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Joyce A. Tyldesley - Nefertiti’s Face: The Creation of an Icon

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Little is known about Nefertiti, the Egyptian queen whose name means a beautiful woman has come. She was the wife of Akhenaten, the pharaoh who ushered in the dramatic Amarna Age, and she bore him at least six children. She played a prominent role in political and religious affairs, but after Akhenatens death she apparently vanished and was soon forgotten.
Yet Nefertiti remains one of the most famous and enigmatic women who ever lived. Her instantly recognizable face adorns a variety of modern artifacts, from expensive jewelry to cheap postcards, t-shirts, and bags, all over the world. She has appeared on page, stage, screen, and opera. In Britain, one woman has spent hundreds of thousands of pounds on plastic surgery in hope of resembling the long-dead royal. This enduring obsession is the result of just one object: the lovely and mysterious Nefertiti bust, created by the sculptor Thutmose and housed in Berlins Neues Museum since before World War II.
InNefertitis Face, Egyptologist Joyce Tyldesley tells the story of the bust, from its origins in a busy workshop of the late Bronze Age to its rediscovery and controversial removal to Europe in 1912 and its present status as one of the worlds most treasured artifacts. This wide-ranging history takes us from the temples and tombs of ancient Egypt to wartime Berlin and engages the latest in Pharaonic scholarship. Tyldesley sheds light on both Nefertitis life and her improbable afterlife, in which she became famous simply for being famous.

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NEFERTITIS FACE

Joyce Tyldesley is a Senior Lecturer in Egyptology at the University of - photo 1

Joyce Tyldesley is a Senior Lecturer in Egyptology at the University of Manchester, and an Honorary Research Associate of the Manchester Museum. She is the author of many books on ancient Egypt, including Cleopatra, Last Queen of Egypt, which was a Radio 4 Book of the Week and Tutankhamen's Curse: The Developing History of an Egyptian King, which won the 2014 Felicia A. Holton Book Award given by the Archaeological Institute of America.

ALSO BY JOYCE TYLDESLEY

For Adults

Daughters of Isis: Women of Ancient Egypt

Hatchepsut: the Female Pharaoh

Nefertiti: Egypts Sun Queen

The Mummy

Ramesses: Egypts Greatest Pharaoh

Judgement of the Pharaoh: Crime and Punishment in Ancient Egypt

The Private Lives of the Pharaohs

Egypts Golden Empire

Pyramids: The Real Story Behind Egypts Most Ancient Monuments

Tales from Ancient Egypt

Egypt: How a Lost Civilization was Rediscovered

Chronicle of the Queens of Egypt

Egyptian Games and Sports

Cleopatra: Last Queen of Egypt

The Pharaohs

Myths and Legends of Ancient Egypt

Tutankhamens Curse

For Children

Mummy Mysteries: The Secret World of Tutankhamun and the Pharaohs

Egypt (Insiders)

Stories from Ancient Egypt

Stories from Ancient Greece and Rome

The Lost Scroll: A Play for children

NEFERTITIS FACE
THE CREATION OF AN ICON

Nefertitis Face The Creation of an Icon - image 2

JOYCE TYLDESLEY

Nefertitis Face The Creation of an Icon - image 3

For all my students, past, present and future.

First published in Great Britain in 2018 by

PROFILE BOOKS LTD

3 Holford Yard

Bevin Way

London WC1X 9HD

www.profilebooks.com

Copyright Joyce Tyldesley, 2018

The moral right of the author has been asserted.

All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book.

A CIP catalogue record for this book is available from the British Library.

eISBN 978 1 84765 890 6

CONTENTS

ACKNOWLEDGEMENTS I always worry when I st - photo 4

ACKNOWLEDGEMENTS

I always worry when I start a new book Is my subject of interest to a wide - photo 5

I always worry when I start a new book. Is my subject of interest to a wide readership or horrible thought is it simply my own, self-indulgent obsession? With this book, all worries soon evaporated.

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