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Kate Mulgrew - Born with Teeth

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    Born with Teeth
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Born with Teeth: summary, description and annotation

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Raised by unconventional Irish Catholics who knew how to drink, how to dance, how to talk, and how to stir up the devil, Kate Mulgrew grew up with poetry and drama in her bones. But in her mother, a would-be artist burdened by the endless arrival of new babies, young Kate saw the consequences of a dream deferred. Determined to pursue her own no matter the cost, at 18 she left her small Midwestern town for New York, where, studying with the legendary Stella Adler, she learned the lesson that would define her as an actress: Use it, Adler told her. Whatever disappointment, pain, or anger life throws in your path, channel it into the work.
It was a lesson she would need. At twenty-two, just as her career was taking off, she became pregnant and gave birth to a daughter. Having already signed the adoption papers, she was allowed only a fleeting glimpse of her child. As her star continued to rise, her life became increasingly demanding and fulfilling, a whirlwind of passionate love affairs, life-saving friendships, and bone-crunching work. Through it all, Mulgrew remained haunted by the loss of her daughter, until, two decades later, she found the courage to face the past and step into the most challenging role of her life, both on and off screen.
We know Kate Mulgrew for the strong women shes played--Captain Janeway onStar Trek; the tough-as-nails Red onOrange is the New Black. Now, we meet the most inspiring and memorable character of all: herself. By turns irreverent and soulful, laugh-out-loud funny and heart-piercingly sad, BORN WITH TEETH is the breathtaking memoir of a woman who dares to live life to the fullest, on her own terms.

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In accordance with the US Copyright Act of 1976 the scanning uploading and - photo 1

In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the authors intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the authors rights.

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Copyright 2015 by Kate Mulgrew

Jacket design by Allison J. Warner

Jacket photograph by Joseph Glennon Mulgrew

Author photograph by Augusten Burroughs

Jacket 2015 Hachette Book Group, Inc.

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the authors intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at permissions@hbgusa.com. Thank you for your support of the authors rights.

Little, Brown and Company

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First ebook edition: April 2015

Little, Brown and Company is a division of Hachette Book Group, Inc.

The Little, Brown name and logo are trademarks of Hachette Book Group, Inc.

Certain names and identifying characteristics have been changed.

The quotation is from The Rubaiyat of Omar Khayyam, translated by Edward FitzGerald.

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ISBN 978-0-316-33430-3

E3

For Beth,

who always met me there

Derby Grange, circa 1960
Mother and me, Langworthy Avenue, 1957
Family photo, Derby Grange, 1966. From left to right: Laura, Dad, Tom, Mother, Sam, Joe, Tessie, Pringle, me, and Jenny
Tessie, 1966
Jenny and me
Ryans Hope, first year, 1975. From left to right: me, Malcolm Groome, Helen Gallagher, Bernard Barrow, Michael Hawkins, Ilene Kristen (Courtesy of American Broadcasting Companies, Inc.)
Publicity photo for Love Spell, me with Richard Burton, 1976 (Courtesy of Claire Labine)
In the kitchen at Derby Grange, 1976
Beth
Mrs. Columbo (Courtesy of Universal Studios Licensing LLC)
Mother and me in Venice
Roberto and me
Pierce Brosnan and me in The Manions of America (Courtesy of American Broadcasting Companies, Inc.)
Cast of Another Part of the Forest at the Seattle Repertory Theatre. From left to right: John Kellogg, Kim Hunter, Keith Carradine, me, John Procaccino (Photograph by Greg Gilbert)
Another Part of the Forest, Seattle Repertory Theatre (Photograph by Greg Gilbert)
Robert Egan
My wedding day
The Misanthrope at the Seattle Repertory Theatre with Daniel Davis (Photograph by Chris Bennion)
Montana Avenue. Lucy, Alec in my arms, and Ian attending to the apples
Tim Hagan and me in the Thomas Ashe Pub, Ireland
The Atlantic, off Dingle Bay, with the boys
Sailing
Publicity Begins for Voyager (Courtesy of CBS Television Studios)
Captain Janeway (Courtesy of CBS Television Studios)
My boys
Incarnation Childrens Center Gala (Courtesy of Marion Curtis/Getty Images)
Mother and me
I meet my daughter, Danielle, 1997
Happiness

The Bird of Time has but a little way

To flyand lo! The Bird is on the Wing.

Omar Khayyam, Rubai 7 (from my mothers secret box of sayings)

I started out in a green house with a red door in a small town where mysteries - photo 2

I started out in a green house with a red door in a small town, where mysteries abounded. Immediately after issuing me into the world, my mother took me to this house and put me in a shoebox, which she placed on the dining room table so that one and all might come and gaze upon my perfect miniature beauty. Hands like starfish, to hear her tell it, grave but ravishing cornflower-blue eyes, and, most remarkable of all, a set of baby teeth. Two pearls on top and two, nonpareil, on the bottom. Shakespeare, my mother said, would have a field day. The neighborhood ladies were not impressed and stood there in silent judgment with arms crossed over pregnant stomachs. It wasnt good form to crow about your childs beauty, especially considering the vast numbers of children that populated those Irish-German households. My mother, however, was undaunted and maintained her frantic vigil until she convinced herself that I, her first daughter, was growing even tinier than I had been at birth. Alarmed, she rushed me to the hospital and demanded that I be incubated. Dr. Sharp, her obstetrician, shook his head but to no avail. And so it was that in that strange aquarium of light and warmth, my mothers face pressed against the glass, I developed a constitution that could only ever be described as able and hardy.

My father observed my growing appetite for solid food with ill-concealed contempt. Jesus. H. Christ, he would mutter as I shoved yet another fistful of banana pudding into my mouth, Im going to the Lux Club for a belt. Of course, the Lux Club at happy hour was thick with young Catholic fathers looking for a quick reprieve before heading home to their harried wives and hordes of screaming children. These strapping Irish boys would then stumble home to find the madhouse magically transformed into an oasis of quiet, children tucked in, dishes done, the lovely young wife lying achingly still in the bed. He might whisper Shhh if she started to turn and then, oh so quickly, the nightgown was up over her thighs and the deed was done in a lightning flash so that neither he nor she could ever remember with nostalgia the actual moment in which any of their children was conceived.

My father was not surprised when Dr. Sharp visited and announced that I would need a special crib, one with bars on all sides as well as over the top because would you believe it, said the good doctor, but this kid has no sense of pain. Mother was delighted by the novelty of this condition and stood stoically by as my baby teeth were pulled, quickly and without incident, so as to prevent my eating them. I was too young to wink with intention, but I like to think I caught my fathers eye as he pulled on his overcoat and invoked yet again the name of his secret friend, Jesus. H. Christ.

Babies appeared with maddening regularity. The bassinette, to my horror, was constantly emptied of one baby and filled with another. This was a sleight of hand I simply could not grasp, and yet I was told sternly that this was my younger brother Joe and to always rely on my older brother, Tom, and to hold this newest one gently and quietly because she was just an infant and her name was Maggie. I was given a bottle and told to feed this baby while the other kids went streaking out the front door to the Odd Lot across the street, where all the neighborhood children were at play. Screams of pleasure and abandon pierced the living room where I sat in an armchair holding my baby sister, who seemed to me quite leaden, swathed, as she was, in thick cotton blankets. My resentment blossomed into rage when it dawned on me that I was not to be allowed my freedom that afternoon, that I was, in fact, being held prisoner by this lump of obligation called a sister and that not only had my siblings abandoned me but my mother had, as well.

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