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Savina Teubal - Sarah The Priestess: The First Matriarch Of Genesis

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Savina Teubal Sarah The Priestess: The First Matriarch Of Genesis
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title Sarah the Priestess The First Matriarch of Genesis author - photo 1

title:Sarah the Priestess : The First Matriarch of Genesis
author:Teubal, Savina J.
publisher:Ohio University Press
isbn10 | asin:0804008442
print isbn13:9780804008440
ebook isbn13:9780585066707
language:English
subjectSarah--(Biblical matriarch) , Bible.--O.T.--Genesis--Criticism, interpretation, etc, Women and religion--Middle East.
publication date:1984
lcc:BS580.S25T47 1984eb
ddc:222/.110924
subject:Sarah--(Biblical matriarch) , Bible.--O.T.--Genesis--Criticism, interpretation, etc, Women and religion--Middle East.
Page 1
PART ONE
SOCIAL IMPLICATIONS
Page 10
Page 100 Residence of a Priestess Information about ancient - photo 2
Page 100
Residence of a Priestess
Information about ancient priestesses comes from places that were religious centers in Mesopotamia, like Nippur and Sippar during the Old Babylonian period (ca. 18001700 B.C.E), with institutions called gagu (Akkadian term for cloister), which housed a hundred or more naditu. A naditu was of elevated priestly rank; she could be of royal birth; and the fundamental restriction was that she remain childless.41 The term "gagum" is also equated with the "house of the entu."42
Sarah, as mentioned in chapter VI, seems never to have set foot on other than hallowed ground. Her extended residence at the sacred grove at Mamre implies that either her abode was cloistered, in the sense that she was enclosed or confined to her surroundings, or that it may have functioned as the gagu of the entu.
Little detail is given in Genesis about the grove at Mamre, other than to mention that the trees were terebinths and that Sarah lived in a tent. But Sarah's tent is a prominent feature in the narratives. If the terebinth grove where Sarah lived was a sacred area, her residence (the tent resembling the abodes of the goddesses) would have been also. In Genesis 18 reference is made to a tent five times in ten sentences: Abram is outside the tent (v. 1, 2); Sarah is inside it (v. 6, 9); and Sarah is at the entrance to the tent with the divine visitor (v. 10). This emphasis on the tent makes it the pivotal point around which the mystery of the annunciation of Sarah's conception takes place. Genesis does not specify what Sarah's tent was like, but it is certainly an abode of significance, seeing that it is mentioned so frequently, is located in a (sacred) grove, and is visited by a deity.
The abode of the Goddess Inanna, shown in relief on the alabaster trough from Uruk (see Plate 15) as a reed hut that could easily be described as a tent, will be seen later to be of great significance.
In II Kings 23:7 there is a strange reference to woven houses. Regarding the reformations of Josiah, it states: "he demolished the houses (batim) of the qedeshim that were in the house of YHWH, where the women wove houses for Asherah." (Since it did not seem likely that women would be weaving houses the literal translation scholars have interpreted batim to be stolas, hangings, etc.)43 Asherah was the Goddess who was venerated most by the Israelites in Canaan and whose influence was recorded by them. Since Asherah was identified with the terebinth, Sarah must have been familiar with her symbols.
The houses woven for Asherah in the priests' quarters, mentioned in II Kings, may have had a configuration similar to the Sumerian
Page 101
Plate 15 Alabaster trough possibly used for kneading above Relief of reed - photo 3
Plate 15.
Alabaster trough, possibly used for kneading. (above) Relief
of reed hut with sprays of greenery and (below, end of trough)
reed bundles and rosettes, all symbols of the Goddess Inanna.
From Uruk. (London, The British Museum.)
Page 102
Goddess's sacred abode (see Plate 12) known as the gigunu,44 initially a reed hut adorned with sprays of greenery. The relief on the trough from the Uruk III period (ca. 3000 B.C.E.) illustrates the shrine of the Sumerian Inanna, and shows it to be made of reeds but resembling a tent. Reeds were plentiful in the Mesopotamian marshes and were used as building materials before the mud brick was invented.45 In the dry region of Canaan, goat's hair was used to make yarn for weaving tents.
It seems reasonable to infer that the women of the temple did weave houses, representations of the sacred abode of Asherah the woven house of the Canaanite Goddess being comparable to the reed hut of the Mesopotamian Goddess. I suggest that Sarah's tent was not an ordinary tent. It was symbolic of the abode of a goddess and was associated with the mystic functions of a goddess (or her representative).46
That the consummation of Rebekah's union to Isaac took place in Sarah's tent takes on particular significance in this respect. It may be due to this extraordinary circumstance that ancient lore reflects its substance: "Isaac took Rebekah to the tent of his mother Sarah, and she showed herself worthy to be her successor. The cloud appeared again that had been visible over the tent during the life of Sarah, and had vanished at her death, and the gates of the tent were opened for the needy, wide and spacious, as they had been during the lifetime of Sarah."47 In other words, Sarah's tent was a storehouse. The storehouse is basic to the imagery of Inanna; in fact, the Goddess seems originally to have been the personified power of the storehouse.48 Inanna's grandmother, Ninlil, who was a participant in the Sacred Marriage in Nippur, bore the title sarrat--ki-r * , queen of the reed hut. Indeed, the name Sarah may have originated from a title.49
The Meaning of Childlessness
One of the most compelling considerations in associating Sarah with a religious order is her childlessness. Sarah, Rebekah, and Rachel are all presented as being initially barren, and it is only through divine intervention that the first two conceive at all. It seems highly unlikely that three generations of women married to patriarchs would be barren. The recurring mention of the barrenness of the matriarchs is especially significant in view of the fact that the primary purpose of marriage in a patriarchal world is to provide a husband's family with male heirs. According to Raphael Patai, "a childless woman would be regarded as being useless for her husband and would be dismissed," and, "the continuation of the marital status with a barren woman was
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