Robert Silverberg - The Man Who Floated in Time

There was something shady and sly about him. For one thing he was small and slightly built, and I have an instinctive mistrust of men who stand less than five feet five: they seem too agile and unpredictable, shifty little Napoleons who are apt to come at you from three directions at once. Then, too, his narrow glittery gray eyes, though they did actually make contact with mine, never seemed to be aimed directly at me but rather, somehow, sent a beam of vision hooking around a sharply banked curve even when his face looked at me right square on. I didnt like that. He was about sixty, sixty-five, lean and trim, not well dressed, his gray hair cropped very short and gone at the crown.

What I do, he said, is travel in time. I float freely back to other eras.

Really, I said. Never forward?

Oh, no, never. Thats quite impossible. The future doesnt exist. The past is there, solid and real, a place, you know, like Des Moines or Wichita. One can go to Wichita if one makes the proper connection. But one cant go to a city thats never been built. It isnt conceivable. Well, perhaps its conceivable, but it isnt doable, do you follow me? I go to the past, though. Ive seen Attila the Hun. Ive seen Julius Caesar. I wish I could say I went to bed with Catherine the Great, but I didnt, although I had a few vodkas with someone who did. She smelled of garlic, he said, and she took forever to come. You dont believe any of what Im saying, do you?

Youre asking me to swallow quite a lot, I said mildly.

He leaned forward in a conspiratorial way. Youre not the kind of man whos easily convinced of the unusual. I can tell. No ancient astronaut stuff for you, no UFO contact stories, no psychic spoon-bendings. Thats good. I dont want an easy believer. I want a skeptic to hear me out and test my words and arrive at his own acceptance of the truth his own way. Thats all I ask of you, that you dont scoff, that you dont write me off instantly as a crackpot. All right?

Ill try.

Now: what do you feel when I tell you Ive traveled in time?

Instinctive resistance. An immediate sense that Ive got myself mixed up with a crackpot or at best a charming liar.

Fine. I wouldnt have come to you if I thought youd react any other way.

What do you want from me, then?

That you listen to me and suspend your disbelief at least now and then and ask me a question or two, probe me, test me, give me the benefit of the doubt long enough to let me get through to you. And then that you help me get my experiences down on paper. Im old and Im sick and Im not going to be here much longer, and I want to leave a memoir, a record, do you see? And I need someone like you to help me.

Why not write it yourself? I asked.

Easy enough to say. But Im no writer. I dont have the gift. I cant even do letters without freezing up.

Doing a memoir doesnt require a gift. You simply put down your story on paper, just as though you were telling it to me. Writings not as hard as nonwriters like to think it is.

Writing is easy for you, he said, and time-traveling is easy for me. And Im about as capable of writing as you are of traveling in time. Do you see? He put his hand on my wrist, a gesture of premature intimacy that sent a quick, and quickly suppressed, quiver through my entire arm. Help me to get my story down, will you? You think Im a crazy old drunk, and you wish you had never given me minute one of your time, but I ask you to put those feelings aside and accept just for the moment the possibility that this isnt just a mess of lies and fantasies. Can you do that?

Go on, I said. Tell me about yourself.

He said his time-traveling had begun when he was a boy. The technique by which he claimed to be able to unhitch himself from the bonds of the continuum and drift back along the time-line was apparently one that he developed spontaneously, a sort of applied meditation that amounted to artfully channeled fantasizing. Through this process, which he refined and perfected between the ages of eight and eleven, he achieved what I suppose must be called out-of-the-body experiences, in which his psyche, his consciousness, his walking intelligence, vanished into the past while his body remained here, ostensibly asleep.

On his first voyage he found himself in an American city of the colonial era. He had no idea where he was when he was older, working from his searingly vivid memories of the journey, he was able to identify it as Charleston, South Carolinabut he knew at once, from his third-grade studies, that the powdered wigs and three-cornered hats must mean the eighteenth century. He was there for three days, fascinated at first, then frightened and confused and terribly hungry

Hungry? I said. A wandering psyche with an appetite?

You dont perceive yourself as disembodied, he replied, looking pleased that I had raised an objection. You feel that you have been quite literally transplanted to the other era. You need to eat, to sleep, to perform bodily functions. I was a small boy lost in a prerevolutionary city. The first night I slept in a forest. In the morning I returned to the city where some people found me, dirty and lost, and took me to a mansion where I was bathed and fed

And given clothes? You must have been in your pajamas.

No, you are always clothed in the clothing of the era when you arrive, he said. And equipped with the language of the region and a certain amount of local currency.

How very convenient. What providential force takes care of those little details?

He smiled. Those are part of the illusion. Plainly I have no real coins with me, and of course I havent magically learned new languages. But the aspect of me that makes the journey has the capacity to lead others to feel that they are receiving true coinage from me; and as my soul makes contact with theirs, they imagine that it is their own language I speak. What I do is not actual bodily travel, you understand. It is astral projection, to use a phrase that I know will arouse hostility in you. My real body, in its pajamas, remained snug in my bed; but the questing anima, the roving spirit, arrived fully equipped. Of course the money is dream-money and melts away the moment I go farther from it than a certain range. In my travels I have left angry innkeepers and cheated peddlers and even a few swindled harlots all over the world, Im afraid. But for the moment what I give them passes as honest coin.

Yet the astral body must be fed with real food?

Indeed. And I think that if the astral body is injured, the sleeping real body feels the pain.

How can you be sure of that?

Because, he said, I have fallen headlong down temple steps in the Babylon of Hammurabi and awakened to find bruises on my thigh and shoulder. I have slashed myself on vines in the jungles of ancient Cambodia and awakened to see the cuts. I have stood in the snows of Pleistocene Europe shivering with the Neanderthals and awakened with frostbite in July.

There is an Italian saying: Se non vero, ben trovato. If it is not true, it is well invented. There was in his eyes and on his thin gray-stubbled face at that moment a look of such passionate conviction, such absolute sincerity, that I began to tremble, hearing him talk of feeling the bite of Pleistocene winds, and for the first time I began to allow myself the possibility of thinking that this man could be something other than a boozy old scamp with a vivid imagination. But I was far from converted.

I said, Then if through some mischance you were killed when traveling, your real body would perish also?

I have every reason to think so, he replied quietly.

He traveled through vast reaches of space and time when he was still a child. Most of the places he visited were bewilderingly alien to him, and he had little idea of where or when he was, but he learned to observe keenly, to note salient details, to bring back with him data that sooner or later would help him to determine what he had experienced. He was a bookish child anyway, and so it caused no amazement when he burrowed feverishly through the