journal-Sentinel on The Ministers Wife

Written in the tradition of LaVyrle Spencer, Parrs books are beautifully written in elegant prosethe characters faith is always a big factor in their growth and triumph

Tina Wainscott, author of In Too Deep on The Promise of Flowers

Always one to break the rules and craft intelligent, thought-provoking romance

Romantic Times BOOKclub on Sunrise


Dedicated to my mother, Evelyn, and her three sisters, Doris, Elaine and Catherine, who taught us all the joys of sisterhood and faith

Delia Parr
Abide with Me

Contents ACKNOWLEDGMENTS Writing a book about the relationships between - photo 1

Contents
ACKNOWLEDGMENTS

Writing a book about the relationships between sisters would not have been possible without the support of my own sisters. Pat and Joanne are my biggest cheerleaders. Carol Beth is my first editor, who saves me from making dumb mistakes that wind up on my editors desk. Like Joanne, she is also a registered nurse, so I have a medical expert at my fingertips while Im writing. Pats work with senior citizens also gave me insight that I used in creating some of my characters. Kathy and Susan have already gone Home, so they watch over me, too. My friend, Jeanne, is my sister-by-affection. A retired chemistry teacher and licensed real estate agent, she provided insight into the world of real estate that proved very helpful while writing the book. Unlike the Long sisters in the book, however, we have a brother, John, who has somehow survived growing up with six sisters!

I would be remiss if I did not acknowledge the great support and love I receive from my children, Matt and his wife, Ileana, Brett and Elizabeth. I am so proud of you all!

QUESTIONS FOR DISCUSSION
  1. Sisterhood is a powerful theme in Abide with Me. How have your sisters or women in your family influenced your life? How have you been a sister to another personsomeone not an actual relative? What does that mean to you?
  2. Jenny and her husband face something of a role reversal when her full-time work supports his writing career. When have you taken on a new role to help out a family member? Why do we do such things?
  3. The Sisters Breakfast is a tradition the surviving Long sisters created as a time to remember their late family members. How do you honor family members who have passed on? What traditions have developed in those situations?
  4. Russells betrayal of Madge offered a chance for them to rebuild their marriage and renew their commitment to one another. How can painful experiences be transformed into second chances? How can we position ourselves to make good use of them?
  5. Andrea was loath to relinquish control over certain aspects of her cancer treatment or to confide in her sisters. Was this the right approach? Why or why not? What Scripture would you share with her to encourage her to give her problem over to God?
  6. The Shawl Ministry is a unique program created to help otherswhat ministries has your church developed to help those in need?
  7. The sisters marvel at Andreas ability to forgive when she hires Jamie Martin, but in what way does her sister Madges ability to forgive come to the fore in this story? How would you have dealt with Russells infidelity?
  8. Working in a small office can cause friction between workers with different work habits. Though Andrea was the one to hire Doris, she quickly finds it difficult to work with her. How have you coped with difficult coworkers?
  9. Bill Sandersons romantic interest in Andrea is something she initially refuses to accept, given that she is struggling with cancer at the time. Share an instance when Gods timing sent unexpected opportunities your way. What did you do?
  10. What role does the beach house play for each sister? How does it differ character to character? Does it?
Chapter One

S urrounded by animated conversations and mouthwatering aromas, Andrea Long Hooper waited for her sisters in one of The Diners corner booths, gazing out the plate-glass window to distract herself from being overwhelmed by memories of Sandra.

Bright July sunshine reflected on the windshields of the cars that eased by on Welles Avenue and circled around the old bronze monument that anchored the community. While some residents drove off to start another workday, still others filled the commuter rail that bisected the town of Welleswood, carrying them across the Delaware River to work in nearby Philadelphia.

Inside The Diner, the regulars, mostly retired folks from the nearby senior-citizens complex, sipped at coffee and enjoyed the daily special: one scrambled egg, one strip of bacon, a small glass of orange juice and coffee or tea with unlimited refills. No substitutions. All for $1.95. Served daily, from six to eight.

Only a few years ago, Welleswoods business district along the main street had been an odd mix of thrift shops, convenience stores and empty storefronts that kept The Diner sorry company. Concrete sidewalks, dark with age and automobile soot, had invited little foot traffic, other than neighborhood children making their way to school or the community swimming pool, which was a relic from a community-building program during the Great Depression. A lone gas station at the far end of town had closed, along with the lumberyard and movie theater, all victims of suburban flight in the sixties and seventies that had left Welleswood gasping for breath.

Not anymore.

With no small measure of pride, Andrea glanced up and down the avenueonly newcomers ever called Welles Avenue by its official name. The Town Restoration Committee, formed twelve years ago by a coalition of local businesspeople, town politicians and concerned citizens, had helped to breathe new life into the town that she and her family had called home for four generations. Armed with federal and state grant money, along with a daring business plan that had incited equal numbers of avowed enthusiasts and raucous critics in the early going, the committee had achieved phenomenal success.

Welleswoods renaissance was nearly complete. Restored sidewalks, replete with brick walkways, new light posts, benches and gardens filled with potted plants from early spring through late fall, invited strollers and window shoppers, along with buyers. With restored storefronts, trendy shops offering everything from apparel to handcrafted specialties, several jewelers and banks and a handful of small, upscale restaurants drew shoppers weary of chain stores and malls. The movie theater had been lovingly restored as a community theater, and the lumberyard had been converted into Antiques Row. The town itself had purchased the gas-station property and replaced the eyesore with a Community Center, shared by the towns teens and seniors.

The renewal of the business district had other, well-anticipated effects. Property values soared. Church attendance also increased. Folks started moving back to Welleswood. Others planted deeper roots.

And through it all, The Diner remained a quaint little restaurant that offered generous servings of homemade food along with a comfortable place to rest, either before or after shopping. No one ever suggested it was time to leave to make room for someone else, either. A place just likehome.

For Andrea and her sisters, there was simply no place more fitting than The Diner for holding their Sisters Breakfasts, a tradition they had followed for years, commemorating the birthdays of their beloved sibling and parents, instead of the dates on which they had left this world to go Home.

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