Morgoth - Nothing is Written

Nothing is Written

A Third Collection of Essays, 2016

by

Morgoth

of Morgoths Review

Table of Contents

CULTURE

Music, Movies, and Television

AUTOBIOGRAPHICAL

THE WARS TO COME

Migration, Demographics, and Strife

LEFTISTS

RIGHTISTS

BIOLOGY AND POLITICS

PLATFORMS

The Legacy Media, and the Rise of Internet Censorship

TRUMPIAN STORMS GATHER

NOTHING IS WRITTEN: BREXIT

Nothing is Written forms the third volume of our collection of Morgoths Review blog posts. It covers the first half of 2016.

Here Morgoth turns a steely eye on important issues such as mass third-world migration, Donald Trump, and Brexit.

We also see the first ominous stirrings of what would later come to be called deplatforming.

And as always culture, a subject disastrously neglected by the dissident right, leads the collection. The first essay, Radiohead in the Age of White Genocide, is tremendous.

The title of this volume comes from its final piece, a stirring, must-read message of hope.

As always, if we want to prevail, we must help with the cause any way we can. You can do so here:

https://www.subscribestar.com/morgoth-s-review

https://www.patreon.com/Morgoth

https://ko-fi.com/morgoth1

Enjoy the book.

George Elwit

georgeelwit@gmail.com

January 2020

Culture

Music, Movies, and Television

Radiohead In The Age Of White Genocide

May 2016

I was pleasantly surprised to see Radiohead return with their weird, and strangely addictive, brand of angst-laden introspective ambient rock. Listening to music which could, understandably, be deemed miserable and depressing has often struck me as a particular and peculiar European pastime. What bands such as New Order or Joy Division or Nirvana or Radiohead are actually singing about is by the by; they tap into a latent melancholia which has always existed in the European soul, which European musicians, whether modern or classic, have always explored.

A brief glance at the titles of Radioheads songs and albums over the years reveals quite quickly where they are coming from: Fake Plastic Trees, Paranoid Android, Fitter Happier, Climbing Up the Walls, How to Disappear Completely, Life in a Glasshouse, Ok Computer, Sail to the Moon, etc. Radiohead are exploring the isolation, atomization, and malaise of post-modernity: the internal struggles, the dark cloud of feeling that the world, and our lives on it, are superficial, that it simply shouldnt be like this! wrapped up within lead singer Thom Yorkes emotional falsetto vocals and copious dollops of melodic brilliance.

The typical Radiohead song conjures an imagine of an obese slob who watches reality television between random bouts of wife-beating, the wife being a soulless dead-eyed tramp who has no dreams or longing beyond mobile phones and consumer junk. Our slob, in a one-time-only moment of self-awareness, steps outside himself and contemplates the dead animals which he ate without thinking, his shit job, and the wars being carried out in his name which he doesnt understand and then, allowing a solitary tear to trickle down his fat cheek, it dawns on him that when he was a boy and pure of heart, he dreamed of so, so much more.

So where is all of this stuff coming from? What drives Radiohead intellectually? What sits behind all those cryptic lyrics and lashings of operatic existential angst?

Thom Yorke describes reading Noam Chomskys Manufacturing Consent as a formative moment. According to Chomsky, privately owned mass media, high finance, the Military-Industrial Complex, and the political class all co-operate and complement each other in achieving convergent goals. This is The System, and the System has reduced the masses to a Kentucky Fried Chicken munching horde of farting retards spoon fed Wars on Terror as the last hummingbird on earth chokes to death on the noxious gases created by the furnaces of capitalist production.

Or as Radiohead put it:

concerned

an empowered and informed member of society

will not cry in public

less chance of illness

tires that grip in the wet

a good memory

still cries at a good film

still kisses with saliva

no longer empty and frantic

like a cat

tied to a stick

thats driven into

frozen winter shit

calm

fitter, healthier and more productive

a pig

in a cage

on antibiotics

Theres obviously a good bit of meat for the nationalist to enjoy in this interesting brand of left-wing thought, though it doesnt tell us anything we didnt already know. The problems appear when we delve into precisely who, or what, is actually at the heart of the System. The System, for these thoughtful leftists, is self-perpetuating. Who runs it or why isnt important; it is the structures and power-centres which drive it, regardless of who operates its control mechanisms. It spreads and grows because it must spread and grow; its more like the Borg from Star Trek, or Islamits a virus, and its purpose is to perpetuate itself. You will note that this is not the same as the far more moronic and poisonous doctrines of White Privilege Theory peddled by the more recently birthed SJW school of leftism. Indeed, its quite reasonable to assume that the System itself created the SJW movement to misdirect an awakening citizen-consumer as to the identity of the Systems operators.

Any nationalist worthy of the name should be able to cut through these leftist webs with consummate ease. Why, if the System is simply a means to gain more power and resources and consumers, why then is it so paranoid about one relatively useless patch of desert scrub in the Middle East? To be fair to Chomsky, he has been highly critical of Israel and neo-conservatism in general. Hes asked that the Holocaust be made open to public debate. But only nationalists look deep into the inner core of the System and see, and speak, and create amusing memes about, who or what is thereand as we know, its members of Chomskys own group, the Jews. The suspicious white nationalist mind might even go so far as to accuse Chomsky of brushing the footprints of his people out of the snow.

My issue with Radiohead is that theyre pouring heartfelt and very white emotions, melancholia and empathy, into a dead end created by the same group who ultimately are responsible for the creation of the System which has created the misery of the world, the misery and despair which Radiohead articulate so well.

Why weep for a tree frog when Norwegian children born today will be a minority by early adulthood? A change which The System has forced to occur within just three decades, a change which will overturn at least 10,000 years of history! That is the ambient rock power ballad I want to hear. And it isnt a million miles away from where Radiohead, or other thinking leftists of this hue, are now intellectually.

Our people will never find salvation in universalist ideals because you cannot possibly defeat a power structure which imposes universalism with yet more universalism. If we establish that nature and the natural is more spiritually fulfilling than crass materialism then why not go further, why not bring it all the way home to the human and then on to the ethnic and racial and understanding that we are part of nature and should be treated as such. Yet for ((some)) reason the intellectual left has no problem with introducing the human equivalent of the tree frog and the scorpion into the Irish countryside if we idiotically call them social constructs. And so the destruction of the System rolls on, crunching over everything of value like a tank over skulls. There is no way out of the labyrinth of modernity for the leftist mind. Theyre trapped.