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Lidia Yuknavitch - The Book of Joan

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Lidia Yuknavitch The Book of Joan
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    The Book of Joan
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    Harper
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    2017
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    New York
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    978-0-06238327-3
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The Book of Joan: summary, description and annotation

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The 25 Most Anticipated Books by Women for 2017, Magazine The 32 Most Exciting Books Coming Out in 2017, 50 Books We Cant Wait to Read in 2017, Magazine 33 New Books to Read in 2017, Most Anticipated, The Great 2017 Book Preview, The Millions The bestselling author of offers a vision of our near-extinction and a heroinea reimagined Joan of Arcpoised to save a world ravaged by war, violence, and greed, and forever change history, in this provocative new novel. In the near future, world wars have transformed the earth into a battleground. Fleeing the unending violence and the planets now-radioactive surface, humans have regrouped to a mysterious platform known as CIEL, hovering over their erstwhile home. The changed world has turned evolution on its head: the surviving humans have become sexless, hairless, pale-white creatures floating in isolation, inscribing stories upon their skin. Out of the ranks of the endless wars rises Jean de Men, a charismatic and bloodthirsty cult leader who turns CIEL into a quasi-corporate police state. A group of rebels unite to dismantle his iron rulegalvanized by the heroic song of Joan, a child-warrior who possesses a mysterious force that lives within her and communes with the earth. When de Men and his armies turn Joan into a martyr, the consequences are astonishing. And no onenot the rebels, Jean de Men, or even Joan herselfcan foresee the way her story and unique gift will forge the destiny of an entire world for generations. A riveting tale of destruction and love found in the direst of placeseven at the extreme end of post-human experienceLidia Yuknavitchs raises questions about what it means to be human, the fluidity of sex and gender, and the role of art as a means for survival. https://www.youtube.com/watch?v=srhheY5ISJ4

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Lidia Yuknavitch

THE BOOK OF JOAN

This book is for Brigid.

We are all creatures of the stars.

Doris Lessing

Heterosexuality is dangerous. It tempts you to aim at a perfect duality of desire. It kills the other story options.

Marguerite Duras

Be careful what stories you tell yourselves about beauty, about otherness. Be careful what stories count. They will have consequences that shiver the planet.

The Book of Joan
BOOK ONE Prologue In the hundreds of thousands of years before the - photo 1

BOOK ONE

Prologue

In the hundreds of thousands of years before the Chicxulub asteroid impact that led to the mass extinction of dinosaurs on earth, volcanoes in a region of India known as the Deccan Traps erupted repeatedly. They spewed sulfur and carbon dioxide, poisoning the atmosphere and destabilizing ecosystems.

The dinosaurs and most manner of living things were already at deaths door by the time the asteroid hit.

The Deccan Traps changed the ecosystem radically. Blotted out the sun. Death became history, geography rewrote itself. And yet earth was reborn. It was not a miracle that life was destroyed and then re-emerged. It was the raging stubbornness of living organisms that simply would not give in.

Life re-emerged as it always does. From the depths of oceans and riverbeds to the frozen biospheres hidden under ice sheaths to the very core of the worlds underground caves, from the tomb-like otherworlds of earth, matched in diversity and design only by one thing: interstellar space.

The next time a geocataclysm like this happened, the origin was anything but random.

Chapter One

Burning is an art.

I remove my shirt and step toward a table where I have spread out the tools I will need. I swab my entire chest and shoulders with synthetic alcohol. My body is white against the black of space where we hover within a suborbital complex. CIEL.

Through the wall-size window, I can see a distant nebula; its gases and hypnotic hues make me hold my breath. What a puny word that is, beautiful. Oh, how we need a new language to go with our new bodies.

I can also see the dying ball of dirt. Earth, circa 2049, our former home. It looks smudged and sepia.

A fern perched in the window catches my eye. Well, what used to be a fern. I never had a green thumb, even those long years ago when I lived on Earth. This fern is mostly a sad little curve of stick flanked by a few dung-green wisps; it wilts and droops like a defunct old feathery cock. Its photosynthesis is entirely artificial. If it were allowed the sun weve got now, with the absence of adequate ozone layers, it would instantly die. Solar flares irradiate us daily, even as we are protected by STEssuperior technological environments, theyre called.

