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Mikael Aktor - Exploring Aniconism

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Mikael Aktor Exploring Aniconism

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This book explores the phenomenon of aniconismthe denotation of the presence of gods, saints, or spiritual forces using non-figural visual markers that do not resemble these supranatural entities.

The contributors show how various types of aniconism differ in how they mediate divine presence and relate to other modes of representation. Aniconism is rarely absolute; each aniconic form needs to be considered within a spectrum of visual modes ranging from the abstract to the anthropomorphic. The chapters examine aniconism in paleolithic cultures; in ancient Egypt, Israel, and Greece; in early Christianity and Islam; in medieval and contemporary Hinduism; and in 17th19th century Scottish-Gaelic contexts. The volume also provides a critical historiography of aniconism as an academic concept, a new fine-tuned terminology, and some general characteristics of aniconic expressions in the context of the broader field of material religion.

Offering a multi-faceted discussion of this important category of religious material culture, this book will be of interest to those with an interest in aniconism, as well as those involved in the wider study of how religion intersects with art and anthropology.

This book was originally published as a special issue of the Religion journal.

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Exploring Aniconism This book explores the phenomenon of aniconismthe - photo 1
Exploring Aniconism

This book explores the phenomenon of aniconismthe denotation of the presence of gods, saints, or spiritual forces using non-figural visual markers that do not resemble these supranatural entities.

The contributors show how various types of aniconism differ in how they mediate divinepresence and relate to other modes of representation. Aniconism is rarely absolute; eachaniconic form needs to be considered within a spectrum of visual modes ranging from theabstract to the anthropomorphic. The chapters examine aniconism in paleolithic cultures;in ancient Egypt, Israel, and Greece; in early Christianity and Islam; in medieval and contemporaryHinduism; and in 17th19th-century Scottish-Gaelic contexts. The volume alsoprovides a critical historiography of aniconism as an academic concept, a new fine-tunedterminology, and some general characteristics of aniconic expressions in the context of thebroader field of material religion.

Offering a multi-faceted discussion of this important category of religious material culture, this book will be of interest to those with an interest in aniconism, as well as those involved in the wider study of how religion intersects with art and anthropology.

This book was originally published as a special issue of the Religion journal.

Mikael Aktor is an Associate Professor in Studies of Religions at the University of Southern Denmark, Odense, Denmark. His publications include Object of Worship in South Asian Religions (with Knuth Jacobsen and Kristina Myrvold, 2015). His other research area is the study of ancient and medieval Hindu law.

Milette Gaifman is an Associate Professor in Classics and History of Arts at Yale University, New Haven, USA. Her publications include Aniconism in Greek Antiquity (2012), The Art of Libation in Classical Athens (2018), and The Embodied Object in Classical Art, a special issue of Art History (co-edited with Verity Platt and Michael Squire, 2018).

Exploring Aniconism

Edited by
Mikael Aktor and Milette Gaifman

First published 2020 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 2

First published 2020
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

and by Routledge
52 Vanderbilt Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2020 Taylor & Francis

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library

ISBN13: 978-0-367-35776-4

Typeset in Minion Pro
by codeMantra

Publishers Note
The publisher accepts responsibility for any inconsistencies that may have arisen during the conversion of this book from journal articles to book chapters, namely the inclusion of journal terminology.

Disclaimer
Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.

Contents


Milette Gaifman


Robert G. Bednarik


Jrgen Podemann Srensen


Hans J. L. Jensen


Robin M. Jensen


Nadia Ali


Jay Johnston


Richard H. Davis


David L. Haberman


Mikael Aktor

The chapters in this book were originally published in Religion, volume 47, issue 3 (July 2017). When citing this material, please use the original page numbering for each article, as follows:

Chapter 1

Aniconism: definitions, examples and comparative perspectives

Milette Gaifman

Religion, volume 47, issue 3 (July 2017) pp. 335352

Chapter 2

Aniconism and the origins of palaeoart

Robert G. Bednarik

Religion, volume 47, issue 3 (July 2017) pp. 353365

Chapter 3

The real presence of Osiris: iconic, semi-iconic and aniconic ritual representations of an Egyptian god

Jrgen Podemann Srensen

Religion, volume 47, issue 3 (July 2017) pp. 366377

Chapter 4

Aniconic propaganda in the Hebrew Bible, or: the possible birth of religious seriousness

Hans J. L. Jensen

Religion, volume 47, issue 3 (July 2017) pp. 399407

Chapter 5

Aniconism in the first centuries of Christianity

Robin M. Jensen

Religion, volume 47, issue 3 (July 2017) pp. 408424

Chapter 6

The royal veil: early Islamic figural art and the Bilderverbot reconsidered

Nadia Ali

Religion, volume 47, issue 3 (July 2017) pp. 425444

Chapter 7

Stone-agency: sense, sight and magical efficacy in traditions of the Highlands and Islands of Scotland

Jay Johnston

Religion, volume 47, issue 3 (July 2017) pp. 445458

Chapter 8

ivas multiplicity of presence in aniconic and iconic form

Richard H. Davis

Religion, volume 47, issue 3 (July 2017) pp. 459482

Chapter 9

Drawing out the iconic in the aniconic: worship of neem trees and Govardhan stones in Northern India

David L. Haberman

Religion, volume 47, issue 3 (July 2017) pp. 483502

Chapter 10

The Hindu pacyatanapj in the aniconism spectrum

Mikael Aktor

Religion, volume 47, issue 3 (July 2017) pp. 503519

For any permission-related enquiries please visit:
http://www.tandfonline.com/page/help/permissions

Mikael Aktor is an Associate Professor in Studies of Religions at the University of Southern Denmark, Odense, Denmark. His other research area is the study of ancient and medieval Hindu law.

Nadia Ali is a Postdoctoral Researcher on the Empires of Faith project, jointly hosted by the British Museum and the University of Oxford, UK. Her research interests focus on the emergence of early Islamic art in the context of Late Antiquity.

Robert G. Bednarik is the Convener and Editor-in-Chief of the International Federation of Rock Art Organisations and is affiliated with the International Centre for Rock Art Dating (ICRAD) at Hebei Normal University, Shijiazhuang, China. His principal research interests are the origins of the human ability to create constructs of reality.

Richard H. Davis is a Professor in the Religion and Asian Studies Programs at Bard College, USA. Currently, he is continuing work on the reception history of the Bhagavad Gita and on a history of religions in early South Asia.

Milette Gaifman is an Associate Professor in Classics and History of Arts at Yale University, New Haven, USA. She is a scholar of ancient art and archaeology, focusing primarily on Greek art of the Archaic and Classical periods.

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