Morgoth - The Refugee Crisis
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Table of Contents
POPULAR CULTURE
Music, Movies, Advertisements, and Sport
THE FAUX RIGHT
Classical Liberals, Libertarians, Cuckservatives, et al.
LEFTISTS
Parasites, Tools, Fanatics, and More
SUBVERSIVES
NARRATIVES
WOMEN AND GIRLS
PLACES
On Eastern Europe, France, and Germany
: Wishing You All A Merry Christmas
The Refugee Crisis
A Second Collection of Essays, 2015
by
Morgoth
of Morgoths Review
Welcome to The Refugee Crisis, the second book in a series that collects the blog posts of Morgoths Review. This volume covers the second half of 2015.
Here Morgoth really comes into his own. He keeps the trademark humour and level-headed good sense from his early days. But now he had added some long-form essays, such as those on the fatal limitations of classical liberalism, or a surprisingly deep analysis of Taylor Swift, which are absolutely authoritative.
WaitTaylor Swift? What is she doing in a book of dissident essays? Morgoth has often said, and I couldnt agree with him more, that it is a catastrophic mistake to leave the field of culture to our political enemies. Culture shapes our very sense of reality, of how the world works. Would you want to give power over reality itself to your political enemies? Indeed, one reason our society is a madhouse is that the sense of reality imparted to people from ill-intentioned popular culture is the opposite of the real reality.
Or to take it a bit deeper, one might argue that, in an age of religious decline, the narratives we absorb from popular culture become our religion. And if theres anything that might overpower reality, its religion. Thats why I always put the cultural essays at the start of the collections. Its important.
This book does, however, save the best for last. The final essay, Germany and The Long Defeat, is a searing, must-read piece.
And as always, I should remind you that its important to support our guys. You can do that here:
https://www.subscribestar.com/morgoth-s-review
https://www.patreon.com/Morgoth
https://ko-fi.com/morgoth1
George Elwit
January 2020
Popular Culture
Music, Movies, Advertisements, and Sport
Taylor Swift and How Feminism is a Psyop Against White People
September 2015
Taylor Swift is being lambasted for her new music video, Wildest Dreams. Commentators and journalists are accusing her of racism. Viviane Rutabingwa and James Kassaga Arinaitwe write in NPR:
In the video Taylor Swift is dressed as a colonial-era woman on African soil. With just a few exceptions, the cast in the video the actors playing her boyfriend and a movie director and his staff all appear to be white.
We are shocked to think that in 2015, Taylor Swift, her record label and her video production group would think it was OK to film a video that presents a glamorous version of the white colonial fantasy of Africa. But it still stings.
Who would want to emulate this fantasy? |
|
When she could have been showing the vibrant reality, this. |
Or this. |
It goes on:
Here are some facts for Swift and her team: Colonialism was neither romantic nor beautiful. It was exploitative and brutal. The legacy of colonialism still lives quite loudly to this day. Scholars have argued that poor economic performance, weak property rights and tribal tensions across the continent can be traced to colonial strategies. So can other woes. In a place full of devastation and lawlessness, diseases spread like wildfire, conflict breaks out and dictators grab power.
Excuses, excuses. Meanwhile in Singapore and Hong Kong, which were also colonised, things look rather more like this:
Zoom in really closely and youll see Chinese victims of colonialism hacking at each other with machetes too |
The same scholars presumably have rather less to say about this.
Taylor Swift has been the target of scorn for several years, with feminists taking offence, apparently, at her positioning as a good girl who writes simple, heterosexual love songs that have mentioned virginity in a positive way. A black woman writer at Jezebel:
Its been printed on T-shirts and postcards and throw pillows: Well-behaved women seldom make history. Taylor Swifts Grammy threatens to refute this. I dont care about her personal choices, but her image of being good and pure plays right into how much the patriarchy fetishizes virginity, loves purity, and celebrates women who know their place as delicate flowers.
Today, though, Swift cuts a different image, having officially quit country music last year and now with Jew/new best friends, arch-feminists Lena Dunham and Lorde, in tow she is saying things like misogyny is ingrained in people from the time they are born and so to me, feminism is probably the most important movement that you could embrace, because its just basically another word for equality.
So all must surely be well for Swift now that she joined the feminist club, right? right? Well, no. The attacks have only been getting worse and more vicious because the world of feminism has moved on from its goal of demonising white men and encouraging women to sleep around and never settle down to have children: fourth-wave feminism has arrived and its here to broadcast the message that whites are evil and that white women should shut the fuck up because they are oppressors. Unfortunately, as time and history have shown, women are much more easily manipulated than men and this brainwashing has taken on a particularly brutal nature.
That people of colour, otherwise known as the Coalition of Aggressive Non-whites Against white People, are coming out with more and more of this stuff as they grow in number and confidence is unsurprising, but what is so damaging is that third-wave feminism, already a subversive force that is bad for white womenturning them against white men via poisonous ideas like rape culture, and putting them off having familiesis quickly being superseded by fourth-wave, the goal of which seems to be entirely to teach white women that they are evil, their entire history and culture is evil, and that they must now, to be a proper feminist, spend their entire lives apologising and grovelling to people of colour and campaigning against themselves and white men.
Women as Defenders of the Status Quo
Its easy to say Ha, well, feminists have been hating on men for ages, its great to see them get a taste of their own medicine. But the whole point of feminism from the beginning seems to be separation of white women from white men. And its not just women who are hating their fellow whiteslook at MGTOW, most of the manosphere. These sites acknowledge biological differences and that women are more easily led, but also incite hatred towards white women despite the fact they have been so Jewed up they have no idea what they are doing. right up until the 1990s women were the essential part of the Conservative Partys electorate they voted Conservative in far larger numbers than men and were far more socially conservative. They were protectors of the family unit under the fickle and easily-controlled system of democracy until the Frankfurt School and their followers decided that family life was hate.
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