Ive not seen CIEL from the outside for a long time, but I remember it looking like too many fingers on a ghost-white hand. Sky junk. Rats in a maze, we are. Far enough from the sun to exist in an inhabitable zone, and yet so close, one wrong move and were incinerated. In our man-made, free-floating station, with our rage-mouthed Empire Leader, Jean de Men, fastened at the helm of things. Were the aftermath of earth-life. CIEL was built from redesigned remnants from old space stations and science extensions of former astro and military industrial complexes. We who live here number in the thousands, from what used to be hundreds of countries. Every single one of us was a member of a former ruling class. Earths the dying clod beneath us. We siphon and drain resources through invisible technological umbilical cords. Skylines. That almost sounds lyrical.

The fern, like all green matter at this point, is cloned. And me? As weve been told a million times, radical changes in the ozone, atmosphere, and magnetic fields caused radical changes in morphology. Hows that for a cosmic joke of the ruling class? The meek really did inherit the Earth. And the wealthy suck at it like a tit. Theres no telling how many meek are left. If any. I sigh so loud I can almost see it leaving my mouth. The air here is thick and palpable.

There is a song lodged in my skull, one whose origin I cant recall. The tune is both omnipresent and simultaneously unreachable; the specifics drift away like space junk. There are times I think it will drive me mad, and then I remember that madness is the least of my concerns.

Today is my birthday, and pieces of the song from nowhere haunt my body, a sporadic orchestral thundering that rises briefly and then recedes. Sound fills my ears and whole head, a vibration that rings every bone in my body and then nothing. By birthday, what I mean is that today marks my last year until ascension. Now, at forty-nine, Im aging out, a threat to resources in a finite, closed system. CIEL authorities may permit a staged theatrical spectacle when your time is up, but dead is dead, no matter when you lived. At one time, in the early years here, I remember, we still believed that ascension involved some rise into a higher state of being. Not just an escape from a murdered planet to a floating space world, but a climb toward an actual evolution of the mind and soul. It still strikes me as absurd that all our mighty philosophies and theologies and scientific advances were based on looking up. Every animal ever bornblind or stupid or sentientlooked up. What of it? What if it was only a dumb reflex?

Ive since come to understand that there are simply too many of us for Jean de Mens Empire to sustain unless we continue to discover new treasure troves left on Earth or evolve into beings who dont need plain old food and water. Our recycled meat sacks provide water when we die. Its the one biotechnological achievement weve been able to successfully create up here. You can get pure water from a corpse. So far in the evolution of the process, they can extract about a hundred liters of water from a fresh corpseabout twenty days survival ration. Thats not very efficient.

No one knows if or how fast those odds will improve. We only know we tried space suits and recycled urine and exhalation modes and a whole wave of deaths resulted from the biotoxins. So we continue to draw from mother Earth, to suck her diseased body dry.

The fern and I stare each other down. When I first came here, I was fourteen and dying from unrequited love. Or hormonally unstoppable love at least. I am now forty-nine, in my penultimate year. If hormones have any meaning left for any of us, it is latent at best, lying in wait for another epoch. Maybe we will evolve into asexual systems. It feels that way from here. Or maybe thats just wishful thinking. Desperately wishful. My throat constricts. There are no births here. There is a batch of youth in their late teens and early twenties. After that, who knows.

This is my room: stylishly decorated in blue-gray slate slabs. A memory foam bed on a metal slab, a slab of a desk, various metal chairs, a cylindrical one-room shower and human waste purge station. The most apparent thing in my quarters is a one-wall window into space, or oblivion, with a protective shade to help us forget that the sun might eat us alive at any moment, or that a black hole might sneak up on us like a kid playing hide-and-seek.

This is my home: CIEL. A home, forever away from home.

I live alone in my quarters. Oh, there are others here on CIEL. I used to have a husband. Just a word now, like home, earth, country, self. Maybe everything weve ever experienced was just words.

Record, I whisper to the air in the room around me. This is like what prayer used to be.

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