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Henry Louis Gates Jr. - Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow

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Henry Louis Gates Jr. Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow
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Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow: summary, description and annotation

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A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring racist stain on the American mind.
The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked a new birth of freedom in Lincolns America, why was it necessary to march in Martin Luther King, Jr.s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the nadir of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance.
Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark color line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combatted it by articulating a vision of a New Negro to force the nation to recognize their humanity and unique contributions to America as it hurtled toward the modern age.
The story Gates tells begins with great hope, with the Emancipation Proclamation, Union victory, and the liberation of nearly 4 million enslaved African-Americans. Until 1877, the federal government, goaded by the activism of Frederick Douglass and many others, tried at various turns to sustain their new rights. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and a loss of Northern will, restored home rule to the South. The retreat from Reconstruction was followed by one of the most violent periods in our history, with thousands of black people murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation.
An essential tour through one of Americas fundamental historical tragedies,Stony the Roadis also a story of heroic resistance, as figures such as W. E. B. Du Bois and Ida B. Wells fought to create a counter-narrative, and culture, inside the lions mouth. As sobering as this tale is, it also has within it the inspiration that comes with encountering the hopes our ancestors advanced against the longest odds.

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ALSO BY HENRY LOUIS GATES JR WRITTEN BY Figures in Black Words Signs and - photo 1
ALSO BY HENRY LOUIS GATES, JR.

WRITTEN BY:

Figures in Black: Words, Signs, and the Racial Self

The Signifying Monkey: A Theory of Afro-American Literary Criticism

Loose Canons: Notes on the Culture Wars

Colored People: A Memoir

The Future of the Race, with Cornel West

Thirteen Ways of Looking at a Black Man

Wonders of the African World

The Trials of Phillis Wheatley: Americas First Black Poet and Her Encounters with the Founding Fathers

In Search of Our Roots

Tradition and the Black Atlantic: Critical Theory in the African Diaspora

Life Upon These Shores

Black in Latin America

The African Americans: Many Rivers to Cross, with Donald Yacovone

And Still I Rise: Black America since MLK, with Kevin M. Burke

100 Amazing Facts about the Negro

Dark Sky Rising: Reconstruction and the Dawn of Jim Crow, with Tonya Bolden

EDITED BY:

The Norton Anthology of African American Literature, with Nellie Y. McKay

Africana: The Encyclopedia of the African and African American Experience, with Kwame Anthony Appiah

The Image of the Black in Western Art, with David Bindman

The New Negro: Readings on Race, Representation, and African American Culture, 18921938, with Gene Andrew Jarrett

African American National Biography, with Evelyn Brooks Higginbotham

Dictionary of African Biography, with Emmanuel K. Akyeampong

Dictionary of Caribbean and Afro-Latin American Biography, with Franklin W. Knight

The Annotated African American Folktales, with Maria Tatar

PENGUIN PRESS An imprint of Penguin Random House LLC penguinrandomhousecom - photo 2

PENGUIN PRESS

An imprint of Penguin Random House LLC

penguinrandomhouse.com

Copyright 2019 by Henry Louis Gates, Jr.

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Section on the European roots of the Harlem Renaissance as seen through the eyes of Victoria Earle Matthews and Picassos impact on black artists from The African Americans: Many Rivers to Cross by Henry Louis Gates, Jr., and Donald Yacovone, published by Hay House, Inc., Carlsbad, California, 2013. Used by permission of the publisher. (This text appears in different form in this book.)

Illustration credits appear on .

LIBRARY OF CONGRESS CATALOGING -IN-PUBLICATION DATA

Names: Gates, Henry Louis, Jr., author.

Title: Stony the road : Reconstruction, white supremacy, and the rise of Jim Crow / Henry Louis Gates, Jr.

Description: New York : Penguin Press, 2019. | Includes bibliographical reference and index.

Identifiers: LCCN 2018056211 (print) | LCCN 2019000788 (ebook) | ISBN 9780525559542 (ebook) | ISBN 9780525559535 (hardcover)

Subjects: LCSH: African Americans--Segregation--History. | Reconstruction (U.S. history, 1865-1877) | African Americans--History--1863-1877. | African Americans--History--1877-1964. | White supremacy movements--United States--History. | Racism in popular culture--United States--History. | Visual communication--Social aspects--United States--History. | United States--Race relations--History--19th century. | United States--Race relations--History--20th century.

Classification: LCC E185.61 (ebook) | LCC E185.61 .G253 2019 (print) | DDC 973/.0496073--dc23

LC record available at https://lccn.loc.gov/2018056211

Version_1

Dedicated to

The Mother Emanuel Nine

I N MEMORY OF

The Reverend Clementa Pinckney, South Carolina state senator and senior pastor of Mother Emanuel AME Church, and his fellow worshippers,

The Reverend Sharonda Coleman-Singleton

Cynthia Hurd

Susie Jackson

Ethel Lee Lance

The Reverend DePayne Middleton-Doctor

Tywanza Sanders

The Reverend Daniel Lee Simmons, Sr.

Myra Thompson

Martyrs to White Supremacy

Charleston, South Carolina

June 17, 2015

CONTENTS

Picture 3

The holders of twenty hundred million dollars worth of property in human chattels procured the means of influencing press, pulpit, and politician, and through these instrumentalities they belittled our virtues and magnified our vices, and have made us odious in the eyes of the world. Slavery had the power at one time to make and unmake Presidents, to construe the law, dictate the policy, set the fashion in national manners and customs, interpret the Bible, and control the church; and, naturally enough, the old masters set themselves up as much too high as they set the manhood of the negro too low. Out of the depths of slavery has come this prejudice and this color line. It is broad enough and black enough to explain all the malign influences which assail the newly emancipated millions today.

In reply to this argument it will perhaps be said that the negro has no slavery now to contend with, and that having been free during the last sixteen years, he ought by this time to have contradicted the degrading qualities which slavery formerly ascribed to him. All very true as to the letter, but utterly false as to the spirit. Slavery is indeed gone, but its shadow still lingers over the country and poisons more or less the moral atmosphere of all sections of the republic.

The office of the color line is a very plain and subordinate one. It simply advertises the objects of oppression, insult, and persecution. It is not the maddening liquor, but the black letters on the sign telling the world where it may be had.... The color is innocent enough, but things with which it is coupled make it hated. Slavery, ignorance, stupidity, servility, poverty, dependence, are undesirable conditions. When these shall cease to be coupled with color, there will be no color line drawn.

FREDERICK DOUGLASS, The Color Line, North American Review, June 1881

The most magnificent drama in the last thousand years of human history is the transportation of ten million human beings out of the dark beauty of their mother continent into the new-found Eldorado of the West. They descended into Hell; and in the third century they arose from the dead, in the finest effort to achieve democracy for the working millions which this world had ever seen. It was a tragedy that beggared the Greek; it was an upheaval of humanity like the Reformation and the French Revolution. Yet we are blind and led by the blind. We discern in it no part of our labor movement; no part of our industrial triumph; no part of our religious experience. Before the dumb eyes of ten generations of ten million children, it is made mockery of and spit upon; a degradation of the eternal mother; a sneer at human effort; with aspiration and art deliberately and elaborately distorted. And why? Because in a day when the human mind aspired to a science of human action, a history and psychology of the mighty effort of the mightiest century, we fell under the leadership of those who would compromise with truth in the past in order to make peace in the present and guide policy in the future.

W. E. B. DU BOIS, Black Reconstruction in America

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