Robert Silverberg - The Reality Trip

I am a reclamation project for her. She lives on my floor of the hotel, a dozen rooms down the hall: a lady poet, private income. No, that makes her sound too old, a middle-aged eccentric. Actually she is no more than thirty. Taller than I am, with long kinky brown hair and a sharp, bony nose that has a bump on the bridge. Eyes are very glossy. A studied raggedness about her dress; carefully chosen shabby clothes. I am in no position really to judge the sexual attractiveness of Earthfolk but I gather from remarks made by men living here that she is not considered good-looking. I pass her often on my way to my room. She smiles fiercely at me. Saying to herself, no doubt, You poor lonely man. Let me help you bear the burden of your unhappy life. Let me show you the meaning of love, for I too know what it is like to be alone.

Or words to that effect. Shes never actually said any such thing. But her intentions are transparent. When she sees me, a kind of hunger comes into her eyes, part maternal, part (I guess) sexual, and her face takes on a wild crazy intensity. Burning with emotion. Her name is Elizabeth Cooke. Are you fond of poetry, Mr. Knecht? she asked me this morning, as we creaked upward together in the ancient elevator. And an hour later she knocked at my door. Something for you to read, she said. I wrote them. A sheaf of large yellow sheets, stapled at the top; poems printed in smeary blue mimeography. The Reality Trip, the collection was headed. Limited Edition: 125 Copies. You can keep it if you like, she explained. Ive got lots more. She was wearing bright corduroy slacks and a flimsy pink shawl , through which her breasts plainly showed. Small tapering breasts, not very functional-looking. When she saw me studying them her nostrils flared momentarily and she blinked her eyes three times swiftly. Tokens of lust?

I read the poems. Is it fair for me to offer judgment on them? Even though Ive lived on this planet eleven of its years, even though my command of colloquial English is quite good, do I really comprehend the inner life of poetry? I thought they were all quite bad. Earnest, plodding poems, capturing what they call slices of life. The world around her, the cruel, brutal, unloving city. Lamenting failure of people to open to one another. The title poem began this way:

He was on the reality trip. Big black man,bloodshot eyes, bad teeth. Eisenhower jacket,frayed. Smell of cheap wine. I guess a knifein his pocket. Looked at me mean. Criminalrecord. Rape, child-beating, possession of drugs.In his head saying, slavemistress bitch, and me inmy head saying, black brother, lets freak in together,lets trip on love

And so forth. Warm, direct emotion; but is the urge to love all wounded things a sufficient center for poetry? I dont know. I did put her poems through the scanner and transmit them to Homeworld, although I doubt theyll learn much from them about Earth. It would flatter Elizabeth to know that while she has few readers here, she has acquired some ninety light-years away. But of course I cant tell her that.

She came back a short while ago. Did you like them? she asked.

Very much. You have such sympathy for those who suffer.

I think she expected me to invite her in. I was careful not to look at her breasts this time.

The hotel is on West 23rd Street. It must be over a hundred years old; the faade is practically baroque and the interior shows a kind of genteel decay. The place has a bohemian tradition. Most of its guests are permanent residents and many of them are artists, novelists, playwrights, and such. I have lived here nine years. I know a number of the residents by name, and they me, but I have discouraged any real intimacy, naturally, and everyone has respected that choice. I do not invite others into my room. Sometimes I let myself be invited to visit theirs, since one of my responsibilities on this world is to get to know something of the way Earthfolk live and think. Elizabeth is the first to attempt to cross the invisible barrier of privacy I surround myself with. Im not sure how Ill handle that. She moved in about three years ago; her attentions became noticeable perhaps ten months back, and for the last five or six weeks shes been a great nuisance. Some kind of confrontation is inevitable: either I must tell her to leave me alone, or I will find myself drawn into a situation impossible to tolerate. Perhaps shell find someone else to feel even sorrier for, before it comes to that.

My daily routine rarely varies. I rise at seven. First Feeding. Then I clean my skin (my outer one, the Earth-skin, I mean) and dress. From eight to ten I transmit data to Homeworld. Then I go out for the morning field trip: talking to people, buying newspapers, often some library research. At one I return to my room. Second Feeding. I transmit data from two to five. Out again, perhaps to the theater, to a motion picture, to a political meeting. I must soak up the flavor of this planet. Often to saloons; I am equipped for ingesting alcohol, though of course I must get rid of it before it has been in my body very long, and I drink and listen and sometimes argue. At midnight back to my room. Third Feeding. Transmit data from one to four in the morning. Then three hours of sleep, and at seven the cycle begins anew. It is a comforting schedule. I dont know how many agents Homeworld has on Earth, but I like to think that Im one of the most diligent and useful. I miss very little. Ive done good service, and, as they say here, hard work is its own reward. I wont deny that I hate the physical discomfort of it and frequently give way to real despair over my isolation from my own kind. Sometimes I even think of asking for a transfer to Homeworld. But what would become of me there? What services could I perform? I have shaped my life to one end: that of dwelling among the Earthfolk and reporting on their ways. If I give that up, I am nothing.

Of course there is the physical pain. Which is considerable.

The gravitational pull of Earth is almost twice that of Homeworld. It makes for a leaden life for me. My inner organs always sagging against the lower rim of my carapace. My muscles cracking with strain. Every movement a willed effort. My heart in constant protest. In my eleven years I have as one might expect adapted somewhat to the conditions; I have toughened, I have thickened. I suspect if I were transported instantly to Homeworld now I would be quite giddy, baffled by the lightness of everything. I would leap and soar and stumble, and might even miss this crushing pull of Earth. Yet I doubt that. I suffer here; at all times the weight oppresses me. Not to sound too self-pitying about it. I knew the conditions in advance. I was placed in simulated Earth gravity when I volunteered, and was given a chance to withdraw, and I decided to go anyway. Not realizing that a week under double gravity is not the same thing as a lifetime. I could always have stepped out of the simulation chamber. Not here. The eternal drag on every molecule of me. The pressure. My flesh is always in mourning.

And the outer body I must wear. This cunning disguise. Forever to be swaddled in thick masses of synthetic flesh, smothering me, engulfing me. The soft slippery slap of it against the self within. The elaborate framework that holds it erect, by which I make it move; a forest of struts and braces and servoactuators and cables, in the midst of which I must unendingly huddle, atop my little platform in the gut. Adopting one or another of various uncomfortable positions, constantly shifting and squirming, now jabbing myself on some awkwardly placed projection, now trying to make my inflexible body flexibly to bend. Seeing the world by periscope through mechanical eyes. Enwombed in this mountain of meat. It is a clever thing; it must look convincingly human, since no one has ever doubted me, and it ages ever so slightly from year to year, graying a bit at the temples, thickening a bit at the paunch. It walks. It talks. It takes in food and drink, when it has to. (And deposits them in a removable pouch near my leftmost arm.) And I within it. The hidden chess player; the invisible rider. If I dared, I would periodically strip myself of this cloak of flesh and crawl around my room in my own guise. But it is forbidden. Eleven years now and I have not been outside my protoplasmic housing. I feel sometimes that it has come to adhere to me, that it is no longer merely around me but by now a part of me.