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Phyllis Tashlik - Hispanic, Female and Young

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Tashlik captures the essence of what it means to be Hispanic, female and young in the kaleidescopic world of New York City through the voices of a group of Latina teenagers.

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HISPANIC, FEMALE AND YOUNG:

AN ANTHOLOGY

EDITED BY PHYLLIS TASHLIK

This volume is made possible through support from the National Endowment for - photo 1

This volume is made possible through support from the National Endowment for the Arts, a federal agency, the Andrew W. Mellon Foundation and the Lila Wallace-Readers Digest Fund.

Piata Books
An Imprint of
Arte Pblico Press
University of Houston
452 Cullen Performance Hall
Houston, Texas 77204-2004

Piata Books are full of surprises!

Cover design and illustration by Gladys Ramrez

Library of Congress Cataloging-in-Publication Data

Hispanic, female and young: an anthology / edited by Phyllis Tashlik.

p. cm.

ISBN-10: 1-55885-080-5

ISBN-13: 978-155885-080-4

1. American literatureHispanic American authors.

2. Hispanic American womenLiterary collections. 3. Hispanic American youthLiterary collections. 4. American literature20th century.

I. Tashlik, Phyllis

PS508.H57H56 1993

810.809287dc20

93-4104

CIP

Picture 2 The paper used in this publication meets the requirements of the American National Standard for Permanence of Paper for Printed Library Materials Z39.48-1984.

Second Edition, 1995
Copyright 1994
Printed in the United States of America

6 7 8 9 0 1 2 3 4 5 14 13 12 11 10 9 8 7 6

For Las Mujeres
of Manhattan East

HISPANIC, FEMALE
AND YOUNG:
AN ANTHOLOGY

TABLE OF CONTENTS

JUDITH ORTIZ COFER

LUZ OTERO

LORNA DEE CERVANTES

SARA RODRGUEZ

MONIQUE RUBIO

MARA PERSONS

SARA RODRGUEZ

JUDITH ORTIZ COFER

CAROLINA HOSPITAL

LORNA DEE CERVANTES

JUDITH ORTIZ COFER

CARMEN M. PURSIFULL

ROSA MARA ARENAS

JEANETTE TIBURCIO

LISTENING TO MONGO SANTAMARA
CALLING THE SPIRITS FROM BUFFALO

OLGA MENDELL

ROBERTA FERNNDEZ

MARA ELENA LLANO

JUDITH ORTIZ COFER

JUDITH ORTIZ COFER

PAT MORA

ROSA MARA ARENAS

ROSA ELENA YZQUIERDO

CAROLINA HOSPITAL

SANDRA ORTA

DENISE ALCAL

ROSA ELENA YZQUIERDO

EVANGELINA VIGIL-PIN

ENIKE SMITH

NICHOLASA MOHR

LORNA DEE CERVANTES

EVANGELINA VIGIL-PIN

NICHOLASA MOHR

MARGARITA ENGLE

A DAY IN THE LIFE OF ME:
SEPTEMBER 29, 1988

LESLIE RIVERA

LESLIE RIVERA

LESLIE RIVERA

JUDITH ORTIZ COFER

AMINA SUSAN ALI

AMINA SUSAN ALI

INEZ SANTANA

MICHELLE CALERO

IVY COLOMBA

EDNA ROBLES

NEREIDA ROMN

NEREIDA ROMN

THAT SOMETHING SPECIAL:
DANCING WITH THE REPERTORY DANCE
COMPANY OF HARLEM

LESLIE RIVERA

JUDITH ORTIZ COFER

LORNA DEE CERVANTES

JUDITH ORTIZ COFER

JUDITH ORTIZ COFER

AMINA MUOZ

CRISTINA GONZLEZ

ELSA ZAMBOSCO

JUDITH ORTIZ COFER

EDNA ROBLES

LUZ OTERO

SHANIQUE GARCA

CARMEN MARTIN

NICHOLASA MOHR

EDNA ROBLES

MARA PERSONS

LORNA DEE CERVANTES

INEZ SANTANA

DJASSI JOHNSON,

LUZ OTERO,

MILLIE RIVERA,

SARA RODRGUEZ,

SIMEKO WATKINS

DENISE ALCAL

INTERVIEW WITH INGRID RAMOS:
A FRIEND OF EAST HARLEM

SHANIQUE GARCA,

ILEANA MORALES,

MALIKA MOSELY

ENIKE SMITH,

WITH LAURA GONZLEZ,

STEPHANIE METZGER,

LESLIE RIVERA,

NEREIDA ROMN

INTERVIEW WITH OLGA MNDEZ:
THE SENATOR FROM EL BARRIO

SHANIQUE GARCA,

LAURA GONZLEZ,

ILEANA MORALES,

MALIKA MOSELY,

ENIKE SMITH

INTERVIEW WITH NICHOLASA MOHR:
HOLD FAST TO YOUR DREAMS

KIM BAEZ,

MICHELLE CALERO,

LUZ OTERO,

MONIQUE RUBIO,

JANEL SHEPARD

INTERVIEW WITH TINA RAMREZ:
FOUNDER OF BALLET HISPNICO

IVY COLOMBA,

MILLIE RIVERA,

SARA RODRGUEZ,

MONIQUE RUBIO,

JANEL SHEPARD,

SIMEKO WATKINS,

GUADALUPE ZRATE

INTRODUCTION

We began in a circle. Twelve eighth-grade girls met with me, their teacher, on a sunny September afternoon, in an ancient red brick public schoolhouse on East 99th Street in Spanish Harlem (El Barrio). We were pioneering an elective named Las Mujeres Hispanas, a class designed to introduce Hispanic teenage girls to Hispanic female literature and to their own potential as writers.

Slowly, tentatively, they began to share their life stories. Sara spoke of being half-Mexican and Monique of being half-Cuban. Others offered tales of family journeys to the United States from Puerto Rico, Colombia, Panama. Our group represented a mosaic of cultures, histories, and backgrounds. I recall the words of Olga Mndez, the state senator the girls would later interview. She cautioned them that all people should know and be proud of their roots, that simply being called Hispanic isnt sufficient when your background is Puerto Rican, Dominican, or Mexican.

For my young mujeres, this classroom experience was definitely strange. It was probably the first time they had been asked to share in school their perception of themselves as young women and Latinas. There we were, a huddled group of females discussing our lives, while eighth-grade boys gathered outside the closed classroom door. We could see their heads bobbing up and down as they sought the girls attention and organized a mild protest against an all-girls class in our small, alternative school. The class may not have seemed right to the boys, but the girls saw it as an honor and a personal mission. As they later wrote in the introduction to the first anthology of their written work:

A class like Las Mujeres is something that helps you learn about yourself and others and find compassion in your heart to appreciate other cultures while finding in yourself who you really are. Las Mujeres helped us to understand ourselves in a better way. To take charge of our lives. To look at the world in a better way.

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